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Greek Lyric
Greek lyric is the body of lyric poetry written in dialects of Ancient Greek. Lyric poetry is, in short, poetry to be sung accompanied by music, traditionally a lyre. It is primarily associated with the early 7th to the early 5th centuries BC, sometimes called the "Lyric Age of Greece", but continued to be written into the Hellenistic and Imperial periods. Background Lyric is one of three broad categories of poetry in classical antiquity, along with drama and epic, according to the scheme of the "natural forms of poetry" developed by Goethe in the early nineteenth century. (Drama is considered a form of poetry here because both tragedy and comedy were written in verse in ancient Greece.) Culturally, Greek lyric is the product of the political, social and intellectual milieu of the Greek ''polis'' ('city-state'). Much of Greek lyric is occasional poetry, composed for public or private performance by a soloist or chorus to mark particular occasions. The symposium ('drinking pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brygos Painter ARV 385 228 Alkaios And Sappho - Dionysos And Maenad (05)
Brygos was an ancient Greek potter, active in Athens between 490 and 470 BC. He is known as a producer of excellent drinking cups. About 200 of his pieces are known. The workshop of Brygos employed a red-figure vase painter who is conventionally called the Brygos Painter. The Brygos Painter is one of the most famous vase painters of his time. His work is characterised by its high quality and realistic depictions. The workshop of Brygos also employed the Briseis Painter, among others. See also *Pottery of ancient Greece *Art in ancient Greece Art is a diverse range of cultural activity centered around ''works'' utilizing creative or imaginative talents, which are expected to evoke a worthwhile experience, generally through an expression of emotional power, conceptual ideas, tec ... Bibliography *Ingeborg Scheibler. ''Griechische Töpferkunst'', C. H. Beck. External linksGetty Museum - Brygos Potter Ancient Greek potters Anonymous artists of antiquity Year of bi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reed Pipe
A reed pipe (also referred to as a ''lingual'' pipe) is an organ pipe that is sounded by a vibrating brass strip known as a '' reed''. Air under pressure (referred to as ''wind'') is directed towards the reed, which vibrates at a specific pitch. This is in contrast to flue pipes, which contain no moving parts and produce sound solely through the vibration of air molecules. Reed pipes are common components of pipe organs. Stop Reed pipes include all stops of the "Reed" class, and some stops from the "Hybrid" class. The reed stops of an organ are collectively called the "reed-work". Construction A reed pipe comprises a metal ''tongue'' (the reed) which rests against a ''shallot'', in which is carved a tunnel. The reed and shallot are held in place by a wooden ''wedge''. This assembly protrudes from the underside of the ''block'' and hangs down into the ''boot''. A ''tuning wire'' is inserted through the boot and is bent to hold the reed against the shallot. The wire is moved u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pederasty In Ancient Greece
Pederasty in ancient Greece was a socially acknowledged relationship between an older male (the ''erastes'') and a younger male (the '' eromenos'') usually in his teens. It was characteristic of the Archaic and Classical periods. Some scholars locate its origin in initiation ritual, particularly rites of passage on Crete, where it was associated with entrance into military life and the religion of Zeus. It has no formal existence in the Homeric epics, and may have developed in the late 7th century BC as an aspect of Greek homosocial culture, which was characterized also by athletic and artistic nudity, delayed marriage for aristocrats, symposia, and the social seclusion of women. Pederasty was both idealized and criticized in ancient literature and philosophy. The argument has recently been made that idealization was universal in the Archaic period; criticism began in Athens as part of the general Classical Athenian reassessment of Archaic culture. Scholars have de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archilochus
Archilochus (; ''Arkhílokhos''; 680 – c. 645 BC) was a Iambus (genre) , iambic poet of the Archaic Greece, Archaic period from the island of Paros. He is celebrated for his versatile and innovative use of poetic meters, and is the earliest known Greek author to compose almost entirely on the theme of his own emotions and experiences. Biography A considerable amount of information about the life of Archilochus has come down to the modern age via his surviving work, the testimony of other authors, and inscriptions on monuments, yet it all needs to be viewed with caution – the biographical tradition is generally unreliable and the fragmentary nature of the poems does not really support inferences about his personal history. The vivid language and intimate details of the poems often look autobiographical yet it is known, on the authority of Aristotle, that Archilochus sometimes role-played. The philosopher quoted two fragments as examples of an author speaking in somebody el ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Invective
Invective (from Middle English ''invectif'', or Old French and -4; we might wonder whether there's a point at which it's appropriate to talk of the beginnings of French, that is, when it wa ... and Late Latin ''invectus'') is abusive, or insulting language used to express blame or censure; or, a form of rude expression or discourse intended to offend or hurt; vituperation, or deeply seated ill will, vitriol. The Latin adjective ''invectivus'' means 'scolding.' The genre of invective The "genre of invective" or "''vituperatio''" in Latin is a classical literary form used in Greek and Latin literature">Roman polemical verse as well as in prose. Its primary context is as rhetoric. The genre of ''vituperatio'' belongs to the ''genus demonstrativum'', which is composed of the elements of praise and blame. During the Roman Republic, personal invectives and character assassination were widely used as part of both forensic speeches and orations. Cicero made frequent use of the invective ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dithyramb
