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Giuseppe Sammartini
Giuseppe Francesco Gaspare Melchiorre Baldassare Sammartini (also Gioseffo, S Martini, St Martini, San Martini, San Martino, Martini, Martino; 6 January 1695 – between 17 and 23 November 1750) was an Italian composer and oboist during the late Baroque and early Classical era. Although he was from Milan, most of his professional life was spent in London and with Frederick, the Prince of Wales. He also had a younger brother, Giovanni Battista Sammartini, who likewise became a renowned composer. Personal life Giuseppe Sammartini was born in Milan, Italy. Giuseppe took oboe lessons from his French father Alexis Saint-Martin. Although born in Milan, Giuseppe found his success in other parts of Europe. His first trip was to Brussels, and from there he made his way to London where he would go on to spend the rest of his life. Giuseppe did return to Milan for his sister Madalena's marriage on 13 February 1728. In July 1728 Giuseppe also travelled to Brussels with his pupil Gaetano Par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Music
Baroque music ( or ) refers to the period or dominant style of Classical music, Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance music, Renaissance period, and was followed in turn by the Classical period (music), Classical period after a short transition (the Galant music, galant style). The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "Western art music, classical music" Western canon, canon, and continues to be widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning "baroque pearl, misshapen pearl". Key List of Baroque composers, composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Georg Philipp Telemann, Domenico Scarlatti, Claudio Monte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three- movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g., presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli and Arcangelo Corelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Journal Of Musicology
''The Journal of Musicology'' is a quarterly peer-reviewed academic journal of musicology published by University of California Press The University of California Press, otherwise known as UC Press, is a publishing house associated with the University of California that engages in academic publishing. It was founded in 1893 to publish scholarly and scientific works by faculty .... The journal was established in 1982 by Marian C. Green. External links * {{DEFAULTSORT:Journal of Musicology Music journals University of California Press academic journals Quarterly journals English-language journals Academic journals established in 1981 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music & Letters
''Music & Letters'' is an academic journal published quarterly by Oxford University Press with a focus on musicology. The journal sponsors the Music & Letters Trust, which makes twice-yearly cash awards of variable amounts to support research in the music field. A. H. Fox Strangways established the journal in 1920 and served as editor-in-chief until 1937. Eric Blom served as editor from 1937 to 1950 and again from 1954 to 1959. Other editors-in-chief have included Richard Capell (1950-54), J.A. Westrup (1959-76), Denis Arnold and Edward Olleson (1976-80), Nigel Fortune Nigel Cameron Fortune (5 December 1924 – 10 April 2009) was an English musicologist and political activist. Along with Thurston Dart, Oliver Neighbour and Stanley Sadie he was one of Britain's leading musicologists of the post-World War II ... and Olleson (1981-6), Fortune and John Whenham (1986-92), and Fortune and Tim Carter (1992-9). Nigel Fortune continued as co-editor until 2008. References ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Talbot (musicologist)
Michael Owen Talbot, (born 4 January 1943 in Luton) is a British musicologist and composer. Talbot is a former Professor of Music at the University of Liverpool. An expert in Italian baroque music, Talbot has authored monographs on Antonio Vivaldi and Tommaso Albinoni, and is an editor of the scholarly journal "Studi Vivaldiani". He is also active as a historicist composer A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and def ..., and a member of the " Vox Saeculorum" society. Talbot's expertise has been called upon in instances where the authenticity and/or provenance of works has been questioned, including the discovery of the possible Vivaldi work ''Andromeda Liberata''. Works * Antonio Vivaldi The Manchester Violin Sonatas(A-R Editions 1976) * Vivaldi's 'Manchester' Sonatas(C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rushton, Julian
Julian Gordon Rushton (born 22 May 1941) is an English musicologist, born in Cambridge. He has contributed the entry on Mozart in ''The New Grove Dictionary of Opera'' and several other articles in ''The New Grove Dictionary of Music and Musicians'' and other reference works. He has written a critical study of the style of Hector Berlioz and was involved in critical editions of that composer's works. In 1999, he published an analysis of Elgar's ''Enigma Variations''. His book '' Coffee with Mozart'' (2007) has been translated into German. He also wrote Mozart (The Master Musicians, 2006) and Mozart: An Extraordinary Life (2006). In addition to his 1983 work ''The Musical Language of Berlioz'', he wrote ''The Music of Berlioz'' (OUP, 2001) as well as several articles on Mozart, Berlioz, and Elgar. He was General Editor of Cambridge Music Handbooks (c. 60 volumes), contributing Berlioz, ''Roméo et Juliette'' and Elgar, '' 'Enigma' Variations''. He has edited works by Charpentier, Ber ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Theory Spectrum
''Music Theory Spectrum'' () is a peer-reviewed, academic journal specializing in music theory and analysis. It is the official journal of the Society for Music Theory, and is published by Oxford University Press. The journal was first published in 1979 as the official organ of the Society for Music Theory, which had been founded in 1977 and had its first conference in 1978.. Unlike many other journals (music or otherwise), ''Music Theory Spectrum'' was initially published in an oblong (landscape) page format, to better accommodate such musical graphics as Schenkerian graphs. Published twice annually, ''Music Theory Spectrum'' includes research articles and book reviews. Online access to back issues of the journal up 2017 is provided through JSTOR. In a 1999 study, it was the seventh most frequently cited journal in music theses overall, and the third most frequently cited journal in music theory theses. In Spring 2014, Oxford University Press began publishing ''Music Theory S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Journal Of The American Musicological Society
The ''Journal of the American Musicological Society'' is a triannual peer-reviewed academic journal and an official journal of the American Musicological Society. It is published by University of California Press and covers all aspects of musicology. It was established in 1948 and was preceded by the annual ''Bulletin of the American Musicological Society'' (1936–1947) and the annual ''Papers of the American Musicological Society'' (1936–1941). Online versions of the journal and its predecessors are available at JSTOR JSTOR ( ; short for ''Journal Storage'') is a digital library of academic journals, books, and primary sources founded in 1994. Originally containing digitized back issues of academic journals, it now encompasses books and other primary source ... and the University of California Press. In 1948, the initial start-up costs were twice the society's treasury balance at the time, requiring that the society more than double its fees. Further reading * Referenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Language Review
''Modern Language Review'' is the journal of the Modern Humanities Research Association ( MHRA). It is one of the oldest journals in the field of modern languages. Founded in 1905, it has published more than 3,000 articles and 20,000 book reviews. ''Modern Language Review'' is published four times a year (in January, April, July and October). All articles are in English and their range covers the following fields: * English (including United States and the Commonwealth) * French (including Francophone Africa and Canada) * Germanic (including Dutch and Scandinavian) * Hispanic (including Latin-American, Portuguese, Catalan, and Galician) * Italian * Slavonic and East European Studies * General Studies (including linguistics, comparative literature, and critical theory) History The first issue was published in October 1905 with John G. Robertson as the founding editor-in-chief. When Robertson died in 1933, he was replaced by Charles Jasper Sisson. Sources [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Music (journal)
''Early Music'' is a peer-reviewed academic journal specialising in the study of early music. It was established in 1973 by John M. Thomson during the early music revival, and is published quarterly by Oxford University Press. The co-editors are Alan Howard, Elizabeth Eva Leach and Stephen Rose. The journal has been described as "successfully disseminat ngvaluable information to all members of the early music community: scholars, performers, informed amateurs, and instrument makers and collectors". Overview ''Early Music'' broadly covers topics relating to its namesake period, namely the medieval, Renaissance and Baroque periods. Less often, topics from the Classical and Romantic periods are including as well. The journal publishes quarterly, featuring 5–10 articles, alongside reviews of books, music and recordings. The librarian Alan Karass notes that the "articles are scholarly but not academic in nature". He further remarks that "a distinguishing feature of ''Early Mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Musical Times
''The Musical Times'' was an academic journal of classical music edited and produced in the United Kingdom. It was originally created by Joseph Mainzer in 1842 as ''Mainzer's Musical Times and Singing Circular'', but in 1844 he sold it to Alfred Novello (who also founded '' The Musical World'' in 1836), and it was published monthly by Novello and Co. (also owned by Alfred Novello at the time). It first appeared as ''The Musical Times and Singing Class Circular'', a name which was retained until 1903. From the very beginning, every issue – initially just eight pages – contained a simple piece of choral music (alternating secular and sacred), which choral society members subscribed to collectively for the sake of the music. Its title was shortened to its present name from January 1904. Even during World War II it continued to be published regularly, making it the world's oldest continuously published periodical devoted to western classical music. In 1947 a two volume compila ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sturm Und Drang
(, ; usually translated as "storm and stress") was a proto-Romanticism, Romantic movement in German literature and Music of Germany, music that occurred between the late 1760s and early 1780s. Within the movement, individual subjectivity and, in particular, extremes of emotion were given free expression in reaction to the perceived constraints of rationalism imposed by the Age of Enlightenment, Enlightenment and associated aesthetic movements. The period is named after Friedrich Maximilian Klinger's Sturm und Drang (play), play of the same name, which was first performed by Abel Seyler's Seyler theatrical company, famed theatrical company in 1777. The philosopher Johann Georg Hamann is associated with ; other significant figures were Johann Anton Leisewitz, Jakob Michael Reinhold Lenz, H. L. Wagner, and Friedrich Maximilian Klinger. Johann Wolfgang von Goethe and Friedrich Schiller were notable proponents of the movement early in their lives, although they ended their period ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
