Go Now (song)
"Go Now" is a song composed by Larry Banks and Milton Bennett and first recorded by Bessie Banks, released as a single in January 1964. The best-known version was recorded by the Moody Blues and released the same year. Bessie Banks version The song was first recorded by Larry Banks's former wife, Bessie Banks. A 1962 demo recording by Bessie of the song was heard by songwriters and record producers Jerry Leiber and Mike Stoller, who re-recorded it in late 1963, with arrangement by Gary Sherman and backing vocals from Dee Dee Warwick and Cissy Houston. The single was first released in early 1964 on their Tiger label, and later reissued on the Blue Cat label, the R&B/soul imprint of Red Bird. Her version reached No. 40 on the '' Cashbox'' R&B singles chart. Bessie Banks later commented:I remember 1963 Kennedy was assassinated; it was announced over the radio. At the time, I was rehearsing in the office of Leiber and Stoller. We called it a day. Everyone was in tears. "Come ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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If You Gotta Go, Go Now
"If You Gotta Go, Go Now" (sometimes subtitled "(Or Else You Got to Stay All Night)") is a song written by Bob Dylan in 1964. The first released version was as a single in the US by the UK group the Liverpool Five in July 1965, but this did not chart in the US despite receiving much airplay, particularly in the Pacific Northwest. Another British band, Manfred Mann, then issued the song as a single in September 1965 and had a number 2 hit. Fairport Convention also had a chart hit, with a French version, in 1969. Dylan's version A live version of the song as performed by Dylan was recorded at Philharmonic Hall in New York on October 31, 1964, and eventually released with the rest of the concert on ''The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall'' in 2004. Dylan began the recording for the studio version of "If You Gotta Go, Go Now" on January 13, 1965, during the first session for ''Bringing It All Back Home''. Of the two acoustic takes completed ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Rolling Stone Album Guide
''The Rolling Stone Album Guide'', previously known as ''The Rolling Stone Record Guide'', is a book that contains professional music reviews written and edited by staff members from ''Rolling Stone'' magazine. Its first edition was published in 1979 and its last in 2004. First edition (1979) ''The Rolling Stone Record Guide'' was the first edition of what would later become ''The Rolling Stone Album Guide''. It was edited by Dave Marsh (who wrote a large majority of the reviews) and John Swenson, and included contributions from 34 other music critics. It is divided into sections by musical genre and then lists artists alphabetically within their respective genres. Albums are also listed alphabetically by artist although some of the artists have their careers divided into chronological periods. Dave Marsh, in his Introduction, cites as precedents Leonard Maltin's book '' TV movies'' and Robert Christgau's review column in the '' Village Voice''. He gives '' Phonolog'' and ''Schwan ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Billboard (magazine)
''Billboard'' (stylized in letter case, lowercase since 2013) is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events and styles related to the music industry. Its Billboard charts, music charts include the Billboard Hot 100, Hot 100, the Billboard 200, 200, and the Billboard Global 200, Global 200, tracking the most popular albums and songs in various music genres. It also hosts events, owns a publishing firm and operates several television shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Billboard Hot 100
The ''Billboard'' Hot 100, also known as simply the Hot 100, is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), online streaming, and radio airplay in the U.S. A new chart is compiled and released online to the public by ''Billboard''s website on Tuesdays but post-dated to the following Saturday, when the printed magazine first reaches newsstands. The weekly tracking period for sales is currently Friday–Thursday, after being changed in July 2015. It was initially Monday–Sunday when Nielsen started tracking sales in 1991. This tracking period also applies to compiling online streaming data. Radio airplay is readily available on a real-time basis, unlike sales figures and streaming, but is also tracked on the same Friday–Thursday cycle, effective with the chart dated July 17, 2021. Previously, radio was tracked Monday–Sunday and, before Ju ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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British Hit Singles & Albums
''British Hit Singles & Albums'' (originally known as ''The Guinness Book of British Hit Singles'' and ''The Guinness Book of British Hit Albums'') was a music reference work, reference book originally published in the United Kingdom by the publishing arm of the Guinness breweries, Guinness Superlatives. Later editions were published by HIT Entertainment (who had bought the Guinness World Records brand). It listed all the singles and albums featured in the Top 75 pop charts in the United Kingdom, UK. In 2004 the book became an amalgamation of two earlier Guinness publications, originally known as ''British Hit Singles'' and ''British Hit Albums''. The publication of this amalgamation ceased in 2006, with Guinness World Records being sold to Jim Pattison Group, The Jim Pattison Group, owner of ''Ripley's Believe It or Not!''. At this point, the Official UK Charts Company teamed up with Random House/Ebury Publishing to release a new version of the book under the Virgin Books bran ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sonny Wharton
