|
Good Old Broadway
''Good Old Broadway'' is an album by saxophonist Coleman Hawkins which was recorded in 1962 and released on the Moodsville label. accessed March 15, 2013 Reception Allmusic awarded the album 3 stars.Allmusic Reviewaccessed March 15, 2013 Track listing # "I Talk to the Trees" (, |
Coleman Hawkins
Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist.Yanow, Scot"Coleman Hawkins: Artist Biography" AllMusic. Retrieved December 27, 2013. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches." Hawkins cited as influences Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of improvisation to the saxophone rather than imitate the techniques of the clarinet. Hawkins' virtuosic, arpeggiated approach to improvisation, with his characteristic rich, emotional, and vibrato-laden tonal style, was the main influence on a generation of tenor players that included Chu Berry, Charli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Wright (writer)
Robert Craig Wright (September 25, 1914 – July 27, 2005) was an American composer-lyricist for Hollywood and the musical theatre, best known for the Broadway musical and musical film '' Kismet'', for which he and his professional and romantic partner George Forrest adapted themes by Alexander Borodin and added lyrics. ''Kismet'' was one of several Wright and Forrest creations that was commissioned by impresario Edwin Lester for the Los Angeles Civic Light Opera. '' Song of Norway'', ''Gypsy Lady'', '' Magdalena'', and their adaptation of '' The Great Waltz'' were also commissioned by Lester for the LACLO. The LACLO passed most of these productions to Broadway. Wright was born in Daytona Beach, Florida, United States. Wright and Forrest had an affinity for adapting classical music themes and adding lyrics to these themes for Hollywood and the Broadway musical stage. Wright said that the music was usually a 50-50 "collaboration" between Wright and Forrest and the composer. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Major Holley
Major "Mule" Holley Jr. (July 10, 1924 – October 25, 1990) was an American jazz upright bassist. Biography Holley was born in Detroit, Michigan, United States. He attended the prestigious Cass Technical High School in Detroit. Holley played violin and tuba when young. He started playing bass while serving in the Navy, playing in the Ships Company A Band at Camp Robert Smalls, which was led by Leonard Bowden and included Clark Terry, and several other musicians recruited from civilian dance bands.Floyd, Samuel A. “An Oral History: The Great Lakes Experience,” in ''The Black Experience in Music'' 11.1: (Spring 1983): pp. 41-61. In the latter half of the 1940s, he played with Dexter Gordon, Charlie Parker, and Ella Fitzgerald; in 1950 he and Oscar Peterson recorded duets, and he also played with Peterson and Charlie Smith as a trio. He was married to Minnie Walton (born Millicent Aitcheson). In the mid-1950s, he moved to England and worked at the BBC. Upon his return to A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a musical keyboard, keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommy Flanagan
Thomas Lee Flanagan (March 16, 1930 – November 16, 2001) was an American jazz pianist and composer. He grew up in Detroit, initially influenced by such pianists as Art Tatum, Teddy Wilson, and Nat King Cole, and then by bebop musicians. Within months of moving to New York in 1956, he had recorded with Miles Davis and on Sonny Rollins' album '' Saxophone Colossus''. Recordings under various leaders, including '' Giant Steps'' of John Coltrane, continued well into 1962, when he became vocalist Ella Fitzgerald's full-time accompanist. He worked with Fitzgerald for three years until 1965, and then in 1968 returned to be her pianist and musical director, this time for a decade. After leaving Fitzgerald in 1978, Flanagan attracted praise for the elegance of his playing, which was principally in trio settings when under his own leadership. In his 45-year recording career, he recorded more than three dozen albums under his own name and more than 200 as a sideman. By the time of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognize ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including '' Pal Joey'', '' A Connecticut Yankee'', '' On Your Toes'' and '' Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', '' Flower Drum Song'', '' Carousel'', ''South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for bringing the Broadway musical to a new maturity by telling stories that were focused on characters and drama rathe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Fellow Needs A Girl
''Allegro'' is a musical by Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics), their third collaboration for the stage. Opening on Broadway on October 10, 1947, the musical centers on the life of Joseph Taylor Jr., who follows in the footsteps of his father as a doctor, but is tempted by fortune and fame at a big-city hospital. After the immense successes of the first two Rodgers and Hammerstein musicals, ''Oklahoma!'' and ''Carousel'', the pair sought a subject for their next play. Hammerstein had long contemplated a serious work which would deal with the problems of the ordinary man in the fast-moving modern world. He and Rodgers sought to create a work which would be as innovative as their first two stage musicals. To that end, they created a play with a large cast, including a Greek chorus. The production would have no sets; props and projections served to suggest locations. After a disastrous tryout in New Haven, Connecticut, the musical opened on Broadway ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Weill
Kurt Julian Weill (March 2, 1900April 3, 1950) was a German-born American composer active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he developed productions such as his best-known work, ''The Threepenny Opera'', which included the ballad "Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose,Kurt Weill Cjschuler.net. Retrieved on August 22, 2011. ''Gebrauchsmusik''. He also wrote several works for the concert hall and a number of works on Jewish themes. He became a United States citizen on August 27, 1943. Family and childhood Weill was born on March 2, 1900, the third of four childr ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, '' Kiss Me, Ka ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Get Out Of Town
"Get Out of Town" is a 1938 popular song written by Cole Porter, for his musical ''Leave It to Me!'', where it was introduced by Tamara Drasin. Notable recordings *Ginny Simms - recorded December 7, 1938 for Vocalion Records (catalog No. 4549). *Frances Langford - recorded December 14, 1938 for Decca Records (catalog No. 2229A). * Eddy Duchin and His Orchestra (vocal by Stanley Worth) - a popular record in 1939. *Artie Shaw and His Orchestra (vocal by Mel Torme) - recorded on June 25, 1946, for Musicraft Records (catalog No. 389). *Maysa Matarazzo Maysa Figueira Monjardim (June 6, 1936 – January 22, 1977), better known as Maysa Matarazzo, was a Brazilian singer-songwriter, performer and actress. She is also associated with Bossa nova music but is widely known as a torch song (''fossa' ... - recorded in 1959 for RGE - 45rpm (No. 90.000). * Steve Rochinski - ''A Bird In The Hand'' (1999) * Dena DeRose - ''Live at Jazz Standard, Volume 1'' (2007) * Melody Gardot - Bye Bye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ira Gershwin
Ira Gershwin (born Israel Gershovitz; December 6, 1896 – August 17, 1983) was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 20th century. With George, he wrote more than a dozen Broadway shows, featuring songs such as " I Got Rhythm", "Embraceable You", " The Man I Love" and " Someone to Watch Over Me". He was also responsible, along with DuBose Heyward, for the libretto to George's opera '' Porgy and Bess''. The success the Gershwin brothers had with their collaborative works has often overshadowed the creative role that Ira played. His mastery of songwriting continued after George's early death in 1937. Ira wrote additional hit songs with composers Jerome Kern, Kurt Weill, Harry Warren and Harold Arlen. His critically acclaimed 1959 book ''Lyrics on Several Occasions'', an amalgam of autobiography and annotated anthology, is an important source for stud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Coleman Hawkins")
