Giuseppe Zucchi
   HOME





Giuseppe Zucchi
Giuseppe Carlo Zucchi (1721 – 1805) was an Italian engraver. Biography Zucchi was born in Venice. He was an older brother of the painter Antonio Zucchi. He studied in Venice with Francesco Zugno. He began working as an assistant to his father, who worked as an engraver, but did not sign pieces himself until after his father's death in 1764. In 1766, he travelled to London with his brother Antonio, and produced four engraved plates for volumes 2 and 3 of ''Works in Architecture'' by Robert and James Adam. Returning to Italy in 1779, he became a professor at the Academy of Fine Arts of Rome. His writings include ''Memorie cronologiche della famiglia'' (1786) and ''Memorie istoriche di Maria Angelica Kauffmann Zucchi'' (1788). These were used by Giovanni Giacomo de Rossi as sources for his 1810 biography of painter Angelica Kauffmann Maria Anna Angelika Kauffmann ( ; 30 October 1741 – 5 November 1807), usually known in English as Angelica Kauffman, was a Swiss Neoclassic ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po and the Piave rivers (more exactly between the Brenta and the Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua and Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Veneti people who inhabited the region by the 10th century BC. The city was historica ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Antonio Zucchi
Antonio Pietro Francesco Zucchi (1 May 1726 – 1 December 1795) was an Italian painter and printmaker of the Neoclassic period. Life Zucchi was born in Venice, he studied under his uncle Carlo Zucchi and later Francesco Fontebasso and Jacopo Amigoni. He married the painter Angelica Kauffman in 1781, who late in life moved with him to Rome. In Rome Zucchi produced a number of etchings of '' capriccio'' and ''veduta'' of classical buildings or ruins. He worked with Robert Adam in the decoration of houses in England, including Kenwood, Newby Hall, Osterley Park, Nostell Priory, and Luton House. In 1756, he was elected to the membership of the Accademia di Belle Arti in Venice. In England, he was elected as an associate to the Royal Academy of Arts in 1770. Lady Boringdon commissioned him to paint the ceilings of rooms redesigned by Robert Adam at Saltram House in Devon. She also bought paintings from his wife for the house. He died in Rome , established_title ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Francesco Zugno
Francesco Zugno ( c. 1708–1787) was an Italian painter of the Rococo period who had a successful career in Venice. Life Francesco Zugno was born in Venice in 1709 and probably died there in 1787. The Zugno were an ancient Venetian family and its members included artists such as the fifteenth century painter Giambattista Zugno. The Brescia branch of the Zugno family also includes a Zugno Francesco (1574-1621) with whom the artist who is the subject of this entry is sometimes confused. Few details about his life are known. He trained at the Academy of Painting and Sculpture of Venice. When he entered, on the advice of his father Zugno Faustin, in the workshop of Giambattista Tiepolo around 1730, Francesco already had a solid training as a painter. As a disciple and collaborator of Tiepolo, he realized between 1730 and 1737 several paintings. Amongst others, he collaborated with Tiepolo on the frescoes for the Palazzo Labia. He received his first commission for paintings for th ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Robert Adam
Robert Adam (3 July 17283 March 1792) was a British neoclassical architect, interior designer and furniture designer. He was the son of William Adam (1689–1748), Scotland's foremost architect of the time, and trained under him. With his older brother John, Robert took on the family business, which included lucrative work for the Board of Ordnance, after William's death. In 1754, he left for Rome, spending nearly five years on the continent studying architecture under Charles-Louis Clérisseau and Giovanni Battista Piranesi. On his return to Britain he established a practice in London, where he was joined by his younger brother James. Here he developed the " Adam Style", and his theory of "movement" in architecture, based on his studies of antiquity and became one of the most successful and fashionable architects in the country. Adam held the post of Architect of the King's Works from 1761 to 1769. Robert Adam was a leader of the first phase of the classical revival ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


James Adam (architect)
James Adam (21 July 1732 – 20 October 1794) was a Scottish architect and furniture designer, but was often overshadowed by his older brother and business partner, Robert Adam. They were sons of architect William Adam. Life and career Adam was born in Kirkcaldy, Fife in 1732 as the third son of the architect William Adam. In 1755 Adam worked on Gunsgreen House in the Berwickshire town of Eyemouth. In 1758, Adam, along with his brother Robert, started his business in London (living in Lower Grosvenor Street), focusing on designing complete schemes for the decoration and furnishing of houses. Palladian design was popular, but Robert had evolved a new, more flexible signature style incorporating elements of classic Roman design alongside influences from Greek, Byzantine and Baroque styles, often termed as Adam Style in conventional architecture texts. The Adam brothers' success can also be attributed to a desire to design everything down to the smallest detail, ensuring ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  



MORE