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Giorgione Calcio
Giorgio Barbarelli da Castelfranco (; 1470s – 17 September 1510), known as Giorgione, was an Italian painter of the Venetian school during the High Renaissance, who died in his thirties. He is known for the elusive poetic quality of his work, though only about six surviving paintings are firmly attributed to him. The uncertainty surrounding the identity and meaning of his work has made Giorgione one of the most mysterious figures in European art. Together with his younger contemporary Titian, he founded the Venetian school of Italian Renaissance painting, characterised by its use of colour and mood. The school is traditionally contrasted with Florentine painting, which relied on a more linear disegno-led style. Life What little is known of Giorgione's life is given in Giorgio Vasari's ''Lives of the Most Excellent Painters, Sculptors, and Architects''. He came from the small town of Castelfranco Veneto, 40 km inland from Venice. His name sometimes appears as ''Zorzo''; ...
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Self-portrait As David
''Self-Portrait as David'' is an oil-on-panel portrait executed c.1509–1510 by Giorgione, now in the Herzog Anton Ulrich Museum in Brunswick. It is not universally accepted as an autograph work but – if it is – it is thought to be the prototype for another ''Self-portrait (Giorgione), Self-Portrait'' (Budapest Museum of Fine Arts) by the artist himself or an assistant. Alessandra Fregolent, ''Giorgione'', Electa, Milano 2001. It is mentioned in an inventory of the Casa Grimani dating to 1528 and was seen by Vasari, who mentioned the subject as holding Goliath's head and used it was the basis for the printed portrait of Giorgione in the second edition of his ''Lives of the Artists'' in 1568. References Self-portraits Paintings by Giorgione 16th-century portraits Portraits of men 1510 paintings Paintings in the Herzog Anton Ulrich Museum {{1510s-painting-stub ...
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Laura (Giorgione)
''Laura'', sometimes known as ''Portrait of a Young Bride'', is a 1506 oil on canvas painting by the Italian Renaissance master Giorgione. It is the only known painting of the author that was signed and dated by him. This work marked Giorgione's abandonment of Giovanni Bellini's models to embrace a Leonardesque style. It hangs in the Kunsthistorisches Museum in Vienna, Austria. Painting Subject The portrait depicts a young woman as a bride. It was commissioned by a man named Giacomo, whose name is inscribed on the back of the painting. The unknown woman in the painting is called Laura because of the laurel branches depicted in the background of the portrait. The Kunsthistorisches Museum identifies the subject as Laura di Noves., the wife of Count Hugues de Sade. She is thought to be the subject of Petrarch's Laura poems, although this is unproven. However, since Laura is a very common name, the identity of the painting has not been verified as fact.   Alternatively, the f ...
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Council Of Ten
The Council of Ten (; ), or simply the Ten, was from 1310 to 1797 one of the major governing bodies of the Republic of Venice. Elections took place annually and the Council of Ten had the power to impose punishments upon Venetian nobility, patricians. The Council of Ten had a broad jurisdictional mandate over matters of National security, state security. The Council of Ten and the Full College constituted the inner circle of oligarchical patricians who effectively ruled the Republic of Venice. Origins The Council of Ten was created in 1310 by Doge Pietro Gradenigo.David Chambers & Brian Pullan with Jennifer Fletcher (eds.). ''Venice: A Documentary History, 1450-1630'' (2001, reprinted 2004). University of Toronto Press/Renaissance Society of America. p. 55. Originally created as a temporary body to investigate the Tiepolo conspiracy, plot of Bajamonte Tiepolo and Marco Querini, the powers of the Council were made formally permanent in 1455.Edward Muir (1981). ''Civic Ritual in Ren ...
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Condottiere
Condottieri (; singular: ''condottiero'' or ''condottiere'') were Italian military leaders active during the Middle Ages and the early modern period. The term originally referred specifically to commanders of mercenary companies, derived from the Italian word ''condotta''—the contract under which they served a city-state or lord. The word ''condottiero'' thus meant 'contractor'. Over time, however, in Italian usage, ''condottiero'' came to mean any 'commander' or 'military leader'. Mercenary captains Background In the 13th and 14th centuries, the Italian city-states of Venice, Florence, and Genoa were very rich from their trade with the Levant, yet possessed woefully small armies. In the event that foreign powers and envious neighbours attacked, the ruling nobles hired foreign mercenaries to fight for them. The military-service terms and conditions were stipulated in a (contract) between the city-state and the soldiers (officer and enlisted man), thus, the "contracted" leader ...
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Agostino Barbarigo
Agostino Barbarigo (3 June 1419 – 20 September 1501) was Doge of Venice from 1486 until his death in 1501. While he was Doge, the imposing Clock Tower in the Piazza San Marco with its archway through which the street known as the Merceria leads to the Rialto, was designed and completed. A figure of the Doge was originally shown kneeling before the lion of Venice on the top storey below the bell but this was removed by the French in 1797 after Venice had surrendered to Napoleon. In 1495 he created an Italian coalition to push back Charles VIII of France from Italy, which led to the Battle of Fornovo during the French retreat from Italy. During his reign Venice gained several strongholds in Romagna and annexed the island of Cyprus. His relationships with the Ottoman sultan Bayezid II were initially amicable, but they became increasingly strained starting from 1492, eventually leading to open war in 1499. The Venetian merchants in Istanbul were arrested, while Bosnian tr ...
