Giulia Francesca Zuffi
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Giulia Francesca Zuffi
Giulia Francesca Zuffi (1678–1685) was an Italian operatic soprano. In 1678, she sang in Venice at the opening of the Teatro San Giovanni Grisostomo (later the Teatro Malibran), in Carlo Pallavicino's ''Vespasiana''. In 1683, she sang in Naples, including in the first performances of Alessandro Scarlatti's ''Aldimiro, o vero Favor per favore'' and ''Psiche, o vero Amore innamorato''. In 1684 she appeared in a revival of Scarlatti's ''Pompeo'' and another of Giovanni Legrenzi's ''Giustino'', and in the first performance of ''Epaminonda'' by , and in 1685 she sang in the revival of Pallavicino's ''Galieno''. Her career "seems to have prospered with Carpio's patronage", i.e. that of Gaspar Méndez de Haro, 7th Marquess of Carpio Gaspar Méndez de Haro y Fernández de Córdoba, or Gaspar de Haro y Guzmán(1 June 1629 – 16 November 1687), 7th Marquess of Carpio Grandee, GE, was a Spanish political figure and art collector. Family He was the first son of Luis Méndez .. ...
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Venice
Venice ( ; ; , formerly ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 islands that are separated by expanses of open water and by canals; portions of the city are linked by 438 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). As of 2025, 249,466 people resided in greater Venice or the Comune of Venice, of whom about 51,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adr ...
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Teatro Malibran
The Teatro Malibran, known over its lifetime by a variety of names, beginning with the Teatro San Giovanni Grisostomo (or Crisostomo) after the nearby church,Lynn 2005, pp. 101—103 is an opera house in Venice which was inaugurated in 1678 with a production of the premiere of Carlo Pallavicino's opera ''Vespasiano''. By 1683, it had quickly become known as "the biggest, most beautiful and richest theatre in the city"The ''Mercure Gallant'', March 1683, in Lynn, p. 102 and its operatic importance throughout the 17th and 18th centuries led to an even grander description by 1730: :A true kingdom of marvels....that with the vastness of its magnificent dimension can be rightly compared to the splendours of ancient Rome and that with the grandeur of its more than regal dramatic performances has now conquered the applause and esteem of the whole world. Richly decorated, the theatre consisted of five levels of thirty boxes and a large stalls area. However, as an opera house, its success w ...
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Carlo Pallavicino
Carlo Pallavicino (Pallavicini; 29 January 1688) was an Italian composer. Pallavicino was born at Salò. From 1666 to 1673, he worked at the Dresden court; from 1674 to 1685, at the ''Ospedale degli Incurabili'' (a conservatory where orphaned children were musically trained) in Venice and further in Dresden. In August and September 1687, he was with the concert master Georg Gottfried Backstroh back in Venice. He asked for renewal of his leave because his wife expected to give birth, but he was rejected. He died in Dresden, and his grave is located in the Convent of the St. Mariestern. He wrote more than 20 operas premiered in Venice and Dresden, oratorios and sacred works. His son, Dresden court writer Stefano Benedetto Pallavicino, was a known librettist. Works Operas *''Demetrio'' (dramma per musica, libretto by Giacomo dall'Angelo, 1666, Venice) *''Aureliano'' (dramma per musica con prologo, libretto by Giacomo dall'Angelo, 1666, Venice) *''Il tiranno humiliato d'amore, ovver ...
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Alessandro Scarlatti
Pietro Alessandro Gaspare Scarlatti (2 May 1660 – 22 October 1725) was an Italian Baroque music, Baroque composer, known especially for his operas and chamber cantatas. He is considered the most important representative of the Neapolitan school of opera. Nicknamed by his contemporaries "the Italian Orpheus", he divided his career between Naples and Rome; a significant part of his works was composed for the papal city. He is often considered the founder of the Neapolitan school, although he has only been its most illustrious representative: his contribution, his originality and his influence were essential, as well as lasting, both in Italy and in Europe. Particularly known for his operas, he brought the Italian dramatic tradition to its maximum development, begun by Claudio Monteverdi, Monteverdi at the beginning of 17th century and continued by Antonio Cesti, Cesti, Francesco Cavalli, Cavalli, Giacomo Carissimi, Carissimi, Giovanni Legrenzi, Legrenzi and Alessandro Stradell ...
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Giovanni Legrenzi
Giovanni Legrenzi (baptized August 12, 1626 – May 27, 1690) was an Italian composer of opera, vocal and instrumental music, and organist, of the Baroque era. He was one of the most prominent composers in Venice in the late 17th century, and extremely influential in the development of late Baroque idioms across northern Italy. Life Legrenzi was born at Clusone, near Bergamo, then part of the Republic of Venice. His father, Giovanni Maria Legrenzi, was a professional violinist and, to some extent, a composer. We know Legrenzi had two brothers and two sisters, though one of the brothers, Marco, apparently a talented musician who performed with his father and brother in the 1660s, is not mentioned in Legrenzi's will: it is presumed that he died young. His remaining brother and sisters are both mentioned in his will. Legrenzi was probably taught largely at home, and his performance skills developed at the local church, and it can also be assumed there was music-making in the house. ...
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Gaspar Méndez De Haro, 7th Marquess Of Carpio
Gaspar Méndez de Haro y Fernández de Córdoba, or Gaspar de Haro y Guzmán(1 June 1629 – 16 November 1687), 7th Marquess of Carpio Grandee, GE, was a Spanish political figure and art collector. Family He was the first son of Luis Méndez de Haro and Catalina Fernández de Córdoba y Aragón, the youngest daughter of Enrique Fernández de Córdoba Cardona y Aragón and Catalina Fernández de Córdoba-Figueroa y Enríquez de Ribera. Political career His father Luis Mendez de Haro had succeeded his uncle, Gaspar de Guzmán, Count-Duke of Olivares as Favourite, Valido of Spain. Gaspar had the ambition to follow in his father's footsteps, but was frustrated in his ambitions. He was then suspected to be behind a plan to kill the King by blowing up the Parque del Buen Retiro, Madrid, Buen Retiro Palace. As a punishment, he was sent to Portugal to fight the insurgents, where he was made prisoner after the defeat at Montes Claros. In 1677, he was rehabilitated and sent to Rome ...
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17th-century Births
The 17th century lasted from January 1, 1601 (represented by the Roman numerals MDCI), to December 31, 1700 (MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French '' Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expa ...
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Year Of Death Unknown
A year is a unit of time based on how long it takes the Earth to orbit the Sun. In scientific use, the tropical year (approximately 365 solar days, 5 hours, 48 minutes, 45 seconds) and the sidereal year (about 20 minutes longer) are more exact. The modern calendar year, as reckoned according to the Gregorian calendar, approximates the tropical year by using a system of leap years. The term 'year' is also used to indicate other periods of roughly similar duration, such as the lunar year (a roughly 354-day cycle of twelve of the Moon's phasessee lunar calendar), as well as periods loosely associated with the calendar or astronomical year, such as the seasonal year, the fiscal year, the academic year, etc. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by changes in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons ar ...
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17th-century Italian Women
The 17th century lasted from January 1, 1601 (represented by the Roman numerals MDCI), to December 31, 1700 (MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded r ...
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