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Gene Hunt
DCI Gene Hunt is a fictional character in BBC One's science fiction/police procedural drama ''Life on Mars'' and its sequel, '' Ashes to Ashes''. The character is portrayed by Philip Glenister in both shows. His younger self, also known as the ghost of Gene Hunt, is portrayed by Mason Kayne. In the American adaption, he is portrayed by Harvey Keitel. The character is portrayed as politically incorrect, brutal, and corrupt, but fundamentally good. Hunt is often depicted to maintain a love–hate relationship with both Sam Tyler ( John Simm) and Alex Drake ( Keeley Hawes), the protagonists of ''Life on Mars'' and ''Ashes to Ashes'', respectively. The character received critical and public acclaim for his role in ''Life on Mars'', being dubbed a "national hero", an unlikely sex symbol and a "top cop". A third and final series of ''Ashes to Ashes'' was said to "reveal all about Gene Hunt and what his alternative world really means in a stunning finale" and that the "truth o ...
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Life On Mars (British TV Series)
''Life on Mars'' is a British television series broadcast on BBC One between 9 January 2006 and 10 April 2007. It follows Sam Tyler (John Simm), a Manchester police officer in 2006 who wakes up after a car accident to discover that he has time-travelled to 1973, where he works the same job in the same location under the command of Detective Chief Inspector Gene Hunt (Philip Glenister) while attempting to solve the mystery of what has happened to him. ''Life on Mars'' (named after David Bowie's Life on Mars (song), song of the same name) and its sequel, ''Ashes to Ashes (British TV series), Ashes to Ashes'' (also named after Ashes to Ashes (David Bowie song), a David Bowie song), received acclaim for blending elements of mystery fiction, mystery, police procedurals, supernatural drama, science fiction, and historical drama. It won two International Emmy Awards for Best Drama Series. An Life on Mars (American TV series), American adaptation was produced by American Broadcasting Com ...
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Drama (film And Television)
In film and television show, television, drama is a category or genre of narrative fiction (or docudrama, semi-fiction) intended to be more serious than humour, humorous in tone. The drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera, police procedural, police crime drama, political drama, legal drama, historical drama, domestic drama, Drama (film and television)#Teen drama, teen drama, and comedy drama (dramedy). These terms tend to indicate a particular Setting (narrative), setting or subject matter, or they combine a drama's otherwise serious tone with elements that encourage a broader range of Mood (literature), moods. To these ends, a primary element in a drama is the occurrence of Conflict (process), conflict—emotional, social, or otherwise—and its resolution in the course of the storyline. All forms of Film industry, cinema or television that involve Fiction, fiction ...
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Chris Skelton
PC/DC Christopher Daniel "Chris" Skelton is a fictional character in BBC One's science fiction/police procedural drama, ''Life on Mars'' and its spin-off '' Ashes to Ashes''. ''Life on Mars'' The character of Chris Skelton has been described as a "dogsbody" who is a "cheeky but likeable character" by the BBC's ''Life on Mars'' website. Throughout both series of ''Life on Mars'', Skelton finds himself torn between the "old and the new ways of policing", represented by Gene Hunt (Philip Glenister) and Sam Tyler (John Simm) respectively. He is generally regarded as a waste of space by Hunt throughout both series and plays only minor roles in the storylines that unfold. Skelton finally proves himself in series 2 episode 6, saving Hunt, Tyler and Annie Cartwright (Liz White) from death when he shoots Big Bird. Unlike Ray Carling ( Dean Andrews), Skelton eventually comes to respect Tyler and begins to emulate his modern policing methods, such as tape-recording interviews years b ...
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Criminal Investigation Department
The Criminal Investigation Department (CID) is the branch of a police force to which most plainclothes criminal investigation, detectives belong in the United Kingdom and many Commonwealth of Nations, Commonwealth nations. A force's CID is distinct from its Special Branch (though officers of both are entitled to the rank prefix "Detective"). The name derives from the Criminal Investigation Department (Metropolitan Police), CID of the Metropolitan Police, formed on 8 April 1878 by C. E. Howard Vincent as a re-formation of its Detective Branch (Metropolitan Police), Detective Branch. British colonial police forces all over the world adopted the terminology developed in the UK in the 19th and early 20th centuries, and later the police forces of those countries often retained it after independence. English-language media often use "CID" as a translation to refer to comparable organisations in other countries. By country Afghanistan The ''Criminal Investigation Department'' is under ...