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Doge Of Venice
The Doge of Venice ( ) – in Italian, was the doge or highest role of authority within the Republic of Venice (697–1797). The word derives from the Latin , meaning 'leader', and Venetian Italian dialect for 'duke', highest official of the republic of Venice for over 1,000 years. In standard Italian, the cognate is '' duce'' ( , ), one of National Fascist Party leader Benito Mussolini's titles. Originally referring to any military leader, it became in the Late Roman Empire the title for a leader of an expeditionary force formed by detachments () from the frontier army (), separate from, but subject to, the governor of a province, authorized to conduct operations beyond provincial boundaries. The Doge of Venice acted as both the head of state and head of the Venetian oligarchy. Doges were elected for life through a complex voting process. History The office and title of doge, in relation to Venetia (region) and Venice (city), emerged from older ducal offices (lat. D ...
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University Of Sydney Library
The University of Sydney Library is the library system of the University of Sydney. It comprises eight locations across several campuses of the university. Its largest library, Fisher Library, is named after Thomas Fisher, an early benefactor. Among the collection are many rare items such as one of the two extant copies of the ''Gospel of Barnabas'', and an annotated first edition of ''Philosophiae Naturalis Principia Mathematica'' by Sir Isaac Newton. In 2017, a member of staff discovered an original Giorgione sketch in Rare Books and Special Collections with a definitive date and cause of death for Giorgione, information that had been lost for over 500 years in a 1497 edition of Dante Alighieri's Divine Comedy. A brief history of the Library In 1885, the university received thirty thousand pounds from the estate of the late Thomas Fisher, retired bootmaker and property investor, to be used "in establishing and maintaining a library". There was a difference of opinion in the ...
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Carlo Ridolfi
Carlo Ridolfi (1594–1658) was an Italian art biographer and painter of the Baroque period. Biography Ridolfi was born in Lonigo near Vicenza. He was a pupil of the painter Antonio Vassilacchi (Aliense). He painted a ''Visitation'' for the Ognissanti and an ''Adoration of the Magi'' for San Giovanni Elemosinario in Venice. He copied Tintoretto's ''Christ Washing the Disciples' Feet'' in San Marcuola, before it came to the collection of King Charles I of England. Ridolfi's copy still remains in San Marcuola. He was certainly best known, in his own day and ever since, as an author on art. Carlo Ridolfi was also an important collector of drawings, such as Giorgio Vasari. Many of these drawings are conserved in the ''Christ Church Library'' (Oxford). Ridolfi wrote a biography of the Venetian painters in 1648 titled ''Le maraviglie dell'Arte ovvero, Le vite degli Illustri Pittori Veneti e dello Stato''. He also wrote ''La vita di Giacopo Robusti'' (a biography of Tintoretto) i ...
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Lives Of The Most Excellent Painters, Sculptors, And Architects
''The Lives of the Most Excellent Painters, Sculptors, and Architects'' () is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most-read work of the older literature of art",Max Marmor, ''Kunstliteratur''
translated by Ernst Gombrich, in Art Documentation Vol 11 # 1, 1992
"some of the 's most influential writing on art", and "the first important book on

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Giorgio Vasari
Giorgio Vasari (30 July 1511 – 27 June 1574) was an Italian Renaissance painter, architect, art historian, and biographer who is best known for his work ''Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of Western art history, art-historical writing, and still much cited in modern biographies of the many Italian Renaissance artists he covers, including Leonardo da Vinci and Michelangelo, although he is now regarded as including many factual errors, especially when covering artists from before he was born. Vasari was a Mannerist painter who was highly regarded both as a painter and architect in his day but rather less so in later centuries. He was effectively what would now be called the minister of culture to the Medici court in Florence, and the ''Lives'' promoted, with enduring success, the idea of Florentine superiority in the visual arts. Vasari designed the ''Tomb of Michelangelo'', his hero, in the Santa Croce, Fl ...
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Disegno
Drawing is a Visual arts, visual art that uses an instrument to mark paper or another two-dimensional surface, or a digital representation of such. Traditionally, the instruments used to make a drawing include pencils, crayons, and ink pens, sometimes in combination. More modern tools include Stylus (computing), computer styluses with graphics tablets and gamepads in Virtual reality, VR drawing software. A drawing instrument releases a small amount of material onto a surface, leaving a visible mark. The most common support for drawing is paper, although other materials, such as Paperboard, cardboard, vellum, wood, plastic, leather, canvas, and Lumber, board, have been used. Temporary drawings may be made on a blackboard or whiteboard. Drawing has been a popular and fundamental means of public expression throughout human history. It is one of the simplest and most efficient means of communicating ideas. The wide availability of drawing instruments makes drawing one of the most comm ...
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Florentine Painting
Florentine painting or the Florentine school refers to artists in, from, or influenced by the naturalistic style developed in Florence in the 14th century, largely through the efforts of Giotto di Bondone, and in the 15th century the leading school of Western painting. Some of the best known painters of the earlier Florentine School are Fra Angelico, Botticelli, Filippo Lippi, the Ghirlandaio family, Masolino, and Masaccio. Florence was the birthplace of the High Renaissance, but in the early 16th century the most important artists, including Michelangelo and Raphael were attracted to Rome, where the largest commissions then were. In part this was following the Medici, some of whom became cardinals and even the pope. A similar process affected later Florentine artists. By the Baroque period, the many painters working in Florence were rarely major figures. Before 1400 The earliest distinctive Tuscan art, produced in the 13th century in Pisa and Lucca, formed the basis f ...
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