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George Wettling
George Godfrey Wettling (November 28, 1907 – June 6, 1968) was an American jazz drummer. He was born in Topeka, Kansas, United States, and from his early teens was living in Chicago, Illinois. He was one of the young Chicagoans who fell in love with jazz as a result of hearing King Oliver's band (with Louis Armstrong on second cornet) at Lincoln Gardens in the early 1920s. Oliver's drummer, Baby Dodds, made a particular and lasting impression on Wettling. Wettling went on to work with the big bands of Artie Shaw, Bunny Berigan, Red Norvo, Paul Whiteman, and Chico Marx, but he was at his best with bands led by Eddie Condon, Muggsy Spanier, and himself. In these small bands, Wettling demonstrated the arts of dynamics and responding to a particular soloist that he had learned from Baby Dodds. Wettling was a member of some of Condon's bands, which included Wild Bill Davison, Billy Butterfield, Edmond Hall, Peanuts Hucko, Pee Wee Russell, Cutty Cutshall, Gene Schroeder, R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Topeka, Kansas
Topeka ( ) is the capital city of the U.S. state of Kansas and the county seat of Shawnee County. It is along the Kansas River in the central part of Shawnee County, in northeastern Kansas, in the Central United States. As of the 2020 census, the population of the city was 126,587. The city, laid out in 1854, was one of the Free-State towns founded by Eastern antislavery men immediately after the passage of the Kansas–Nebraska Bill. In 1857, Topeka was chartered as a city. The city is well known for the landmark U.S. Supreme Court case '' Brown v. Board of Education of Topeka'', which overturned '' Plessy v. Ferguson'' and declared racial segregation in public schools to be unconstitutional. History Name The name "Topeka" is a Kansa-Osage word that means "place where we dig potatoes", or "a good place to dig potatoes". As a placename, Topeka was first recorded in 1826 as the Kansa name for what is now called the Kansas River. Topeka's founders chose the name in 18 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Band
A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing music, swing was most popular. The term "big band" is also used to describe a genre of music, although this was not the only style of music played by big bands. Big bands started as accompaniment for dancing the Lindy Hop. In contrast to the typical jazz emphasis on improvisation, big bands relied on written compositions and arrangements. They gave a greater role to bandleaders, arrangers, and sections of instruments rather than soloists. Instruments Big bands generally have four sections: trumpets, trombones, saxophones, and a rhythm section of guitar, piano, double bass, drums and sometimes vibraphone or other percussion. The division in early big bands, from the 1920s to 1930s, was typicall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph Sutton
Ralph Earl Sutton (November 4, 1922 – December 30, 2001) was an American jazz pianist born in Hamburg, Missouri. He was a stride pianist in the tradition of James P. Johnson and Fats Waller. Biography Sutton was born in Hamburg, Missouri, United States, the son of Earl and Edna Sutton. His younger sister Barbara Sutton Curtis was also a jazz pianist."Barbara Sutton Curtis" ''Ukiah Daily Journal'' (November 24, 2019). Sutton had a stint as a with 's band, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cutty Cutshall
Robert Dewees "Cutty" Cutshall (December 29, 1911 – August 16, 1968) was an American jazz trombonist. Cutshall was born in Huntington Co., Pennsylvania, on December 29, 1911. He played in Pittsburgh early in his career, making his first major tour in 1934 with Charley Dornberger. He joined Jan Savitt's orchestra in 1938, then played with Benny Goodman in the early 1940s. Later in the decade he worked frequently with Billy Butterfield and did some freelance work in New York City. He started working with Eddie Condon in 1949, an association which lasted over a decade. Cutshall was touring with Condon in Toronto when the trombonist died of a heart attack in his hotel room on August 16, 1968. Cutshall's credits include work with Peanuts Hucko, Bob Crosby, Ella Fitzgerald, and Louis Armstrong. Discography With Eddie Condon *''That Toddlin' Town'' (Warner Bros., 1959) With Bobby Hackett *''Creole Cookin''' (Verve, 1967) References External links Cutty Cutshall recordings at t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pee Wee Russell