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Manchester And Salford Police
Manchester and Salford Police was a police force in England from 1 April 1968 to 31 March 1974. It was created as a merger of the Manchester City Police and Salford City Police and covered the adjacent county boroughs of Manchester and Salford. It was amalgamated with parts of the Lancashire Constabulary Lancashire Constabulary is the territorial police force responsible for policing the ceremonial counties of England, ceremonial county of Lancashire in North West England. The force's headquarters are at Hutton, Lancashire, Hutton, near the cit ..., Cheshire Constabulary and West Yorkshire Police under the Local Government Act 1972 to form Greater Manchester Police. See also * Law enforcement in the United Kingdom * List of law enforcement agencies in the United Kingdom, Crown Dependencies and British Overseas Territories * Greater Manchester Fire and Rescue Service * ''Life on Mars (UK TV series), Life on Mars'', a television drama depicting a Manchester police station in ...
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Finale
Finale may refer to: Pieces of music * Finale (music), the last movement of a piece * ''Finale'' (Loggins and Messina album), 1977 * ''Finale'' (Pierrot album), 1999 * "Finale" (song), by Madeon * " Neo Universe/Finale", a single by L'Arc-en-Ciel * "Finale", a song by AJR from their album ''Neotheater'' * "Finale", a song by Anthrax from ''State of Euphoria'' * "Finale", a song by Bikini Kill from '' Reject All American'' * "Finale", a piece of film music by John Williams from ''Harry Potter and the Prisoner of Azkaban'' * "Finale", a song by Patrick Wolf from ''The Magic Position'' * "Finale", a track from the soundtrack of the 2015 video game ''Undertale'' by Toby Fox * "Finale", song by Funeral Party from '' The Golden Age of Knowhere'' * "Finale", a song from the musical ''In the Heights'' * "Finale B", a 1996 song from the rock opera ''Rent'' Places * Finale Emilia, a municipality in Emilia-Romagna, Italy * Finale Ligure, a municipality in Liguria, Italy Television * Fi ...
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Sex Symbol
A sex symbol or icon is a person or character widely considered sexually attractive and often synonymous with sexuality. Pam Cook, "The trouble with sex: Diana Dors and the Blonde bombshell phenomenon", In: Bruce Babinigton (ed.), ''British Stars and Stardom: From Alma Taylor to Sean Connery''pp. 169–171 Quote: "– the sex symbol is usually defined in terms of her excessive sexuality" History The term ''sex symbol'' was first used in the 1910s and 1920s to describe the first emerging film stars. Movie studios have relied heavily on the looks and sex appeal of their actors to attract audiences. The use of this concept increased during World War II. Sex symbols could be male as well as female: actors such as the romantic Sessue Hayakawa and the athletic Douglas Fairbanks were popular in the 1910s and 1920s. Archetypal screen lover Rudolph Valentino's death in 1926 caused mass hysteria among his female fans. Film industry Silent film actor Rudolph Valentino is regarded as th ...
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Keeley Hawes
Clare Julia Keeley Hawes (born 10 February 1976) is an English actress. After beginning her career in a number of literary adaptations, including '' Our Mutual Friend'' (1998) and '' Tipping the Velvet'' (2002), Hawes rose to fame for her portrayal of Zoe Reynolds in the BBC series '' Spooks'' (2002–2004), followed by her co-lead performance as DI Alex Drake in '' Ashes to Ashes'' (2008–2010). She is also known for her roles in Jed Mercurio's '' Line of Duty'' as DI Lindsay Denton (2014–2016) and in BBC One drama '' Bodyguard'' (2018), in which she played Home Secretary Julia Montague. Hawes is a three-time BAFTA TV Award nominee, having been nominated for the British Academy Television Award for Best Actress for her roles as Lindsay Denton and Julia Montague, and a British Academy Television Award for Best Supporting Actress for her role as Dorothy Wick in the drama '' Mrs Wilson''. Hawes has had leading roles in the 2010 revival of '' Upstairs, Downstairs'', th ...
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Alex Drake (Ashes To Ashes)
DI Alexandra "Alex" Drake is a fictional character in BBC One's science fiction/police procedural drama '' Ashes to Ashes''. The character is portrayed by Keeley Hawes and as a child by Lucy Cole. Character history The character of Alex Drake is the main protagonist of ''Ashes to Ashes'', the sequel to the 2006 series ''Life on Mars'', which followed the story of Sam Tyler (John Simm) who wakes in 1973 after being hit by a car in 2006. ''Ashes to Ashes'' follows the similar storyline of Alex Drake who after being shot in 2008 awakens in 1981. The character has been described as "ballsy, confident and bright", along with being "perceptive in deduction" and "understanding the workings of the criminal mind". ''Ashes to Ashes'' 2008 During the first episode of ''Ashes to Ashes'', it is revealed that Alex Drake is the unnamed police psychologist mentioned in the finale of ''Life on Mars'', who interviewed and recorded case notes of Sam Tyler's time in 1973 and studied his subseque ...
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John Simm
John Ronald Simm (born 10 July 1970) is an English actor, director, and musician. He is best known for playing Sam Tyler in ''Life on Mars'', the Master in ''Doctor Who,'' and DS Roy Grace in ''Grace.'' His other television credits include '' State of Play'', '' The Lakes'', ''Crime and Punishment'', ''Exile'', ''Prey'', and '' Cracker''. His film roles include '' Wonderland'', '' Everyday'', '' Boston Kickout'', '' Human Traffic'' and '' 24 Hour Party People''. He has twice been nominated for the BAFTA Award for Best Actor Early life John Ronald Simm was born on 10 July 1970 in Leeds, the eldest of three children. In 2024, he discovered that the man he had always thought of as his father, Manchester musician Ronald Simm, was not his biological parent, and that it was a man called Terry Smith. From the age of 12, Simm sang and played guitar with Ronald on stage in working men's clubs. He grew up in Lancashire in numerous places around northwest England, including Blackpool, Bu ...
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Sam Tyler
DCI/DI Sam Tyler is a fictional character in BBC One's science fiction/police procedural drama, ''Life on Mars''. In the original British version of ''Life on Mars'', Tyler is played by John Simm and in the American version he is played by Jason O'Mara. ''Life on Mars'' 2006 The character of Sam Tyler is the main protagonist within the programme. During the first episode, Tyler is hit by a car in 2006 and wakes up in 1973, finding himself working in the same police station and location as he did in 2006, albeit as a DI (Detective Inspector) rather than his 2006 rank of DCI (Detective Chief Inspector). Throughout both series, it remains unclear to both the audience and character whether he is mad or in a coma or has actually travelled back in time. 1973 Upon waking in 1973, Tyler finds himself working at the same station he is based at in 2006, under a "rough-around-the-edges" boss, DCI Gene Hunt (Philip Glenister). During the two series, Tyler frequently clashes with Hunt ...
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Love–hate Relationship
A love–hate relationship is an interpersonal relationship involving simultaneous or alternating emotions of love and hate—something particularly common when emotions are intense. The term is used frequently in psychology, popular writing and journalism. It can be applied to relationships with inanimate objects, or even concepts, as well as those of a romantic nature or between siblings or parents/children. Psychological roots A love–hate relationship has been linked to the occurrence of emotional ambivalence in early childhood; to conflicting responses by different ego states within the same person; or to the inevitable co-existence of egoistic conflicts with the object of love. Individuals with Narcissistic personality disorder or Borderline personality disorder have been seen as particularly prone to aggressive reactions towards love objects, not least when issues of self-identity are involved: in extreme instances, hate at the very existence of the other may be the ...
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