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Great Temple (Petra)
The Great Temple at Petra is a grand monumental complex that lies south of the Colonnaded Street at Petra. It covers an area of ~7,560 m2. The complex was probably completed in the early first century AD, under the rule of Nabataeans, Nabataean king Aretas IV Philopatris, Aretas IV, as suggested by architectural and sculptural details. The "Great Temple" occupied a prime spot in ancient Petra: from its ruins one can now see the Siq to the Southeast, the Qasr al-Bint to the West, and the Lower Market/Petra Pool Complex to the East. It is unclear whether the complex was a religious or administrative building, and – if it was indeed religious – how exactly it functioned or to what deity it was dedicated. History of research In the 1890s, the ruins were superficially explored by German archaeologists R. E. Brünnow and A. von Domaszewski. Walter Bachmann then surveyed Petra as a member of the Preservation branch of the German-Turkish army, and was the first scholar to id ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Great Temple Of Petra 02
Great may refer to: Descriptions or measurements * Great, a relative measurement in physical space, see Size * Greatness, being divine, majestic, superior, majestic, or transcendent People * List of people known as "the Great" * Artel Great (born 1981), American actor * Great Osobor (born 2002), Spanish-born British basketball player Other uses * Great (1975 film), ''Great'' (1975 film), a British animated short about Isambard Kingdom Brunel * Great (2013 film), ''Great'' (2013 film), a German short film * Great (supermarket), a supermarket in Hong Kong * GReAT, Graph Rewriting and Transformation, a Model Transformation Language * Gang Resistance Education and Training, or GREAT, a school-based and police officer-instructed program * Global Research and Analysis Team (GReAT), a Kaspersky Lab#Malware discovery, cybersecurity team at Kaspersky Lab *''Great! (EP), Great!'', a 2018 EP by Momoland *Great! TV, British TV channel group *The Great (TV series), ''The Great'' (TV series), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apollo
Apollo is one of the Twelve Olympians, Olympian deities in Ancient Greek religion, ancient Greek and Ancient Roman religion, Roman religion and Greek mythology, Greek and Roman mythology. Apollo has been recognized as a god of archery, music and dance, truth and prophecy, healing and diseases, the Sun and light, poetry, and more. One of the most important and complex of the Greek gods, he is the son of Zeus and Leto, and the twin brother of Artemis, goddess of the hunt. He is considered to be the most beautiful god and is represented as the ideal of the ''kouros'' (ephebe, or a beardless, athletic youth). Apollo is known in Greek-influenced Etruscan mythology as ''Apulu''. As the patron deity of Delphi (''Apollo Pythios''), Apollo is an oracular god—the prophetic deity of the Pythia, Delphic Oracle and also the deity of ritual purification. His oracles were often consulted for guidance in various matters. He was in general seen as the god who affords help and wards off e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manar Al-Athar
Manar al-Athar is a photo archive based at the Faculty of Classics at the University of Oxford which aims to provide high-quality open-access images of archaeological sites and buildings. The archive's collection focuses on areas of the Roman Empire which later came under Islamic rule, namely the Levant, North Africa, Turkey, Georgia and Armenia. As of June 2022, the archive holds more than 83,000 unique images. Particular strengths include Late antiquity, as well as the transition from paganism to Christianity and later to Islam. The archive licenses its images under a Creative Commons CC BY-NC-SA 2.0 license; the images can be used for any non-commercial purpose, including in academic publications, and are jointly labelled in English and Arabic to encourage usage by academics and students around the world. History Manar al-Athar was founded in 2012 by Judith McKenzie, archaeologist and Associate Professor of Late Antique Egypt and the Holy Land at the University of Oxf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bouleuterion
