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Gottfried Von Strassburg
Gottfried von Strassburg (died c. 1210) is the author of the Middle High German courtly romance ''Tristan'', an adaptation of the 12th-century ''Tristan and Iseult'' legend. Gottfried's work is regarded, alongside the '' Nibelungenlied'' and Wolfram von Eschenbach's ''Parzival'', as one of the great narrative masterpieces of the German Middle Ages. He is probably also the composer of a small number of surviving lyrics. His work became a source of inspiration for Richard Wagner's opera ''Tristan und Isolde'' (1865). Life Other than an origin in or close association with Strasbourg, nothing is known of his life. It would seem, however, that he was a man of good birth and position, who filled an important municipal office in his native city of Strasbourg, but since he is always referred to in German as ''Meister'' (master) and not ''Herr'' (sir), it seems safe to assume he was not a knight, a conclusion supported by the rather dismissive attitude toward knightly exploits shown in '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alsatian Language
Alsatian ( or "Alsatian German"; Lorraine Franconian: ''Elsässerdeitsch''; ; or ) is the group of Alemannic German dialects spoken in most of Alsace, a formerly disputed region in eastern France that has passed between French and German control five times since 1681. Language family Alsatian is closely related to other nearby Alemannic German, Alemannic dialects, such as Swiss German, Swabian German, Swabian, Markgräflerisch, Kaiserstühlerisch and the other Alemannic dialects of Baden. It is often confused with Lorraine Franconian, a more distantly related Franconian languages, Franconian dialect spoken in the northwest corner of Alsace and in neighbouring Lorraine. Like other dialects and languages, Alsatian has also been influenced by outside sources. Words of Yiddish origin can be found in Alsatian, and modern conversational Alsatian includes adaptations of French words and English words, especially concerning new technologies. Most speakers of Alsatian could, if necess ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quatrain
A quatrain is a type of stanza, or a complete poem, consisting of four Line (poetry), lines. Existing in a variety of forms, the quatrain appears in poems from the poetic traditions of various ancient civilizations including Persia, Ancient India, Ancient Greece, Ancient Rome, and Classical Chinese poetry forms, China, and continues into the 21st century, where it is seen in works published in many languages. This form of poetry has been continually popular in Iran since the medieval period, as Ruba'is form; an important faction of the vast repertoire of Persian language, Persian poetry, with famous poets such as Omar Khayyam and Mahsati Ganjavi of Seljuk Persia writing poetry only in this format. Michel de Nostredame (Nostradamus) used the quatrain form to deliver his famous "Les Propheties, prophecies" in the 16th century. There are fifteen possible rhyme schemes, but the most traditional and common are Chain rhyme, ABAA, Monorhyme, AAAA, Rhyme scheme, ABAB, and Enclosed rhym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prologue
A prologue or prolog (from Ancient Greek πρόλογος ''prólogos'', from πρό ''pró'', "before" and λόγος ''lógos'', "speech") is an opening to a story that establishes the context and gives background details, often some earlier story that ties into the main one, and other miscellaneous information. The Ancient Greek word πρόλογος includes the modern meaning of ''prologue'', but was of wider significance, more like the meaning of preface. The importance, therefore, of the prologue in Greek tragedy#Structure, Greek drama was very great; it sometimes almost took the place of a romance, to which, or to an episode in which, the play itself succeeded. Latin On the Latin stage the prologue was often more elaborate than it was in Athens, and in the careful composition of the poems which Plautus prefixes to his plays we see what importance he gave to this portion of the entertainment; sometimes, as in the preface to the ''Rudens'', Plautus rises to the height of h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Couplet
In poetry, a couplet ( ) or distich ( ) is a pair of successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on (open) couplet, the meaning of the first line continues to the second. Background The word "couplet" comes from the French word meaning "two pieces of iron riveted or hinged together". The term "couplet" was first used to describe successive lines of verse in Sir P. Sidney's ''Arcadia ''in 1590: "In singing some short coplets, whereto the one halfe beginning, the other halfe should answere." While couplets traditionally rhyme, not all do. Poems may use white space to mark out couplets if they do not rhyme. Couplets in iambic pentameter are called '' heroic couplets''. John Dryden in the 17th century and Alexander Pope in the 18th century were both well known for their w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhyme
A rhyme is a repetition of similar sounds (usually the exact same phonemes) in the final Stress (linguistics), stressed syllables and any following syllables of two or more words. Most often, this kind of rhyming (''perfect rhyming'') is consciously used for a musical or aesthetic effect in the final position of Line (poetry), lines within poems or songs. More broadly, a rhyme may also variously refer to other types of similar sounds near the ends of two or more words. Furthermore, the word ''rhyme'' has come to be sometimes used as a pars pro toto, shorthand term for any brief poem, such as a nursery rhyme or Balliol rhyme. Etymology The word derives from or , which might be derived from , a Germanic term meaning "series", or "sequence" attested in Old English (Old English: meaning "enumeration", series", or "numeral") and , ultimately cognate to , ( "number"). Alternatively, the Old French words may derive from , from (, rhythm). The spelling ''rhyme'' (from the original r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courtly Romance