Charles Ellsworth "Pee Wee" Russell (March 27, 1906 – February 15, 1969) was an American jazz musician. Early in his career he played clarinet and saxophones, but he eventually focused solely on clarinet. With a highly individualistic and spontaneous clarinet style that "defied classification", Russell began his career playing traditional jazz, but throughout his career incorporated elements of newer developments such as swing, bebop, and free jazz. Writing in 1961, the poet Philip Larkin commented: "No one familiar with the characteristic excitement of his solos, their lurid, snuffling, asthmatic voicelessness, notes leant on till they split, and sudden passionate intensities, could deny the uniqueness of his contribution to jazz." Early life Pee Wee Russell was born in Maplewood, Missouri, United States, and grew up in Muskogee, Oklahoma. As a child, he first studied violin, but "couldn't get along with it", then piano, disliking the scales and chord exercises, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peanuts Hucko
Michael Andrew "Peanuts" Hucko (April 7, 1918 – June 19, 2003) was an American big band musician. His primary instrument was the clarinet, but he sometimes played saxophone. Early life and education He was born in Syracuse, New York, United States, and moved to New York City in 1939; he played tenor saxophone with Will Bradley, Tommy Reynolds, and Joe Marsala until 1940. After a brief time with Charlie Spivak, he joined the Glenn Miller Army Air Force Band which he served in Europe during World War II. During this time, Peanuts (the nickname comes from a childhood love of the food) began to concentrate on the clarinet "because we did a lot of marching in sand, which was awkward with the tenor." He was featured in Miller's hard-driving versions of "Stealin' Apples" and "Mission to Moscow". Post-war period During the post-war period, Hucko played in the bands of Benny Goodman, Ray McKinley, Eddie Condon and Jack Teagarden. From 1950 to 1955, he was busy in New York as a st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmond Hall
Edmond Hall (May 15, 1901 – February 11, 1967) was an American jazz clarinetist and bandleader. Over his career, Hall worked extensively with many leading performers as both a sideman and bandleader and is possibly best known for the 1941 chamber jazz song "Profoundly Blue". Biography Early life Born in Reserve, Louisiana, United States, about 40 miles west of New Orleans on the Mississippi River, Hall and his siblings were born into a musical family. His father, Edward Blainey Hall, and mother, Caroline Duhe, had eight children, Priscilla (1893), Moretta (1895), Viola (1897), Robert (1899), Edmond (1901), Clarence (1903), Edward (1905) and Herb Hall (musician), Herbert (1907). His father, Edward, played the clarinet in the Onward Brass Band, joined by Edmond's maternal uncles, Jules Duhe on trombone, Lawrence Duhé, Lawrence Duhe on clarinet, and Edmond Duhe on guitar. The Hall brothers, Robert, Edmond, and Herbert, all became clarinetists, but Edmond was first taught guitar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Butterfield
Charles William Butterfield (January 14, 1917 – March 18, 1988) was an American jazz bandleader, trumpeter, flugelhornist, and cornetist. Early years Charles William Butterfield was born in Middletown, Ohio and attended high school in Wyoming. Although he studied medicine at Transylvania College, he preferred playing in bands, and he studied cornet with Frank Simon. He discontinued his studies after finding success as a trumpeter. Career Early in his career, Butterfield played in the band of Austin Wylie. He gained attention working with Bob Crosby (1937–1940), and later performed with Artie Shaw, Les Brown, and Benny Goodman. While with Bob Crosby, he initially played third trumpet behind Charlie Spivak and Yank Lawson. When those two left Crosby to join Tommy Dorsey's band in 1938, Butterfield was given the chance to solo on a song written by Crosby bassist Bob Haggart, initially titled "I'm Free". When lyrics were added, it became the well-known standard "What's Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wild Bill Davison