Sonny Wharton is a British house music, house and techno DJ and record producer. In addition to his artist career, Wharton now manages a range of electronic DJs and producers alongside running his newly founded record label, Strength In Numbers. Biography Early life Sonny Wharton was born in mid-Wales, where he was encouraged to explore music by his father Alex Wharton. Alex Wharton produced the Moody Blues' first record "Go Now", scoring a No. 1 UK single and a No. 10 US hit in early 1965. Wharton's early dance music influences have been cited as Carl Cox, Fatboy Slim and X-Press 2 alongside live acts such as the Prodigy and the Chemical Brothers. Music career Wharton's debut release as a producer came in 2004 with the release of ''Hotsteppa'' which saw him collaborate with fellow producer MangoTrasher. Following support from the likes of Fatboy Slim, Pete Tong and Carl Cox, Wharton has worked on remixes for other artists of varying genres, including Ed Sheeran, Fatboy Slim, Mo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Alex Wharton
Alex Wharton (born 1939), later also known as Alex Murray, was part of the singing duo the Most Brothers with Mickie Most, and later, co-manager and producer of the Moody Blues. Singing and acting career The Most Brothers worked in the 2i's Coffee Bar in London's Soho. They toured the UK with early rock and rollers Marty Wilde, Colin Hicks (younger brother of Tommy Steele), the Tony Crombie Big Band, Cliff Richard, the Kalin Twins, and Wee Willie Harris. In 1957 they recorded on the Decca label with "Whistle Bait" and "Takes a Whole Lotta Loving to Keep My Baby Happy" before disbanding the act in 1958. In 1959 Wharton adopted the name Murray and moved into an acting career with the Theatre Workshop company in Stratford, East London, under the direction of the theatre director Joan Littlewood. He appeared in the first production of ''Fings Ain't Wot They Used T'Be'' before transferring to London's West End theatre, Wyndam's, as understudy to Alfred Lynch in the title role of ' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Denny Laine
Brian Frederick Hines (29 October 1944 – 5 December 2023), known professionally as Denny Laine, was an English musician who co-founded two major rock bands: the Moody Blues and Wings. Laine played guitar in the Moody Blues from 1964 to 1966 and sang their hit cover version of " Go Now". Laine befriended Paul McCartney of the Beatles, who later asked him to join his band Wings. Laine was a constant member of Wings for their entire run from 1971 to 1981, playing guitar, bass and keyboards, and singing backing and lead vocals. He wrote songs with McCartney, including the 1977 hit "Mull of Kintyre". Laine worked with a variety of other artists, such as Ginger Baker, Trevor Burton and Bev Bevan, as a part of groups over a six-decade career. In later years he participated in a number of Wings/McCartney/Beatles tribute performances and recordings. He also had an extensive solo career consisting of ten studio albums of original music and a Wings covers album, and also wrote a music ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Beat Group
Beat music, British beat, or Merseybeat is a British popular music Music genre, genre that developed around Liverpool in the late 1950s and early 1960s. The genre melded influences from British rock and roll, British and Music of the United States, American rock and roll, rhythm and blues, skiffle, traditional pop, and music hall. It rose to mainstream popularity in the United Kingdom and Europe by 1963 before spreading to North America in 1964 with the British Invasion. The beat style shaped popular music and youth culture through 1960s movements such as garage rock, folk rock and psychedelic music. Origin The exact origins of the terms 'beat music' and 'Merseybeat' are uncertain. "Beat" alludes to the driving rhythms adopted from rock and roll, R&B, and soul music—not the Beat Generation literary movement of the 1950s. As the initial wave of rock and roll subsided in the later 1950s, "big beat" music, later shortened to "beat", became a live dance alternative to the ballade ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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I Don't Want To Go On Without You
"I Don't Want to Go On Without You" is a soul ballad written by Bert Berns and Jerry Wexler and produced by Bert Berns for the Drifters in 1964. History Originally intended to be the A-side to "Under the Boardwalk", the song was recorded in May 1964 under the direction of songwriter and producer Bert Berns. The night before the session, the Drifters' lead singer, Rudy Lewis, died of a heroin overdose. Longtime Drifters tenor Charlie Thomas took over the vocal. Covers "I Don't Want to Go On Without You" has been covered by Nazareth, the Escorts (1965), the Moody Blues, Patti LaBelle and the Bluebelles, and Van Morrison. Dusty Springfield also performed the song on her television series ''Dusty''. The performance was included on the Dusty Springfield DVD release ''Live at the BBC''. British pop group the Searchers, recorded a version for their fourth studio album ''Sounds Like Searchers'' in 1965. Their version, which features a string section that "eschews the band format ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Denny Cordell
Dennis Cordell-Lavarack (1 August 1943 – 18 February 1995), known as Denny Cordell, was an English record producer. He is notable for his mid-1960s and early 1970s productions of hit singles for The Moody Blues, Leon Russell, The Move, Procol Harum, Joe Cocker and Tom Petty and the Heartbreakers. He later became a racehorse trainer. Early life and career Born in Buenos Aires, Argentina, Cordell grew up in England and was educated at Cranleigh School. He met Chris Blackwell when he was aged twenty-one, and started to work for Blackwell's label, Island Records, as a producer. When Cordell started to work more closely with The Moody Blues, he decided to leave Island and become an independent producer. Cordell produced the Moody Blues' debut album '' The Magnificent Moodies'' on the Decca record label in 1965. The record contained the hit " Go Now" (produced separately by Alex Wharton), which had been a #1 hit on the UK Singles Chart earlier in the year. This was followed ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |