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Giovio Collection
The Giovio Series, also known as the Giovio Collection or Giovio Portraits, is a series of 484 portraits assembled by the 16th-century Italian Renaissance historian and biographer Paolo Giovio. It includes portraits of literary figures, rulers, statesmen and other dignitaries, many of which were done from life. Intended by Giovio as a public archive of famous men, the collection was originally housed in a specially-built museum on the shore of Lake Como. Although the original collection has not survived intact, a set of copies made for Cosimo I de' Medici now has a permanent home in Florence's Uffizi Gallery. Origins and history Giovio first began collecting portraits around 1512, soon after leaving his hometown of Como to pursue his career in Rome. Initially focused on men of letters, the collection grew to include military figures, kings, popes, artists and even a few renowned women. The series included illustrious men of ages past alongside those of his own day. Giovio inten ...
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Uffizi Hallway
The Uffizi Gallery ( ; , ) is a prominent art museum adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums and the most visited, it is also one of the largest and best-known in the world and holds a collection of priceless works, particularly from the period of the Italian Renaissance painting, Italian Renaissance. After the ruling House of Medici died out, their art collections were given to the city of Florence under the famous ''Patto di famiglia'' negotiated by Anna Maria Luisa de' Medici, Anna Maria Luisa, the last Medici heiress. The Uffizi is one of the first modern museums. The gallery had been open to visitors by request since the sixteenth century, and in 1769 it was officially opened to the public, formally becoming a museum in 1865. History The building of the Uffizi complex was begun by Giorgio Vasari in 1560 for Cosimo I de' Medici, Grand Duke of Tuscany, Cosimo I de' M ...
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Christiane Joost-Gaugier
Christiane L. Joost-Gaugier (born 1934) is a French-born American art history scholar whose research has included work on the art of the Italian Renaissance and on the influence of Pythagoras on art and philosophy into the Middle Ages and Renaissance. She is also known for bringing the first class action against an American university for its discriminatory treatment of women faculty. Education and career Joost-Gaugier was born in 1934 in France. She graduated with honors from Radcliffe College in 1955, earned an A.M. there in 1959 and a PhD from Harvard University in 1973. She taught at Michigan State University in the early 1960s, and in the late 1960s joined the Tufts University faculty,. In 1970 she initiated a class action lawsuit against Tufts University for unequal treatment of women. The case was taken up by the Equal Employment Opportunity Commission The U.S. Equal Employment Opportunity Commission (EEOC) is a federal agency that was established via the Civil Rights ...
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Giovanni De' Medici (1360–1429)
Giovanni di Bicci de' Medici ( – February 1429) was an Italian banker and founder of the Medici Bank. While other members of the Medici family, such as Chiarissimo di Giambuono de' Medici, who served in the Signoria of Florence in 1401, and Salvestro de' Medici, who was implicated in the Ciompi Revolt of 1378, are of historical interest, it was Giovanni's founding of the family bank that truly initiated the family's rise to power in Florence. He was the father of Cosimo de' Medici and of Lorenzo the Elder; grandfather of Piero di Cosimo de' Medici; great-grandfather of Lorenzo de' Medici (the Magnificent); and the great-great-great-grandfather of Cosimo I de' Medici, Grand Duke of Tuscany. Biography Giovanni di Bicci de' Medici was born in Florence, Italy. He was the son of Averardo de' Medici and Jacopa Spini. His father, Averardo died in 1363 with a respectable amount of wealth. This inheritance was divided among Giovanni and his four brothers, leaving Giovanni with ver ...
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Ismail I
Ismail I (; 17 July 1487 – 23 May 1524) was the founder and first shah of Safavid Iran, ruling from 1501 until his death in 1524. His reign is one of the most vital in the history of Iran, and the Safavid period is often considered the beginning of modern Iranian history.. Under Ismail, Iran was unified under native rule for the first time since the Islamic conquest of the country eight-and-a-half centuries earlier. Ismail inherited leadership of the Safavid Sufi order from his brother as a child. His predecessors had transformed the religious order into a military movement supported by the Qizilbash (mainly Turkoman Shiite groups). The Safavids took control of Azerbaijan, and in 1501 Ismail was crowned as king (''padshah''). In the following years, Ismail conquered the rest of Iran and other neighboring territories. His expansion into Eastern Anatolia brought him into conflict with the Ottoman Empire. In 1514, the Ottomans decisively defeated the Safavids at the Battle o ...
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Bayezid I
Bayezid I (; ), also known as Bayezid the Thunderbolt (; ; – 8 March 1403), was the sultan of the Ottoman Empire from 1389 to 1402. He adopted the title of ''Sultan-i Rûm'', ''Rûm'' being the Arabic name for the Eastern Roman Empire. In 1394, Bayezid unsuccessfully Siege of Constantinople (1394–1402), besieged Constantinople. Bayezid vanquished all the Beyliks and proceeded to conquer and vassalize the entirety of Anatolia. In 1402, he once more besieged Constantinople, appearing to find success, but he ultimately withdrew due to the invasion of the Turco-Mongol conqueror Timur.Mango, Cyril. ''The Oxford History of Byzantium''. New York: Oxford UP, 2002. pp. 273–274 He defeated the Crusaders at the Battle of Nicopolis in what is now Bulgaria in 1396. He was later defeated and captured by Timur at the Battle of Ankara in 1402 and died in captivity in March 1403, which triggered the Ottoman Interregnum. Biography Bayezid was the son of Murad IRunciman, Steven ''The Fall ...
