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Gioseffo Zarlino
Gioseffo Zarlino (31 January or 22 March 1517 – 4 February 1590) was an Italian Music theory, music theorist and composer of the Renaissance music, Renaissance. He made a large contribution to the theory of counterpoint as well as to musical tuning. Life and career Zarlino was born in Chioggia, near Venice. His early education was with the Franciscans, and he later joined the order himself. In 1536 he was a singer at Chioggia Cathedral, and by 1539 he not only became a deacon, but also principal organist. In 1540 he was ordained, and in 1541 went to Venice to study with the famous contrapuntist and ''maestro di cappella'' of San Marco di Venezia, Saint Mark's, Adrian Willaert. In 1565, on the resignation of Cipriano de Rore, Zarlino took over the post of ''maestro di cappella'' of St. Mark's, one of the most prestigious musical positions in Italy, and held it until his death. While ''maestro di cappella'' he taught some of the principal figures of the Venetian School (musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Galilei
Vincenzo Galilei (3 April 1520 – 2 July 1591) was an Italian lutenist, composer, and music theory, music theorist. His children included the astronomer and physicist Galileo Galilei and the lute virtuoso and composer Michelagnolo Galilei. Vincenzo was a figure in the musical life of the late Renaissance and contributed significantly to the musical revolution that demarcates the beginning of the Baroque music, Baroque era. In his study of pitch and string tension, Galilei produced perhaps the first non-linear mathematical description of a natural phenomenon known to history. Some credit him with directing the activity of his son away from pure, abstract mathematics and towards experimentation using mathematical quantitative description of the results, a direction of importance for the history of physics and natural science. Biography He was born in 1520 in Santa Maria a Monte, near Pisa, Republic of Florence, and began studying the lute at an early age. His mother was from San ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ptolemy's Intense Diatonic Scale
Ptolemy's intense diatonic scale, also known as the Ptolemaic sequence, justly tuned major scale, Ptolemy's tense diatonic scale, or the syntonous (or syntonic) diatonic scale, is a tuning for the diatonic scale proposed by Ptolemy, and corresponding with modern 5-limit just intonation.Chisholm, Hugh (1911). The Encyclopædia Britannica', Vol.28, p. 961. The Encyclopædia Britannica Company. While Ptolemy is famous for this version of just intonation, it is important to realize this was only one of several genera of just, diatonic intonations he describes. He also describes 7-limit "soft" diatonics and an 11-limit "even" diatonic. This tuning was declared by Zarlino to be the only tuning that could be reasonably sung, it was also supported by Giuseppe Tartini, and is equivalent to Indian Gandhar tuning which features exactly the same intervals. It is produced through a tetrachord consisting of a greater tone (9:8), lesser tone (10:9), and just diatonic semitone (16:15) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boethius
Anicius Manlius Severinus Boethius, commonly known simply as Boethius (; Latin: ''Boetius''; 480–524 AD), was a Roman Roman Senate, senator, Roman consul, consul, ''magister officiorum'', polymath, historian, and philosopher of the Early Middle Ages. He was a central figure in the translation of the Greek classics into Latin, a precursor to the Scholasticism, Scholastic movement, and, along with Cassiodorus, one of the two leading Christian scholars of the 6th century. The local cult of Boethius in the Diocese of Pavia was sanctioned by the Sacred Congregation of Rites in 1883, confirming the diocese's custom of honouring him on the 23 October. Boethius was born in Rome a few years after the forced abdication of the last Western Roman Empire, Western Roman emperor, Romulus Augustulus. A member of the Anicii family, he was orphaned following the family's sudden decline and was raised by Quintus Aurelius Memmius Symmachus, a later Roman consul, consul. After mastering both Latin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pythagoreanism
Pythagoreanism originated in the 6th century BC, based on and around the teachings and beliefs held by Pythagoras and his followers, the Pythagoreans. Pythagoras established the first Pythagorean community in the Ancient Greece, ancient Greek colony of Crotone, Kroton, in modern Calabria (Italy) circa 530 BC. Early Pythagorean communities spread throughout Magna Graecia. Already during Pythagoras' life it is likely that the distinction between the ''akousmatikoi'' ("those who listen"), who is conventionally regarded as more concerned with religious, and ritual elements, and associated with the oral tradition, and the ''mathematikoi'' ("those who learn") existed. The ancient biographers of Pythagoras, Iamblichus () and his master Porphyry (philosopher), Porphyry ( ) seem to make the distinction of the two as that of 'beginner' and 'advanced'. As the Pythagorean cenobites practiced an esoteric path, like the Greco-Roman mysteries, mystery schools of antiquity, the adherents, ''akou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Just Intonation
In music, just intonation or pure intonation is a musical tuning, tuning system in which the space between notes' frequency, frequencies (called interval (music), intervals) is a natural number, whole number ratio, ratio. Intervals spaced in this way are said to be pure, and are called just intervals. Just intervals (and chords created by combining them) consist of tones from a single harmonic series (music), harmonic series of an implied fundamental frequency, fundamental. For example, in the diagram, if the notes G3 and C4 (labelled 3 and 4) are tuned as members of the harmonic series of the lowest C, their frequencies will be 3 and 4 times the fundamental frequency. The interval ratio between C4 and G3 is therefore 4:3, a just fourth (music), fourth. In Western musical practice, bowed instruments such as violins, violas, cellos, and double basses are tuned using pure fifths or fourths. In contrast, keyboard instruments are rarely tuned using only pure intervals—the desire fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interval (music)
