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Get Back – Together
''Get Back – Together'' is the second album by the reformed Liverpool band the Quarrymen, which was the band that, in its original conception, evolved into the Beatles. It is also the first of two albums by the band that feature all surviving founding members together, as while the name the Quarrymen name was used in the 1994 album '' Open for Engagements'' seen as the first album since the reformation, it only featured Rod Davis and part-time member John Duff Lowe. Eric Griffiths and Len Garry make their first appearances on a studio recording, with drummer Colin Hanton also returning to the band for the first time since 1959, having previously appeared on the " In Spite of All The Danger" recording in 1958 as a b-side to a cover of Buddy Holly's " That'll Be the Day". It is also the only full length album featuring Pete Shotton, who also returned to the band in 1997 but later retired due to ill health. Shotton subsequently died in 2017. The album was recorded and mixed at Liv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Quarrymen
The Quarrymen (also written as "the Quarry Men") are a British skiffle/rock and roll group, formed by John Lennon in Liverpool in 1956, which evolved into the Beatles in 1960. Originally consisting of Lennon and several schoolfriends, the Quarrymen took their name from a line in the school song of their school, the Quarry Bank High School. Lennon's mother, Julia, taught her son to play the banjo, showed Lennon and Eric Griffiths how to tune their guitars in a similar way to the banjo, and taught them simple chords and songs. Lennon founded a skiffle group that was briefly called the Blackjacks, but they changed the name before any public performances. Some accounts credit Lennon with choosing the new name; other accounts credit his close friend Pete Shotton with suggesting the name. The Quarrymen played at parties, school dances, cinemas and amateur skiffle contests before Paul McCartney joined in October 1957. George Harrison joined in early 1958 at McCartney's recommendation, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Christgau
Robert Thomas Christgau ( ; born April 18, 1942) is an American music journalist and essayist. Among the most well-known and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. Christgau spent 37 years as the chief music critic and senior editor for ''The Village Voice'', during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for ''Esquire'', '' Creem'', '' Newsday'', ''Playboy'', ''Rolling Stone'', '' Billboard'', NPR, ''Blender'', and '' MSN Music'', and was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world – when he talks, people listen." Christgau is best known for his terse, letter-graded capsule album reviews, composed in a co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
That's All Right
"That's All Right" is a song written and originally performed by blues singer Arthur Crudup and recorded in 1946. The song was rereleased in early March 1949 under the title "That's All Right, Mama", which was issued as RCA's first rhythm and blues record on its new 45 rpm single format. "That's All Right" is best known as the debut single recorded and released by Elvis Presley. Presley's version was recorded on July 5, 1954, and released on July 19, 1954, with "Blue Moon of Kentucky" as the B-side. It was ranked number 113 on the 2010 ''Rolling Stone'' magazine list of the "500 Greatest Songs of All Time". Several rock critics also have pointed to Presley's version as a candidate for the first rock and roll record. In July 2004, exactly 50 years after its first issuing, the song was released as a CD single in several countries, reaching number three in the United Kingdom, number 31 in Australia, number 33 in Ireland, and number 47 in Sweden. History The song was written by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pick A Bale Of Cotton
"Pick a Bale of Cotton" is a traditional American folk song and work song first recorded by Texas inmates James "Iron Head" Baker (1933) and Mose "Clear Rock" Platt (1939) and later popularized by Lead Belly (Huddie William Ledbetter). Lyrics and criticism The song, particularly its original lyrics, has been criticized as racist and reminiscent and glorifying of the slavery period in American history. The original lyrics contained the racial slur ''nigger'' multiple times. One of the verses, according to John Lomax's ''American Ballads and Folk Songs'', includes: Dat nigger from Shiloh Kin pick a bale o' cotton Dat nigger from Shiloh Kin pick a bale a day Amended better-known lyrics are: Gonna jump down, turn around Pick a bale of cotton Gonna jump down, turn around Pick a bale a day Oh lordy, pick a bale of cotton Oh lordy, pick a bale a day The song is sung with increasing speed as it progresses, with ensuing verses having references to "me and my wife" replaced with the likes of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whole Lotta Shakin' Goin' On
"Whole Lotta Shakin' Goin' On" (sometimes rendered "Whole Lot of Shakin' Going On") is a song written by Dave "Curlee" Williams and sometimes also credited to James Faye "Roy" Hall. The song was first recorded by Big Maybelle, though the best-known version is the 1957 rock and roll/rockabilly version by Jerry Lee Lewis. Origins of the song The origins of the song are disputed, but the writing is usually co-credited to singer/songwriter Dave "Curlee" Williams, and pianist and club owner James Faye "Roy" Hall. Hall stated: On 21 March 1955, Big Maybelle made the first recording for Okeh Records. The songwriting was credited to D. C. Williams, and the session was conducted and arranged by Quincy Jones. Roy Hall recorded the song in September 1955 for Decca Records and maintained that he had written it and had secured the legal copyright as co-writer under the pseudonym of "Sunny David". On the '' Pop Chronicles'' documentary, Jerry Lee Lewis incorrectly credited Big Mama Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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