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Dante Alighieri
Dante Alighieri (; most likely baptized Durante di Alighiero degli Alighieri; – September 14, 1321), widely known mononymously as Dante, was an Italian Italian poetry, poet, writer, and philosopher. His ''Divine Comedy'', originally called (modern Italian: ) and later christened by Giovanni Boccaccio, is widely considered one of the most important poems of the Middle Ages and the greatest literary work in the Italian language. Dante chose to write in the vernacular, specifically, his own Tuscan dialect, at a time when much literature was still written in Latin, which was accessible only to educated readers, and many of his fellow Italian poets wrote in French or Provençal dialect, Provençal. His ' (''On Eloquence in the Vernacular'') was one of the first scholarly defenses of the vernacular. His use of the Florentine dialect for works such as ''La Vita Nuova, The New Life'' (1295) and ''Divine Comedy'' helped establish the modern-day standardized Italian language. His wo ...
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Cristofano Dell'Altissimo
Cristofano dell'Altissimo (–1605) was an Italian painter in Florence. For duke Cosimo I de' Medici he copied in Como at least 280 of the portraits from the Collection of Paolo Giovio known as the Giovio Series (484 in total). Most of them can be seen at the Uffizi Gallery in Florence. Work He was a pupil of Pontormo and Bronzino. In July 1552 he was sent to Como by Cosimo I de' Medici to copy the portraits of famous men in Paolo Giovio’s museum. By the end of May 1553 , Cristofano had sent 24 finished portraits to Florence, followed by 26 more by September 1554 and another 25 by October 1556. The following month Cristofano received 100 scudi from Cosimo. By 1591 the works had been transferred to the corridors of the Uffizi, where they form part of the museum’s large collection of portraits. During his stay in Como, Cristofano travelled to Milan to execute two portraits of the Ippolita Gonzaga (1535–1563), the daughter of Ferrante Gonzaga, in competition with Bernardin ...
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Pinacoteca Civica Di Palazzo Volpi, Como
The Pinacoteca Civica di Palazzo Volpi is the town art gallery on Via Diaz 84 in the town of Como, Lombardy, Italy. It is housed in the 17th-century Palazzo Volpi. History The palace was erected from 1610 to 1630 by the Catholic nuncio and bishop of Novara, Ulpiano Volpi. He commissioned the sober Renaissance-style design from the architect Sergio Venturi. The building in the 20th century served as a courthouse until the 1970s. Presently it is a civic art gallery. It houses collections whose core pre-19th-century works come from suppressed ecclesiastic institutions. For example, it houses Carolingian sculptures from the church of Sant'Abbondio as well as Romanesque and Gothic sculptures and frescoes. It contains a display of Paolo Giovio's portraits of illustrious men. It houses items from the Como Cathedral, including stained glass windows, sculptures, tapestries and wooden models. Among the paintings are:
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Varro
Marcus Terentius Varro (116–27 BCE) was a Roman polymath and a prolific author. He is regarded as ancient Rome's greatest scholar, and was described by Petrarch as "the third great light of Rome" (after Virgil and Cicero). He is sometimes called Varro Reatinus ("Varro of Rieti") to distinguish him from his younger contemporary Varro Atacinus ("Varro of Aude (river), Atax"). Biography Varro was born in or near Reate (now Rieti in Lazio) into a family thought to be of Equites, equestrian rank. He always remained close to his roots in the area, owning a large farm in the Reatine plain (reported as near Lago di Ripasottile,) until his old age. He supported Pompey, reaching the office of praetor, after having served as tribune of the plebs, tribune of the people, ''quaestor'' and ''curule aedile''. It is probable that Varro was discontented with the course on which Pompey entered when the First Triumvirate formed 60 BC, and he may thus have lost his chance of rising to the c ...
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Lost Literary Work
A lost literary work (referred throughout this article just as a lost work) is a document, literary work, or piece of multimedia, produced of which no surviving copies are known to exist, meaning it can be known only through reference, or literary fragments. This term most commonly applies to works from the classical world, although it is increasingly used in relation to modern works. A work may be lost to history through the destruction of an original manuscript and all later copies. Works—or, commonly, small fragments of works—have survived by being found by archaeologists during investigations, or accidentally by laypersons such as, for example, the finding Nag Hammadi library scrolls. Works also survived when they were reused as bookbinding materials, quoted or included in other works, or as palimpsests, where an original document is imperfectly erased so the substrate on which it was written can be reused. The discovery, in 1822, of Cicero's '' De re publica'' was ...
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Woodcut
Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce the print. The block is cut along the wood grain (unlike wood engraving, where the block is cut in the end-grain). The surface is covered with ink by rolling over the surface with an ink-covered roller ( brayer), leaving ink upon the flat surface but not in the non-printing areas. Multiple colours can be printed by keying the paper to a frame around the woodblocks (using a different block for each colour). The art of carving the woodcut can be called ''xylography'', but this is rarely used in English for images alone, although that term and ''xylographic'' are used in connection with block books, which are small books containing text ...
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Andrea Fulvio
Andrea Fulvio (in his Latin publications and correspondence Andreas Fulvius; –1527) was an Italian Renaissance humanist, poet and antiquarian active in Rome, who advised Raphael in the reconstructions of ancient Rome as settings for his frescoes. Fulvio was Raphael's companion and ''cicerone'' as they explored the ruins, Fulvio showing Raphael what was essential to be drawn and ex temporising on them. Fulvio published two volumes. One contained the first attempts at identifying famous faces of classical antiquity, Antiquity from numismatics, numismatic evidence, his richly illustrated ''Illustrium imagines'' of 1517, the portrait heads possibly by Giovanni Battista Palumba. The other was a guide to the city's antiquities, ''Antiquitates Urbis'', published in Sack of Rome (1527), the disastrous year 1527. For a more popular market, his ''Antiquitates Urbis'' were translated into Italian by Paolo Del Rosso and published at Venice in 1543 with the title '' Opera delle antichi ...
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