Bouleuterion (, ''bouleutērion''), also translated as and was a building in ancient Greece which housed the council of citizens (, ''boulē'') of a democratic city state. These representatives assembled at the bouleuterion to confer and decide about public affairs. There are several extant bouleuterion around Greece and its former colonies. It should not be confused with the Prytaneion, which housed the executive council of the assembly and often served as the boule's mess hall. The early bouleuterions were believed to have been originated from entertainment buildings as their architecture was similar to each bouleuterion. These buildings differed in size and structure as well as design. The Greek Agora The agora in ancient Greece was the heart of a city state. It housed buildings like the bouleuterion but also was used for public uses like athletics or voting. The agora was used by the citizens of Greece on an everyday basis, and holds inscriptions to express it's laws ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al-‘Uzzá
Al-ʻUzzá or al-ʻUzzā (, , ) was one of the three chief goddesses of Arabian religion in pre-Islamic times and she was worshipped by the pre-Islamic Arabs along with Al-Lat and Manāt. A stone cube at Nakhla (near Mecca) was held sacred as part of her cult. She is mentioned in Qur'an 53:19 as being one of the goddesses whom people worshiped. Al-ʻUzzā, like Hubal, was called upon for protection by the pre-Islamic Quraysh. "In 624 at the ' battle called Uhud', the war cry of the Qurayshites was, "O people of Uzzā, people of Hubal!". Al-‘Uzzá also later appears in Ibn Ishaq's account of the alleged Satanic Verses. The temple dedicated to al-ʻUzzā and the statue was destroyed by Khalid ibn al Walid in Nakhla in 630 AD. See also * List of pre-Islamic Arabian deities References Bibliography * * * * * * * * * External links "Those Are The High Flying Claims":A Muslim site on Satanic Verses storyincluding al-ʻUzzā {{DEFAULTSORT:Al-Uz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dushara
Dushara (Nabataean Arabic: 𐢅𐢈𐢝𐢛𐢀 ''dwšrʾ''), also transliterated as Dusares or Dhu Shara, is a pre-Islamic Arabian god worshipped by the Nabataeans at Petra and Madain Saleh (of which city he was the patron). Safaitic inscriptions imply he was the son of the goddess Al-Lat, and that he assembled in the heavens with other deities. He is called "Dushara from Petra" in one inscription. Dushara was expected to bring justice if called by the correct ritual. Etymology Dushara is known first from epigraphic Nabataean sources who invariably spell the name ''dwšrʾ'', the Nabataean script denoting only consonants. He appears in Classical Greek sources as Δουσάρης (''Dousárēs'') and in Latin as ''Dusares''. The original meaning is disputed, but early Muslim historian Hisham ibn al-Kalbi in his " Book of Idols" explains the name as ''Dhū l-Šarā'' (), "etymologically probably 'the one of the Shara (mountains north of Petra)'", referring to a mountain rang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cavea
The ''cavea'' (Latin language, Latin for "enclosure") are the seating sections of Theatre of ancient Greece, Greek and Roman theatre (structure), Roman theatres and Roman amphitheatre, amphitheatres. In Roman theatres, the ''cavea'' is traditionally organised in three horizontal sections, corresponding to the social class of the spectators: * the ''ima cavea'' is the lowest part of the ''cavea'' and the one directly surrounding the arena. It was usually reserved for the upper echelons of society. * the ''media cavea'' directly follows the ''ima cavea'' and was open to the general public, though mostly reserved for men. * the ''summa cavea'' is the highest section and was usually open to women and children. Similarly, the front row was called the ''prima cavea'' and the last row was called the ''cavea ultima''. The ''cavea'' was further divided vertically into ''cunei''. A ''cuneus'' (Latin for "wedge"; plural, ''cunei'') was a wedge-shaped division separated by the ''scalae'' or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cella
In Classical architecture, a or naos () is the inner chamber of an ancient Greek or Roman temple. Its enclosure within walls has given rise to extended meanings: of a hermit's or monk's cell, and (since the 17th century) of a biological cell in plants or animals. Greek and Roman temples In ancient Greek and Roman temples, the ''cella'' was a room at the center of the building, usually containing a cult image or statue representing the particular deity venerated in the temple. In addition, the ''cella'' might contain a table to receive supplementary votive offerings, such as votive statues of associated deities, precious and semi-precious stones, helmets, spear and arrow heads, swords, and war trophies. No gatherings or sacrifices took place in the ''cella'', as the altar for sacrifices was always located outside the building along the axis and temporary altars for other deities were built next to it. The accumulated offerings made Greek and Roman temples virtual treasuri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashlar
Ashlar () is a cut and dressed rock (geology), stone, worked using a chisel to achieve a specific form, typically rectangular in shape. The term can also refer to a structure built from such stones. Ashlar is the finest stone masonry unit, and is generally rectangular (cuboid). It was described by Vitruvius as ''opus isodomum'' or trapezoidal. Precisely cut "on all faces adjacent to those of other stones", ashlar is capable of requiring only very thin joints between blocks, and the visible face of the stone may be Quarry-faced stone, quarry-faced or feature a variety of treatments: tooled, smoothly polished or rendered with another material for decorative effect. One such decorative treatment consists of small grooves achieved by the application of a metal comb. Generally used only on softer stone ashlar, this decoration is known as "mason's drag". Ashlar is in contrast to rubble masonry, which employs irregularly shaped stones, sometimes minimally worked or selected for simi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Votive Offering
A votive offering or votive deposit is one or more objects displayed or deposited, without the intention of recovery or use, in a sacred place for religious purposes. Such items are a feature of modern and ancient societies and are generally made to gain favor with supernatural forces. While some offerings were apparently made in anticipation of the achievement of a particular wish, in Western cultures from which documentary evidence survives it was more typical to wait until the wish had been fulfilled before making the offering, for which the more specific term ex-voto may be used. Other offerings were very likely regarded just as gifts to the deity, not linked to any particular need. In Buddhism, votive offering such as construction of stupas was a prevalent practice in Ancient India, an example of which can be observed in the ruins of the ancient Vikramshila University and other contemporary structures. Votive offerings have been described in historical Roman era and Gree ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corinthian Order
The Corinthian order (, ''Korinthiakós rythmós''; ) is the last developed and most ornate of the three principal classical orders of Ancient Greek architecture and Ancient Roman architecture, Roman architecture. The other two are the Doric order, which was the earliest, followed by the Ionic order. In Ancient Greek architecture, the Corinthian order follows the Ionic in almost all respects, other than the capitals of the columns, though this changed in Roman architecture. A Corinthian capital may be seen as an enriched development of the Ionic capital, though one may have to look closely at a Corinthian capital to see the Ionic volutes ("helices"), at the corners, perhaps reduced in size and importance, scrolling out above the two ranks of Acanthus (ornament), stylized acanthus leaves and stalks ("cauliculi" or ''caulicoles''), eight in all, and to notice that smaller volutes scroll inwards to meet each other on each side. The leaves may be quite stiff, schematic and dry, or t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fortuna
Fortuna (, equivalent to the Greek mythology, Greek goddess Tyche) is the goddess of fortune and the personification of luck in Religion in ancient Rome, Roman religion who, largely thanks to the Late Antique author Boethius, remained popular through the Middle Ages until at least the Renaissance. The blindfolded depiction of her is still an important figure in many aspects of today's Italian culture, where the dichotomy ''fortuna / sfortuna'' (luck / unluck) plays a prominent role in everyday social life, also represented by the very common refrain "La [dea] fortuna è cieca" (latin ''Fortuna caeca est''; "Luck [goddess] is blind"). Fortuna is often depicted with a Gubernaculum (classical), gubernaculum (ship's rudder), a ball or Rota Fortunae (wheel of fortune, first mentioned by Cicero) and a cornucopia (horn of plenty). She might bring good or bad luck: she could be represented as veiled and blind, as in modern depictions of Lady Justice, except that Fortuna does not hold a ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
