Godard
Jean-Luc Godard ( , ; ; 3 December 193013 September 2022) was a French-Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the French New Wave film movement of the 1960s, alongside such filmmakers as François Truffaut, Agnès Varda, Éric Rohmer, and Jacques Demy. He was arguably the most influential French filmmaker of the post-war era. According to AllMovie, his work "revolutionized the motion picture form" through its experimentation with narrative, continuity editing, continuity, film sound, sound, and cinematography, camerawork. His most acclaimed films include ''Breathless (1960 film), Breathless'' (1960), ''Vivre sa vie'' (1962), ''Contempt (film), Contempt'' (1963), ''Bande à part (film), Band of Outsiders'' (1964), ''Alphaville (film), Alphaville'' (1965), ''Pierrot le Fou'' (1965), ''Masculin Féminin'' (1966), ''Weekend (1967 film), Weekend'' (1967), and ''Goodbye to Language'' (2014). During his early career as a film critic f ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Breathless (1960 Film)
''Breathless'' (french: À bout de souffle, lit=Out of Breath) is a 1960 French crime drama film written and directed by Jean-Luc Godard. It stars Jean-Paul Belmondo as a wandering criminal named Michel, and Jean Seberg as his American girlfriend Patricia. The film was Godard's first feature-length work and represented Belmondo's breakthrough as an actor. ''Breathless'' is an influential example of French New Wave (''nouvelle vague'') cinema. Along with François Truffaut's '' The 400 Blows'' and Alain Resnais's '' Hiroshima mon amour'', both released a year earlier, it brought international attention to new styles of French filmmaking. At the time, ''Breathless'' attracted much attention for its bold visual style, which included then unconventional use of jump cuts. Upon its initial release in France, the film attracted over two million viewers. It has since been considered one of the best films ever made, appearing in ''Sight & Sound'' magazine's decennial polls of filmmak ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Histoire(s) Du Cinéma
''Histoire(s) du cinéma'' () is an 8-part video project begun by Jean-Luc Godard in the late 1980s and completed in 1998. The longest, at 266 minutes, and one of the most complex of Godard's films, ''Histoire(s) du cinéma'' is an examination of the history of the concept of cinema and how it relates to the 20th century; in this sense, it can also be considered a critique of the 20th century and how it perceives itself. The project is widely considered Godard's magnum opus. ''Histoire(s) du cinéma'' is always referred to by its French title, because of the untranslatable word play it implies: '' histoire'' means both "history" and "story," and the ''s'' in parentheses gives the possibility of a plural. Therefore, the phrase ''Histoire(s) du cinéma'' simultaneously means ''The History of Cinema'', ''Histories of Cinema'', ''The Story of Cinema'' and ''Stories of Cinema''. Similar double or triple meanings, as well as puns, are a recurring motif throughout ''Histoire(s)'' and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Anna Karina
Anna Karina (born Hanne Karin Blarke Bayer; September 22, 1940 – December 14, 2019) ''Le Monde''. Retrieved 15 December 2019 was a Danish-French film avant garde actress, director, writer, and singer. She was French New Wave director Jean-Luc Godard's collaborator in the 1960s, performing in several of his films, including '' The Little Soldier'', '' A Woman Is a Woman'', ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Alphaville (film)
''Alphaville: une étrange aventure de Lemmy Caution'' (''Alphaville: A Strange Adventure of Lemmy Caution'') is a 1965 French New Wave science fiction neo-noir film directed by Jean-Luc Godard. It stars Eddie Constantine, Anna Karina, Howard Vernon and Akim Tamiroff. The film won the Golden Bear award of the 15th Berlin International Film Festival in 1965. ''Alphaville'' combines the genres of dystopian science fiction and film noir. There are no special props or futuristic sets; instead, the film was shot in real locations in Paris, the night-time streets of the capital becoming the streets of Alphaville, while modernist glass and concrete buildings (that in 1965 were new and strange architectural designs) represent the city's interiors. The film is set in the future but the characters also refer to twentieth-century events; for example, the hero describes himself as a Guadalcanal veteran. Expatriate American actor Eddie Constantine plays Lemmy Caution, a trenchcoat-wear ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Contempt (film)
''Contempt'' (french: Le Mépris, link=no) is a 1963 French New Wave drama film written and directed by Jean-Luc Godard, based on the 1954 Italian novel '' Il disprezzo'' (''A Ghost at Noon'') by Alberto Moravia. It stars Brigitte Bardot, Michel Piccoli, Jack Palance, and Giorgia Moll. Plot Paul Javal, a young French playwright who has found commercial success in Rome, accepts an offer from vulgar American producer Jeremy Prokosch to rework the script for German director Fritz Lang's screen adaptation of the ''Odyssey''. Paul's wife, Camille Javal, joins him on the first day of the project at Cinecittà. As the first discussions are completed, Prokosch invites the crew to join him at his villa, offering Camille a ride in his two-seat sportscar. Camille looks to Paul to decline the offer, but he submissively withdraws to follow by taxi, leaving Camille and Prokosch alone. Paul does not catch up with them until 30 minutes later, explaining that he was delayed by a traffic accident. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Masculin Féminin
''Masculin Féminin'' (french: Masculin féminin: 15 faits précis, , " Masculine Feminine: 15 Specific Events") is a 1966 French New Wave romantic drama film directed by Jean-Luc Godard. An international co-production between France and Sweden, the film stars Jean-Pierre Léaud, Chantal Goya, Marlène Jobert, Catherine-Isabelle Duport, and Michel Debord. Léaud plays Paul, a romantic young idealist who chases budding pop star Madeleine (played by Goya, a real-life yé-yé girl). Despite markedly different musical tastes and political leanings, the two soon become romantically involved and begin a ''ménage à quatre'' with Madeleine's two roommates, Catherine (Duport) and Elisabeth (Jobert). The camera probes the young actors in a series of vérité-style interviews about love, lovemaking, and politics. At times the main story is interrupted by various sequences and sub-plots, including a scene paraphrased from LeRoi Jones' play '' Dutchman''. ''Masculin Féminin'' is consider ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vivre Sa Vie
