God Of Amiens
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God Of Amiens
The God of Amiens is a Gallo-Roman bronze statuette found in Amiens, Somme (department), Somme. The statuette, which has been dated to the end of the 1st century CE, is of a male youth sat cross-legged, with the right ear of an animal, perhaps a deer's. This statuette is on display at the Musée de Picardie. The God of Amiens has been linked iconographically with two other Gallo-Roman statues from northeastern France, the God of Besançon and God of Lantilly. These have been thought to represent a common Celtic deities, Gaulish god, whose attributes included a bunch of grapes, a serpent, and an animal ear. This god is perhaps connected with the Celtic stag god Cernunnos. Discovery and later history The statuette was found in October 1845 in the ''faubourg'' of Saint-Fuscien, in the neighbourhood of Amiens, on the property of one Captain Bournel. It was found alongside Roman coins and a bronze spoon. Saint-Fuscien appears to have been a necropolis in ancient times, as evidence of ...
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Marcel Jérôme Rigollot
Dr Marcel-Jérôme Rigollot (30 September 1786 – 29 December 1854) was a nineteenth-century French doctor and antiquarian famous for his role in the identification of evidence of some of Europe's earliest inhabitants. Working near Amiens, he was initially critical of the claims of Jacques Boucher de Perthes who believed he had found artefacts that dated back hundreds of thousands of years to what is now called the Lower Paleolithic. In 1855 however he began to find examples of stone tools himself whilst studying the river gravels of the Somme in an effort to disprove his opponents. The tools' position within the gravel attested to their age geologically and following visits to the site of Abbeville and Saint-Acheul by the paleontologist Hugh Falconer and the geologist Joseph Prestwich Sir Joseph Prestwich (12 March 1812 – 23 June 1896) was a British geologist and businessman, known as an expert on the Tertiary Period and for having confirmed the findings of Boucher d ...
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God Of Étang-sur-Arroux
The God of Étang-sur-Arroux (or Autun statuette) is a Gallo-Roman bronze statuette, probably found in the commune of Étang-sur-Arroux, not far from Autun, France. The statuette is of a bearded figure sat cross legged with two sheep, ram-headed, fish-tailed serpents feeding from a basket in his hands. The horned serpents and holes in the head for antlers identify this as a representation of the Gaulish stag god Cernunnos. One peculiar feature, the presence of small human faces above each ear, has been commented on. The statuette is in the collection of the National Archaeological Museum, France. Discovery The statuette was found in 1840. Its exact findspot is uncertain. J.-G. Buillot (writing in 1889) indicated that it was found near a ford (crossing), ford, known as , of the river Arroux (in the commune of Étang-sur-Arroux, Saône-et-Loire). The inventory of the National Archaeological Museum indicates, on the contrary, that the findspot was in Savigny (in the commune of Curg ...
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Pierre Lambrechts
Pieter Lambrechts (Laeken, 28 June 1910 – Brussels, 21 June 1974) was a Belgian historian and politician of the Party for Freedom and Progress (PVV). Biography After completing his secondary education at the Royal Athenaeum of Ostend, Lambrechts went to Ghent University, where he obtained his doctorate in classical philology in 1932 and his doctorate in history in 1934. He was a lecturer at the University of Liège from 1944 to 1948 and a full professor in 1948, and a lecturer at the Université libre de Bruxelles in 1946 and a full professor in 1948. Lambrechts was also director of higher education at the Belgian Ministry of Public Education from 1945 to 1948, and a full professor at Ghent University in 1948. He was rector of Ghent University from 1957 to 1961. At the Willemsfonds, he became vice-chairman in 1951 and chairman from 1962 to 1965. In 1965, he entered the Belgian Senate for the PVV and held this seat until 1968. He then led seven excavation campaigns in Pessinus (Tu ...
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Musée Rolin
The Musée Rolin is an art museum in Autun, Burgundy, France. Created in 1878 on the initiative of the , it is located on the site of the former home of Chancellor Nicolas Rolin. Its collections range from Gallo-Roman archaeology to 20th century painting, and are spread over more than twenty rooms. The museum's collections are divided into four departments: archaeology, medieval art, regional history and fine arts (17th to 20th century). It is classified as a " Museum of France", and remains the headquarters of the Société éduenne. Collection File:Autun Musée Rolin Bellérophon.jpg, ''Mosaic of Bellerophon'', 2nd century File:Coupe d'Autun, verre diatrète, musée Rolin, Autun, France.jpg, ''Autun cup'', Roman cage cup, 4th century Autun Rolin mosaic Neptune.jpg, Detail of a fragment of the ''Mosaic of the triumph of Neptune'', Gallo-Roman period File:God of Lantilly, Esperandieu.jpg, The God of Lantilly, Gallo-Roman period. AUTUN Gislebertus Eva.JPG, ''The Temptation ...