The dithyramb (; , ''dithyrambos'') was an ancient Greek hymn sung and danced in honor of Dionysus, the god of wine and fertility; the term was also used as an epithet of the god. Plato, in '' The Laws'', while discussing various kinds of music mentions "the birth of Dionysos, called, I think, the dithyramb." Plato also remarks in the ''Republic'' that dithyrambs are the clearest example of poetry in which the poet is the only speaker. However, in '' The Apology'' Socrates went to the dithyrambic poets with some of their own most elaborate passages, asking their meaning, but got a response of, "Will you believe me?" which "showed me in an instant that not by wisdom do poets write poetry, but by a sort of genius and inspiration; they are like diviners or soothsayers who also say many fine things, but do not understand the meaning of them." Plutarch contrasted the dithyramb's wild and ecstatic character with the paean. According to Aristotle, the dithyramb was the origin of Atheni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paean
A paean () is a song or lyric poem expressing triumph or thanksgiving. In classical antiquity, it is usually performed by a chorus, but some examples seem intended for an individual voice ( monody). It comes from the Greek (also or ), "song of triumph, any solemn song or chant". "Paeon" was also the name of a divine physician and an epithet ("byname") of Apollo. Etymology The basis of the word παιάν is ." Its ultimate etymology is unclear. R. S. P. Beekes has suggested the meaning "who heals illnesses through magic", from / "blow", related to "beat" (from Proto-Indo-European ''*ph2u-ie/o-'') or "withhold" (of uncertain etymology). He alternatively suggested that ''paian'' "may well be Pre-Greek". R. S. P. Beekes, ''Etymological Dictionary of Greek'', Brill, 2009, p. 1142 (see also pp. 1144 and 1159). Ancient Greek paean In Homer, Paeon Mycenaean Greek , ''pa-ja-wo-ne'' /pajāwonei/ ( dat.), written in Linear B and attested on the KN V 52 tablet found at Mycenae ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hymn
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek language, Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Polyhymnia is the Greco/Roman goddess of hymns. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other major religious groups, world religions, especially on the Indian subcontinent (''stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victory Ode
The ''epinikion'' or ''epinicion'' (: ''epinikia'' or ''epinicia'', Greek , from ''epi-'', "on", + '' nikê'', "victory") is a genre of occasional poetry also known in English as a victory ode. In ancient Greece, the ''epinikion'' most often took the form of a choral lyric, commissioned for and performed at the celebration of an athletic victory in the Panhellenic Games and sometimes in honor of a victory in war. Major poets in the genre are Simonides, Bacchylides, and Pindar. Origins Since the poets most often call their victory songs ''hymnoi'' (), it has been conjectured that hymns for Heracles, honored as the founder of the Olympic Games, were the original model for the athletic ''epinikion''. Victory odes are also associated with the Dioscuri; Pindar uses the term "Castor-song" (), and Polydeuces (Pollux), the mortal twin of Castor, was a boxer. Although the best-known ''epinikia'' appear to have been composed for a chorus, they may have originally been performed by a sol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iambus (genre)
Iambus or iambic poetry was a genre of Greek lyric, ancient Greek poetry that included but was not restricted to the Iamb (foot), iambic meter and whose origins modern scholars have traced to the cults of Demeter and Dionysus. The genre featured insulting and obscene language and sometimes it is referred to as "blame poetry". For Alexandrian period, Alexandrian editors, however, iambus signified any poetry of an informal kind that was intended to entertain, and it seems to have been performed on similar occasions as elegy even though lacking elegy's decorum. The Archaic Greece, Archaic Greek poets Archilochus, Semonides and Hipponax were among the most famous of its early exponents. The Alexandrian period, Alexandrian poet Callimachus composed "iambic" poems against contemporary scholars, which were collected in an edition of about a thousand lines, of which fragments of thirteen poems survive. He in turn influenced Roman poets such as Catullus, who composed satirical epigrams that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elegiac Couplet
The elegiac couplet or elegiac distich is a poetic form used by Greek lyric poets for a variety of themes usually of smaller scale than the epic. Roman poets, particularly Catullus, Propertius, Tibullus, and Ovid, adopted the same form in Latin many years later. As with the English heroic couplet, each pair of lines usually makes sense on its own, while forming part of a larger work. Each couplet consists of a dactylic hexameter verse followed by a dactylic pentameter verse. The following is a graphic representation of its scansion: – uu , – uu , – uu , – uu , – uu , – x – uu , – uu , – , , – uu , – uu , – – is one long syllable, u one short syllable, uu is one long or two short syllables, and x is one long or one short syllable ( anceps). The form was felt by the ancients to contrast the rising action of the first verse with a falling quality in the second. The sentiment is summarized in a line from Ovid's ''Amores'' I.1.2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