In music theory, an interval is a difference in pitch between two sounds. An interval may be described as horizontal, linear, or melodic if it refers to successively sounding tones, such as two adjacent pitches in a melody, and vertical or harmonic if it pertains to simultaneously sounding tones, such as in a chord. In Western music, intervals are most commonly differences between notes of a diatonic scale. Intervals between successive notes of a scale are also known as scale steps. The smallest of these intervals is a semitone. Intervals smaller than a semitone are called microtones. They can be formed using the notes of various kinds of non-diatonic scales. Some of the very smallest ones are called commas, and describe small discrepancies, observed in some tuning systems, between enharmonically equivalent notes such as C and D. Intervals can be arbitrarily small, and even imperceptible to the human ear. In physical terms, an interval is the ratio between two sonic fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triad (music)
In music, a triad is a set of three notes (or "pitch classes") that can be stacked vertically in thirds.Ronald Pen, ''Introduction to Music'' (New York: McGraw-Hill, 1992): 81. . "A triad is a set of notes consisting of three notes built on successive intervals of a third. A triad can be constructed upon any note by adding alternating notes drawn from the scale.... In each case the note that forms the foundation pitch is called the ''root'', the middle tone of the triad is designated the ''third'' (because it is separated by the interval of a third from the root), and the top tone is referred to as the ''fifth'' (because it is a fifth away from the root)." Triads are the most common chord (music), chords in Western music. When stacked in thirds, notes produce triads. The triad's members, from lowest-pitched tone to highest, are called: * the root **Note: Inversion (music)#Inverted chords, Inversion does not change the root. (The third or fifth can be the lowest note.) * the third ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pope Sixtus V
Pope Sixtus V (; 13 December 1521 – 27 August 1590), born Felice Piergentile, was head of the Catholic Church and ruler of the Papal States from 24 April 1585 to his death, in August 1590. As a youth, he joined the Franciscan order, where he displayed talents as a scholar and preacher, and enjoyed the patronage of Pius V, who made him a Cardinal (Catholic Church), cardinal. As a cardinal, he was known as Cardinal Montalto. As Pope, he energetically rooted out corruption and lawlessness across Rome, and launched a far-sighted rebuilding programme that continues to provoke controversy, as it involved the destruction of antiquities. The cost of these works was met by heavy taxation which caused much suffering. His foreign policy was regarded as over-ambitious; he excommunicated King Henry IV of France and renewed the excommunication of Queen Elizabeth I of England. He is recognized as a significant figure of the Counter-Reformation. He is the most recent pope to date to take on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Equal Temperament
An equal temperament is a musical temperament or Musical tuning#Tuning systems, tuning system that approximates Just intonation, just intervals by dividing an octave (or other interval) into steps such that the ratio of the frequency, frequencies of any adjacent pair of notes is the same. This system yields Pitch (music), pitch steps perceived as equal in size, due to the logarithmic changes in pitch frequency. In classical music and Western music in general, the most common tuning system since the 18th century has been 12 equal temperament (also known as ''12 tone equal temperament'', ' or ', informally abbreviated as ''12 equal''), which divides the octave into 12 parts, all of which are equal on a logarithmic scale, with a ratio equal to the twelfth root of two, 12th root of 2, (\sqrt[12] ≈ 1.05946). That resulting smallest interval, the width of an octave, is called a semitone or half step. In Western world, Western countries the term ''equal temperamen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meantone Temperament
Meantone temperaments are musical temperaments; that is, a variety of Musical tuning#Tuning systems, tuning systems constructed, similarly to Pythagorean tuning, as a sequence of equal fifths, both rising and descending, scaled to remain within the same octave. But rather than using perfect fifths, consisting of frequency ratios of value 3:2, these are ''tempered'' by a suitable factor that narrows them to ratios that are slightly less than 3:2, in order to bring the major or minor thirds closer to Just intonation, the just intonation ratio of 5:4 or 6:5 , respectively. Among temperaments constructed as a sequence of fifths, a regular temperament is one in which all the fifths are chosen to be of the same size. Twelve-tone equal temperament () is obtained by making all semitones the same size, with each equal to one-twelfth of an octave; i.e. with ratios . Relative to Pythagorean tuning, it narrows the perfect fifths by about 2 cents (music), cents or of a Pythagorean co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Aron
Pietro Aron, also known as Pietro (or Piero) Aaron (c. 1480 – after 1545), was an Italian music theorist and composer. He was born in Florence and probably died in Bergamo (other sources state Florence or Venice). Biography Very little is known about Aron's early life but at least one source claims he may have been Jewish. He was educated in Italy. Aron was a self-taught musician. He claimed in his ''Toscanello in musica'' (1523) that he had been friends with Obrecht, Josquin, and Heinrich Isaac in Florence. If true, the time frame would have been most likely in 1487. Between 1515 and 1522, he was Church Cantor at the Cathedral of Imola. In 1516 he became a priest there. In February 1523 Aron went to Venice and became cantor of Rimini Cathedral, where he worked for Sebastiano Michiel, who was Grand Prior of the Knights of St. John of Jerusalem. In 1525, he was "maestro di casa" in a Venetian house. In 1536, after the death of Michiel, he joined a monastery in Bergamo whe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