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Lantilly
Lantilly is a commune in the Côte-d'Or department in eastern France. The Gallo-Roman stone statuette called the God of Lantilly was found in the cemetery of the local church here. Population See also *Communes of the Côte-d'Or department The following is a list of the 698 communes of the Côte-d'Or department of France. The communes cooperate in the following intercommunalities (as of 2025):Communes of Côte-d'Or {{Montbard-geo-stub ...
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God Of Lantilly, Esperandieu
In monotheistic belief systems, God is usually viewed as the supreme being, creator, and principal object of faith. In polytheistic belief systems, a god is "a spirit or being believed to have created, or for controlling some part of the universe or life, for which such a deity is often worshipped". Belief in the existence of at least one deity, which interfers with the world, is called theism. Conceptions of God vary considerably. Many notable theologians and philosophers have developed arguments for and against the existence of God. Atheism rejects the belief in any deity. Agnosticism is the belief that the existence of God is unknown or unknowable. Some theists view knowledge concerning God as derived from faith. God is often conceived as the greatest entity in existence. God is often believed to be the cause of all things and so is seen as the creator, sustainer, and ruler of the universe. God is often thought of as incorporeal and independent of the material creation, whi ...
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Breeches
Breeches ( ) are an article of clothing covering the body from the waist down, with separate coverings for each leg, usually stopping just below the knee, though in some cases reaching to the ankles. Formerly a standard item of Western men's clothing, they had fallen out of use by the mid-19th century in favour of trousers. Modern athletic garments used for English riding and fencing, although called ''breeches'' or ''britches'', differ from breeches. Etymology ''Breeches'' is a double plural known since , from Old English , the plural of "garment for the legs and trunk", from the Indo-European root "break", here apparently used in the sense "divide", "separate", as in Scottish Gaelic ("trousers"), in Breton ("pants"), in Irish ("trousers") and or in Welsh. Cognate with the Proto-Germanic word ', plural ', itself most likely from the Proto-Indo-European root; whence also the Old Norse word , which shows up in the epithet of the Viking king Ragnar Loðbrók, Ragnar ...
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Chlamys
The chlamys (; genitive: ) was a type of ancient Greek cloak. It was worn by men for military and hunting purposes during the Classical, Hellenistic and later periods. By the time of the Byzantine Empire it was part of the state costume of the emperor and high officials. It survived as such until at least the 12th century. The ephaptis () was a similar garment, typically worn by infantrymen. Ancient Greece The chlamys was made from a seamless rectangle of woolen material about the size of a blanket, usually bordered. It was normally pinned with a fibula at the right shoulder. Originally it was wrapped around the waist like a loincloth, but by the end of the 5th century BC it was worn over the elbows. It could be worn over another item of clothing but was often the sole item of clothing for young soldiers and messengers, at least in Greek art. As such, the chlamys is the characteristic garment of Hermes (Roman Mercury), the messenger god usually depicted as a young man. Th ...
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Besançon
Besançon (, ; , ; archaic ; ) is the capital of the Departments of France, department of Doubs in the region of Bourgogne-Franche-Comté. The city is located in Eastern France, close to the Jura Mountains and the border with Switzerland. Capital of the historic and cultural region of Franche-Comté, Besançon is home to the Bourgogne-Franche-Comté regional council headquarters, and is an important administrative centre in the region. It is also the seat of one of the fifteen French ecclesiastical provinces and one of the two 1st Armored Division (France), divisions of the French Army. In 2022 the city had a population of 120,057, in a metropolitan area of 284,474, the second in the region in terms of population. Established in a meander of the river Doubs (river), Doubs, the city was already important during the Gallo-Roman era under the name of ''Vesontio'', capital of the Sequani. Its geography and specific history turned it into a military stronghold, a garrison city, a p ...
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Lithograph Of Besançon Statuette, 1852, Cropped
Lithography () is a planographic method of printing originally based on the immiscibility of oil and water. The printing is from a stone (lithographic limestone) or a metal plate with a smooth surface. It was invented in 1796 by the German author and actor Alois Senefelder and was initially used mostly for musical scores and maps.Meggs, Philip B. ''A History of Graphic Design''. (1998) John Wiley & Sons, Inc. p 146, .Carter, Rob, Ben Day, Philip Meggs. ''Typographic Design: Form and Communication'', Third Edition. (2002) John Wiley & Sons, Inc. p. 11. Lithography can be used to print text or images onto paper or other suitable material. A lithograph is something printed by lithography, but this term is only used for fine art prints and some other, mostly older, types of printed matter, not for those made by modern commercial lithography. Traditionally, the image to be printed was drawn with a greasy substance, such as oil, fat, or wax onto the surface of a smooth and flat l ...
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