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General Post Office (Dublin)
The General Post Office (GPO; ) is the former headquarters of — the Irish Post Office. It remains its registered office and the principal post office of DublinAn Post moves headquarters from GPO to new premises RTÉ News, 2023-06-22. — the capital city of Ireland — and is situated in the centre of O'Connell Street, the city's main thoroughfare. It is one of Ireland's most famous buildings, not least because it served as the headquarters of the leaders of the against |
Greek Revival Architecture
Greek Revival architecture is a architectural style, style that began in the middle of the 18th century but which particularly flourished in the late 18th and early 19th centuries, predominantly in northern Europe, the United States, and Canada, and Greece following that nation's independence in 1821. It revived many aspects of the forms and styles of ancient Greek architecture, including the Greek temple. A product of Hellenism (neoclassicism), Hellenism, Greek Revival architecture is looked upon as the last phase in the development of Neoclassical architecture, which was drawn from Roman architecture. The term was first used by Charles Robert Cockerell in a lecture he gave as an architecture professor at the Royal Academy of Arts in London in 1842. With newfound access to Greece and Turkey, or initially to the books produced by the few who had visited the sites, archaeologist–architects of the period studied the Doric order, Doric and Ionic order, Ionic orders. Despite its un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Postmasters General Of Ireland
The Postmasters General of Ireland, held by two people simultaneously, was a new appointment set up as part of the establishment of the Irish Post Office independent from that of Great Britain, by the Act 23 & 24 Geo 3 c. 17 (I) in 1784. The post lasted nearly fifty years.Reynolds (1983), p. 28 The act was not repealed upon the Act of Union in 1800Joyce, (1893), p. 378 but in 1831. Act 23, 24 George III History While both the post offices of England and Ireland had two postmasters general, in Ireland the assent of only one was required for decisions as opposed to the assent of both being necessary in England. Besides confirming the monopoly for carrying letters in Ireland and giving the right to establish a four-mile limit penny post in Dublin, one of the postmasters general's duties was to measure the post roads in Ireland. During the time the postmasters general of Ireland existed profits in the Irish office increased from £15,000 in 1786 to £108,000 in 1831. Most o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caduceus
The caduceus (☤; ; , ) is the staff carried by Hermes in Greek mythology and consequently by Hermes Trismegistus in Greco-Egyptian mythology. The same staff was borne by other heralds like Iris (mythology), Iris, the messenger of Hera. The short staff is entwined by two serpent (mythology), serpents, sometimes surmounted by wings. In Roman iconography, it was depicted being carried in the left hand of Mercury (mythology), Mercury, the messenger of the gods. Some accounts assert that the oldest imagery of the caduceus is rooted in Mesopotamia with the Sumerian god Ningishzida; his symbol, a staff with two snakes intertwined around it, dates back to 4000 BC to 3000 BC. This iconography may have been a representation of two snakes copulating. As a symbol, it represents Hermes (or the Roman Mercury), and by extension trades, occupations, or undertakings associated with the god. In later Classical antiquity, Antiquity, the caduceus provided the basis for the astronomic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mercury (mythology)
Mercury (; ) is a major god in Roman religion and mythology, being one of the 12 Dii Consentes within the ancient Roman pantheon. He is the god of financial gain, commerce, eloquence, messages, communication (including divination), travelers, boundaries, luck, trickery, and thieves; he also serves as the guide of souls to the underworld and the "messenger of the gods". In Roman mythology, he was the son of Maia, one of the seven daughters of the Titan Atlas, and Jupiter. In his earliest forms, he appears to have been related to the Etruscan deity Turms; both gods share characteristics with the Greek god Hermes. He is often depicted holding the caduceus in his left hand. Similar to his Greek equivalent Hermes, he was awarded a magic wand by Apollo, which later turned into the caduceus, the staff with intertwined snakes. Etymology The name "Mercury" is possibly related to the Latin words '' merx'' ("merchandise"; cf. ''merchant'', ''commerce'', etc.), ' (''to tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Smyth (sculptor)
John Smyth (1776–1840) was an Irish sculptor. The son of sculptor Edward Smyth (1749–1812), John Smyth was trained at the Dublin Society's school, and worked with his father at Montgomery Street (now Foley Street) in Dublin. One of his first public works was a monument to John Ball in St Patrick's Cathedral, Dublin. He assisted his father, Edward, with a number of sculptures at Parliament House (now Bank of Ireland), the King's Inns, and with decorative plaster and stonework at the Chapel Royal of Dublin Castle. He also sculpted the statues of Mercury, Fidelity, and Hibernia for the pediment of the General Post Office, Dublin (c.1814). He repaired the equestrian statue of William III (William of Orange) in College Green after it was blown up in 1836. Other pieces by John Smyth were sculpted for Dublin's Richmond Bridge (c.1816; now O'Donovan Rossa Bridge), and several public buildings and churches in the capital. In 1818, Smyth was commissioned to produce a bust of Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acroteria
An acroterion, acroterium, (pl. akroteria) is an architectural ornament placed on a flat pedestal called the ''acroter'' or plinth, and mounted at the apex or corner of the pediment of a building in the classical style. An acroterion placed at the outer angles of the pediment is an ''acroterion angularium'' (' means ‘at the corners’). The acroterion may take a wide variety of forms, such as a statue, tripod, disc, urn, palmette or some other sculpted feature. Acroteria are also found in Gothic architecture. They are sometimes incorporated into furniture designs. Etymology The word comes from the Greek ' ( 'summit, extremity'), from the comparative form of the adjective ἄκρος, ("extreme", "endmost") + -τερος (comparative suffix) + -ιον (substantivizing neuter form of adjectival suffix -ιος). It was Latinized by the Romans as '. ''Acroteria'' is the plural of both the original Greek and the Latin form. According to Webb, during the Hellenistic perio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pediment
Pediments are a form of gable in classical architecture, usually of a triangular shape. Pediments are placed above the horizontal structure of the cornice (an elaborated lintel), or entablature if supported by columns.Summerson, 130 In ancient architecture, a wide and low triangular pediment (the side angles 12.5° to 16°) typically formed the top element of the portico of a Greek temple, a style continued in Roman temples. But large pediments were rare on other types of building before Renaissance architecture. For symmetric designs, it provides a center point and is often used to add grandness to entrances. The cornice continues round the top of the pediment, as well as below it; the rising sides are often called the "raking cornice". The tympanum is the triangular area within the pediment, which is often decorated with a pedimental sculpture which may be freestanding or a relief sculpture. The tympanum may hold an inscription, or in modern times, a clock face. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tympanum (architecture)
A tympanum ( tympana; from Greek and wiktionary:tympanum#Latin, Latin words meaning "drum") is the semi-circular or triangular decorative wall surface over an entrance, door or window, which is bounded by a lintel and an arch. It often contains pedimental sculpture or other imagery or ornaments. Many architecture, architectural styles include this element, although it is most commonly associated with Romanesque architecture, Romanesque and Gothic architecture, Gothic architecture. Alternatively, the tympanum may hold an inscription, or in modern times, a clock face. Tympanums in antiquity and the Early Middle Ages Tympanums are by definition inscriptions enclosed by a pediment, however the evolution of tympanums gives them more specific implications. Pediments first emerged early in Classical Greece around 700-480 BCE, with early examples such as the Parthenon remaining famous to this day. Pediments spread across the Hellenistic world with the rest of classical architecture. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entablature
An entablature (; nativization of Italian , from "in" and "table") is the superstructure of moldings and bands which lies horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave (the supporting member immediately above; equivalent to the lintel in post and lintel construction), the frieze (an unmolded strip that may or may not be ornamented), and the cornice (the projecting member below the pediment). The Greek and Roman temples are believed to be based on wooden structures, the design transition from wooden to stone structures being called petrification. Overview The structure of an entablature varies with the orders of architecture. In each order, the proportions of the subdivisions (architrave, frieze, cornice) are defined by the proportions of the column. In Roman and Renaissance interpretations, it is usually approximately a quarter of the height of the column. Va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frieze
In classical architecture, the frieze is the wide central section of an entablature and may be plain in the Ionic order, Ionic or Corinthian order, Corinthian orders, or decorated with bas-reliefs. Patera (architecture), Paterae are also usually used to decorate friezes. Even when neither column (architecture), columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the molding (decorative), moldings of the cornice (architecture), cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painting, painted, sculpture, sculpted or even calligraphy, calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ionic Column
The Ionic order is one of the three canonic orders of classical architecture, the other two being the Doric and the Corinthian. There are two lesser orders: the Tuscan (a plainer Doric), and the rich variant of Corinthian called the composite order. Of the three classical canonic orders, the Corinthian order has the narrowest columns, followed by the Ionic order, with the Doric order having the widest columns. The Ionic capital is characterized by the use of volutes. Ionic columns normally stand on a base which separates the shaft of the column from the stylobate or platform while the cap is usually enriched with egg-and-dart. The ancient architect and architectural historian Vitruvius associates the Ionic with feminine proportions (the Doric representing the masculine). Description Capital The major features of the Ionic order are the volutes of its capital, which have been the subject of much theoretical and practical discourse, based on a brief and obscure passage in Vit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portico
A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was widely used in ancient Greece and has influenced many cultures, including most Western cultures. Porticos are sometimes topped with pediments. Palladio was a pioneer of using temple-fronts for secular buildings. In the UK, the temple-front applied to The Vyne, Hampshire, was the first portico applied to an English country house. A pronaos ( or ) is the inner area of the portico of a Greek or Roman temple, situated between the portico's colonnade or walls and the entrance to the '' cella'', or shrine. Roman temples commonly had an open pronaos, usually with only columns and no walls, and the pronaos could be as long as the ''cella''. The word ''pronaos'' () is Greek for "before a temple". In Latin, a pronaos is also referred to as an ''anticum'' or ''prodomus''. The pronaos of a Greek a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
