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Gonna Get Along Without Ya Now
"Gonna Get Along Without Ya Now" is a popular song written by bandleader and occasional songwriter Milton Kellem. The first known recorded version was released in 1951 by Roy Hogsed. Since then it has been done in several styles and tempos. Teresa Brewer recording The version recorded by Teresa Brewer with orchestra directed by Ray Bloch on January 10, 1952, was released by Coral Records as catalog number 60676 on April 5, 1952. It reached number 25 on the ''Billboard'' charts. It was done in a "Swing" style, with big band backing (including mouth harp). Brewer later recorded an album version in 1964, which was done in a semi-Caribbean style. Patience and Prudence recording Patience and Prudence had more success with the song when they recorded it in 1956, reaching number 11 on the chart. This has come to be considered the benchmark version of the song due to the intimate harmony of the two young singing sisters. Their version brightened the melody somewhat, and later artists, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teresa Brewer
Teresa Brewer (born Theresa Veronica Breuer; May 7, 1931 – October 17, 2007) was an American singer whose style incorporated pop, country, jazz, R&B, musicals, and novelty songs. She was one of the most prolific and popular female singers of the 1950s, recording around 600 songs. Early life Brewer was born in Toledo, Ohio, the eldest of five siblings. Her father Ludwig Breuer, a German immigrant, was a glass inspector for the Libbey Owens Company (now part of Pilkington Glass), and her mother Helen (nee Kasap) Breuer, a housewife, was of Polish ancestry. The family were practicing Catholics, and she was a member of the Roman Catholic Church most of her life. Career Her singing career began almost as soon as she was able to walk and talk. When Brewer was 2, her mother entered her in ''The Uncle August Kiddie Show'' on Toledo's WSPD and she was a hit with audiences. At the age of 7, Brewer entered ''The Major Bowles Amateur Hour'' and was soon touring around the country with them ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All-Music Guide and AMG) is an American online database, online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on Musical artist, musicians and Musical ensemble, bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All-Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar, and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as compact discs (CDs) replaced LP record, LPs and cassette (format), cassettes as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it, he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he res ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Lemonheads
The Lemonheads are an American alternative rock band formed in Boston in 1986 by Evan Dando, Ben Deily, and Jesse Peretz. Dando has remained the band's only constant member. After their initial punk-influenced releases and tours as an independent/ college rock band in the late 1980s, the Lemonheads' popularity with a mass audience grew in 1992 with the major label album '' It's a Shame about Ray'', which was produced, engineered, and mixed by the Robb Brothers ( Bruce Robb, Dee, and Joe). This was followed by a cover of Simon and Garfunkel's " Mrs. Robinson", which eventually became one of the band's most successful singles. The Lemonheads were active until 1997 before going on hiatus, but reformed with a new lineup in 2005 and released '' The Lemonheads'' the following year. The band released its latest album, '' Varshons 2'', in February 2019. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bad Manners
Bad Manners are an English Two-tone (music genre), two-tone and ska Musical ensemble, band led by frontman Buster Bloodvessel. Early appearances included ''Top of the Pops'' and the live film documentary ''Dance Craze'' (1981). They were at their most popular during the early 1980s, during a period when other ska revival bands such as Madness (band), Madness, the Specials and the Selecter filled the Record chart, charts. Bad Manners spent 111 weeks in the UK Singles Chart between 1980 and 1983, and they also achieved chart success with their first four studio albums, with ''Ska 'n' B'' (1980), ''Loonee Tunes!'' (1980), and ''Gosh It's ... Bad Manners'' (1981) being their biggest hits. Formation Fronted by Buster Bloodvessel (real name Douglas Trendle), the band was formed in 1976, while most of the members were together at Woodberry Down School, Woodberry Down Comprehensive School, near Manor House, London, Manor House, North London. They commemorated the 1981 closure of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kati Kovács
Kati Kovács (born Katalin Anna Sarolta Kovács 25 October 1944), is a Ferenc Liszt and Kossuth Award-winning Hungarian pop-rock singer, performer, lyricist and actress. She is one of the most famous singers of Hungary with dozens of recorded albums, awards and presentations in Hungary and abroad, and with international recognition and a very active career until today. Kovacs is known for her raspy and very strong mezzo-soprano singing voice which received wide praise from Hungarian music critics who have called her: "The Best Female Voice of Hungary". She can sing opera, rock, jazz, pop, dance, blues and rock and roll. Career She appeared first time on stage in 1962. She became the first famous nationally in 1965 when she won the seminal TV talent show in Hungary " Ki mit tud?". A year later, she achieved some even greater successes with her performance of the song ''I Won't Be Your Plaything'' (''Nem leszek a játékszered'') which won the TV Dance Song Festivals in Hungar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tina Charles (singer)
Tina Charles (born Tina Hoskins; 10 March 1954) is an English singer who achieved success as a disco artist in the mid to late 1970s. Her most successful single was the UK no. 1 hit " I Love to Love (But My Baby Loves to Dance)" in 1976. Early life Charles was born Tina Hoskins in Whitechapel, London, to actor Charles Hoskins and his wife Hilda. She recovered from meningitis as a newborn. She has a brother, Warren, who was her tour manager during the height of her career. Career Charles began her career as a backing singer and session musician, and recorded her first solo single in 1969 with a then-unknown Elton John playing piano. During the early 1970s, she supplied vocals for the ''Top of the Pops'' album series of cover versions of contemporary hits. In 1971, she made appearances in the first series of ''The Two Ronnies'', the BBC1 sketch show starring Ronnie Barker and Ronnie Corbett, performing songs such as " River Deep – Mountain High" and " Ruby Tuesday". In 1975, C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hi-NRG
Hi-NRG (pronounced "high energy") is a genre of uptempo disco or electronic dance music (EDM) that originated during the late 1970s and early 1980s. As a music genre, typified by its fast tempo, staccato hi-hat rhythms (and the four-on-the-floor pattern), reverberated "intense" vocals and "pulsating" octave basslines, it was particularly influential on the disco scene. Characteristics Whether hi-NRG is more rock-oriented than standard disco music is a matter of opinion. Hi-NRG can be heavily synthesized but it is not a prerequisite, and whether it is devoid of "funkiness" is, again, in the ear of the beholder. Certainly, many artists perform their vocals in R&B and soul styles on hi-NRG tracks. The genre's tempo ranges between 120 and 140 beats per minute. The tempos cited here do not represent the full range of beats (BPM) of hi-NRG tracks; rather the tempos are retrieved from one source which is not an expert musical reference, but a sociological study of dance culture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disco
Disco is a music genre, genre of dance music and a subculture that emerged in the late 1960s from the United States' urban nightclub, nightlife, particularly in African Americans, African-American, Italian-Americans, Italian-American, LGBTQ community, Gay and Hispanic and Latino Americans, Latino communities. Its sound features four-on-the-floor (music), four-on-the-floor beats, syncopation, syncopated basslines, string sections, brass instrument, brass and horn (musical instrument), horns, electric pianos, synthesizers, and electric rhythm guitars. Discothèques, mostly a French invention, were imported to the United States with the opening of Le Club, a members-only restaurant and nightclub at 416 East 55th Street in Manhattan, by French expatriate Olivier Coquelin, on New Year's Eve 1960. Disco music originated from music popular with African-American culture, African Americans, Hispanic and Latino Americans#Cultural matters, Latino Americans, and Italian Americans#Influe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viola Wills
Viola Mae Wilkerson (December 30, 1939 – May 6, 2009), known professionally as Viola Wills, was an American pop and R&B singer, best known for her covers of classics and other standards such as Patience and Prudence's " Gonna Get Along Without You Now" (1979), Gordon Lightfoot's "If You Could Read My Mind" (1980), The Drifters' "Up on the Roof" (1980), " Always Something There To Remind Me" by Burt Bacharach and Hal David (1980), the Doris Day single "Secret Love" (1980), Chicago's "If You Leave Me Now" (1981) and Joni Mitchell's "Both Sides Now" (1986). She also recorded one of the few dance versions of the Burt Bacharach and Hal David classic " A House Is Not a Home" (1994), which is a different song from the similarly titled "House Is Not a Home" by Deborah Cox. Her cover of the Harold Arlen and Ted Koehler torch song " Stormy Weather" peaked at No. 4 on the ''Billboard'' U.S. Hot Dance Club Play charts in 1982, the highest position the song has reached since ''Billbo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Reid
Arthur "Duke" Reid CD (21 July 1915 – 1 January 1975) was a Jamaican record producer, DJ and record label owner. He ran one of the most popular sound systems of the 1950s called Reid's Sound System, whilst Duke himself was known as The Trojan, possibly named after the British-made trucks used to transport the equipment. In the 1960s, Reid founded the record label Treasure Isle (named after his liquor store), which produced ska and rocksteady music. He was still active in the early 1970s, working with toaster U-Roy. He died in early 1975 after having suffered from a severe illness for the last year. Biography Reid was born in Portland, Jamaica. After serving ten years as a Jamaican police officer, Reid left the force to help his wife Lucille run the family business, The Treasure Isle Grocery and Liquor Store at 33 Bond Street in Kingston. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rocksteady
Rocksteady is a music genre that originated in Jamaica around 1966. A successor of ska and a precursor to reggae, rocksteady was the dominant style of music in Jamaica for nearly two years, performed by many of the artists who helped establish reggae, including harmony groups such as the Techniques, the Paragons, the Heptones and the Gaylads; soulful singers such as Alton Ellis, Delroy Wilson, Bob Andy, Ken Boothe and Phyllis Dillon; musicians such as Jackie Mittoo, Lynn Taitt and Tommy McCook. The term ''rocksteady'' comes from a popular (slower) dance style mentioned in the Alton Ellis song "Rocksteady", that matched the new sound. Some rocksteady songs became hits outside Jamaica, as with ska, helping to secure the international base reggae music has today. Characteristics The Jamaican musicians and producers who developed rocksteady had grown up learning and playing jazz and had played through ska. In a similar way to what happened at Motown, the musicians respons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