William Edward Davison (January 5, 1906 – November 14, 1989), nicknamed "Wild Bill", was an American jazz cornetist. He emerged in the 1920s through his work playing alongside Muggsy Spanier and Frank Teschemacher in a cover band where they played the music of Louis Armstrong, but he did not achieve wider recognition until the 1940s. He is best remembered for his association with bandleader Eddie Condon, with whom he worked and recorded from the mid-1940s until Condon's last concert at the New School for Social Research in New York in April 1972 (Chiaroscuro Records, CRD 110). His nickname of "Wild Bill" reflected a reputation for heavy drinking and womanizing in his younger years. Reception The poet Philip Larkin, a fan, described his playing thus: :"...a player of notable energy, he uses a wide range of conscious tonal distortions, heavy vibrato, and an urgent, bustling attack. At slow tempos he is melting, almost articulate. Humphrey Lyttelton has compared him with t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muggsy Spanier
Francis Joseph "Muggsy" Spanier (November 9, 1901 – February 12, 1967) was an American jazz cornetist based in Chicago. He was a member of the Bucktown Five, pioneers of the "Chicago style" that straddled traditional Dixieland jazz and swing. Life and career Spanier was born in Chicago, Illinois, the son of Katherine Helen (O'Reilly) and William Spanier, a certified public accountant. His parents were from France and Ireland, respectively. At thirteen, he began playing the cornet and played with Elmer Schoebel in 1921. He borrowed the sobriquet of "Muggsy" from John "Muggsy" McGraw, the manager of the New York Giants baseball team. In the early 1920s, he played with the Bucktown Five. In 1929, he became a member of a band led by Ted Lewis, then spent two years with Ben Pollack. After an illness, he assembled the eight-man group Muggsy Spanier and His Ragtime Band. In 1939, the band recorded several sessions of Dixieland standards for Bluebird Records, that were la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chico Marx
Leonard Joseph "Chico" Marx ( ; March 22, 1887October 11, 1961) was an American comedian, actor, and pianist. He was the oldest brother in the Marx Brothers comedy troupe, alongside his brothers Harpo Marx, Arthur ("Harpo"), Groucho Marx, Julius ("Groucho"), Gummo Marx, Milton ("Gummo"), and Zeppo Marx, Herbert ("Zeppo"). His persona in the act was that of a charming, uneducated but crafty con artist, seemingly of rural Italian origin, who wore shabby clothes and sported a curly-haired wig and Tyrolean hat. On screen, Chico is often in alliance with Harpo, usually as partners in crime, and is also frequently seen trying to con or outfox Groucho. Leonard was the oldest of the Marx Brothers to live past early childhood, the first-born being Manfred Marx who had died in infancy. In addition to his work as a performer, he played an important role in the management and development of the act in its early years. Early years Marx was born in Manhattan, New York City, on March 22, 1887. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Whiteman
Paul Samuel Whiteman (March 28, 1890 – December 29, 1967) was an American Jazz bandleader, composer, orchestral director, and violinist. As the leader of one of the most popular dance bands in the United States during the 1920s and early 1930s, Whiteman produced recordings that were immensely successful, and press notices often referred to him as the "King of Jazz". His most popular recordings include "Whispering (song), Whispering", "Valencia (song), Valencia", "Three O'Clock in the Morning", "In a Little Spanish Town", and "The Parade of the Tin Soldiers, Parade of the Wooden Soldiers". Whiteman led a usually large ensemble and explored many styles of music, such as blending symphonic music and jazz, as in his debut of ''Rhapsody in Blue'' by George Gershwin. Whiteman recorded many jazz and pop standards during his career, including "Wang Wang Blues", "Mississippi Mud", "Rhapsody in Blue", "Wonderful One", "Hot Lips (He's Got Hot Lips When He Plays Jazz)", "Mississippi Suit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