Courtesy (from the word , from the 12th century) is gentle politeness and courtly manners. In the Middle Ages in Europe, the behaviour expected of the nobility was compiled in courtesy books. History The apex of European courtly culture was reached in the Late Middle Ages and the Baroque period (i.e. roughly the four centuries spanning 1300–1700). The oldest courtesy books date to the 13th century, but they become an influential genre in the 16th, with the most influential of them being '' Il Cortegiano'' (1508), which not only covered basic etiquette and decorum but also provided models of sophisticated conversation and intellectual skill. The royal courts of Europe persisted well into the 18th century (and to some limited extent to the present day), but in the 18th century, the notion of ''courtesy'' was replaced by that of '' gallantry'', referring to an ideal emphasizing the display of affected sensitivity in direct contrast with the ideals of self-denial and dignif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Bédier
Joseph Bédier (28 January 1864 – 29 August 1938) was a French writer and historian of medieval France. Biography Bédier was born in Paris, France, to Adolphe Bédier, a lawyer of Breton origin, and spent his childhood in Réunion. He was a professor of medieval French literature at the Université de Fribourg, Switzerland (1889–1891) and the Collège de France, Paris (c. 1893). Modern theories of the '' fabliaux'' and the '' chansons de geste'' are based on two of Bédier's studies. Bédier revived interest in several important old French texts, including '' Tristan et Iseut'' (1900), '' La chanson de Roland'' (1921), and '' Les fabliaux'' (1893). He was a member of the Académie française from 1920 until his death. His ''Le roman de Tristan et Iseut'' was translated into Cornish by A. S. D. Smith, into English by Hilaire Belloc and Paul Rosenfeld, and into German by Rudolf G. Binding. In 2013, a new English translation by Edward J. Gallagher was published by Hac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eilhart Von Oberge
Eilhart von Oberge was a German poet of the late 12th century. He is known exclusively through his Middle High German romance ''Tristrant'', the oldest surviving complete version of the Tristan and Iseult story in any language.''The Arthurian Handbook'', pp. 100–101.Kalinke, Marianne E. (1991). "Eilhart von Oberge." In Norris J. Lacy, ''The New Arthurian Encyclopedia'', pp. 127–128. New York: Garland. . ''Tristrant'' is part of the "common" or "primitive" branch of the legend, best known through Béroul's fragmentary Norman language ''Tristan''. It is German literature's first rendition of the story, though Gottfried von Strassburg's ''Tristan'', part of the "courtly" branch, is more famous and respected. It is usually considered that Eilhart adapted his work from a French source, likely the same one used by Béroul, but the differences between ''Tristrant'' and Béroul's work suggest that Eilhart was not particularly faithful to the original. Some episodes and details appear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old French
Old French (, , ; ) was the language spoken in most of the northern half of France approximately between the late 8th [2-4; we might wonder whether there's a point at which it's appropriate to talk of the beginnings of French, that is, when it was deemed no longer make to think of the varieties spoken in Gaul as Latin. Although a precise date can't be given, there is a general consensus (see Wright 1982, 1991, Lodge 1993) that an awareness of a vernacular, distinct from Latin, emerged at the end of the eighth century.] and mid-14th centuries. Rather than a unified Dialect#Dialect or language, language, Old French was a Dialect cluster, group of Romance languages, Romance dialects, Mutual intelligibility, mutually intelligible yet Dialect continuum, diverse. These dialects came to be collectively known as the , contrasting with the , the emerging Occitano-Romance languages of Occitania, now the south of France. The mid-14th century witnessed the emergence of Middle French, the lang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Béroul
Béroul (or Beroul; Norman ) was a Norman or Breton poet of the mid-to-late 12th century. He is usually credited with the authorship of ''Tristran'' (sometimes called ''Tristan''), a Norman language version of the legend of Tristan and Iseult, of which just under 4500 verses survive in a manuscript of the 13th century. His name is known only from two references in the text of the poem. ''Tristran'' is the earliest representation of the "common" or "vulgar" version of the legend (the earliest surviving "courtly" version being Thomas of Britain's). The first half of Béroul's poem is closely paralleled by and related to Eilhart von Oberge's treatment in German from the same century, and many of the episodes that appear in Béroul but not Thomas reappear in the later Prose ''Tristan''. Because of its early date, Béroul's ''Tristran'' has been used extensively for the purpose of textual criticism, especially in the effort to reconstruct the "Ur-Tristan," the hypothetical first a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Of Britain
Thomas of Britain (also known as Thomas of England) was a poet of the 12th century. He is known for his Old French poem ''Tristan">-4; we might wonder whether there's a point at which it's appropriate to talk of the beginnings of French, that is, when it wa ... poem ''Tristan'', a version of the Tristan and Iseult legend that exists only in eight fragments, amounting to around 3,300 lines of verse, mostly from the latter part of the story. It is calculated that this represents about one-sixth of the original. Works Because Thomas's ''Tristan'' has an "obvious dependence" on Wace's ''Roman de Brut'', which was completed by 1155, It is likely that Thomas wrote it after 1155, and probably by 1160, possibly for Eleanor of Aquitaine,Legge, p. 49 since the work suggests close ties with the court of Henry II. Beyond this, the identity of the author is obscure. It has been speculated that he is to be identified with the "Thomas" who wrote the '' Romance of Horn'', but this is unsupported. ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