''Vivre sa vie'' (french: Vivre sa vie: film en douze tableaux, lit=To Live Her Life: A Film in Twelve Scenes) is a 1962 French New Wave drama film written and directed by Jean-Luc Godard. The film was released in the United States as ''My Life to Live'' and in the United Kingdom as ''It's My Life''. Plot Nana Kleinfrankenheim, a beautiful 22-year-old Parisian, leaves her husband Paul and her infant son, hoping to become an actress. The couple meet in a café and play pinball one last time before deciding to end their marriage. Now working in a record store, Nana struggles to earn enough money on her own. She tries to borrow 2,000 francs from several co-workers, but they all refuse. To make matters worse, Nana's landlady kicks her out of her apartment until she can pay rent. The next day, Nana meets with Paul, who gives her pictures of her son to keep for herself. Paul invites her to dinner, but Nana declines and explains she is seeing a film with another man. They watch '' T ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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My Life To Live
''Vivre sa vie'' (french: Vivre sa vie: film en douze tableaux, lit=To Live Her Life: A Film in Twelve Scenes) is a 1962 French New Wave drama film written and directed by Jean-Luc Godard. The film was released in the United States as ''My Life to Live'' and in the United Kingdom as ''It's My Life''. Plot Nana Kleinfrankenheim, a beautiful 22-year-old Parisian, leaves her husband Paul and her infant son, hoping to become an actress. The couple meet in a café and play pinball one last time before deciding to end their marriage. Now working in a record store, Nana struggles to earn enough money on her own. She tries to borrow 2,000 francs from several co-workers, but they all refuse. To make matters worse, Nana's landlady kicks her out of her apartment until she can pay rent. The next day, Nana meets with Paul, who gives her pictures of her son to keep for herself. Paul invites her to dinner, but Nana declines and explains she is seeing a film with another man. They watch ''The ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bande à Part (film)
''Bande à part'' () is a 1964 French New Wave film directed by Jean-Luc Godard. It was released as ''Band of Outsiders'' in North America; its French title derives from the phrase ''faire bande à part'', which means "to do something apart from the group". The film is about three people who commit a robbery. It received positive critical reviews, and its dance scene has been referenced several times in popular culture. Plot A young woman named Odile (Anna Karina) meets a man named Franz (Sami Frey) in an English language class. She has told him of a large pile of money stashed in the villa where she lives with her aunt Victoria and Mr. Stolz in Joinville, a Parisian suburb. Franz tells his friend Arthur ( Claude Brasseur) of the money, and the two make a plan to steal it. Franz and Arthur go to the English class, where Arthur flirts with Odile and asks her about the money. Odile goes home and finds the money in Stolz's room. She then meets Franz and Arthur, and they go to a ca ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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François Truffaut
François Roland Truffaut ( , ; ; 6 February 1932 – 21 October 1984) was a French film director, screenwriter, producer, actor, and film critic. He is widely regarded as one of the founders of the French New Wave. After a career of more than 25 years, he remains an icon of the French film industry, having worked on over 25 films. Truffaut's film '' The 400 Blows'' (1959) is a defining film of the French New Wave movement, and has four sequels, ''Antoine et Colette'' (1962), '' Stolen Kisses'' (1968), '' Bed and Board'' (1970), and '' Love on the Run'' (1979). Truffaut's 1973 film '' Day for Night'' earned him critical acclaim and several awards, including the BAFTA Award for Best Film and the Academy Award for Best Foreign Language Film. His other notable films include '' Shoot the Piano Player'' (1960), '' Jules and Jim'' (1962), '' The Soft Skin'' (1964), '' The Wild Child'' (1970), '' Two English Girls'' (1971), '' The Last Metro'' (1980), and ''The Woman Next Door'' ( ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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French New Wave
French New Wave (french: La Nouvelle Vague) is a French art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm. New Wave filmmakers explored new approaches to editing, visual style, and narrative, as well as engagement with the social and political upheavals of the era, often making use of irony or exploring existential themes. The New Wave is often considered one of the most influential movements in the history of cinema. The term was first used by a group of French film critics and cinephiles associated with the magazine ''Cahiers du cinéma'' in the late 1950s and 1960s. These critics rejected the ''Tradition de qualité'' ("Tradition of Quality") of mainstream French cinema, which emphasized craft over innovation and old works over experimentation. This was apparent in a manifesto-like 1954 essay by François Truffaut, ''Une certaine t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Weekend (1967 Film)
''Weekend'' (french: Week-end) is a 1967 French postmodern black comedy film written and directed by Jean-Luc Godard and starring Mireille Darc and Jean Yanne, both of whom were mainstream French TV stars. Jean-Pierre Léaud, comic star of numerous French New Wave films including Truffaut's ''The 400 Blows'' and Godard's earlier '' Masculin Féminin'', appeared in two roles. Raoul Coutard served as cinematographer; ''Weekend'' was his last collaboration with Godard for over a decade. Plot summary Roland and Corinne Durand are a bourgeois couple. Each has a secret lover and conspires to murder the other. They drive out to Corinne's parents' home in the country to secure her inheritance from her dying father, resolving to resort to murder if necessary. The trip becomes a chaotically picaresque journey through a French countryside populated by bizarre characters and punctuated by violent car accidents. After their own Facel-Vega is destroyed in a collision, they wander through a se ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |