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Geiko
{{Culture of Japan, Traditions, Geisha {{nihongo, Geisha{{efn, {{IPAc-en, lang, ˈ, ɡ, eɪ, ., ʃ, ə, {{IPA, ja, ɡei.ɕa, ɡeː-, lang{{cite book, script-title=ja:NHK日本語発音アクセント新辞典, publisher=NHK Publishing, editor=NHK Broadcasting Culture Research Institute, date=24 May 2016, lang=ja, 芸者, also known as {{nihongo, , 芸子, geiko{{efn, {{IPA, ja, ɡei.ko, ɡeː-, lang, {{citation needed span, in Kyoto and Kanazawa, date=May 2025 or {{nihongo, , 芸妓, geigi{{efn, {{IPA, ja, ɡeꜜi.ɡi, ɡeꜜː-, -ŋi, lang , are female Japanese performing artists and entertainers trained in traditional Japanese performing arts styles, such as dance, music and singing, as well as being proficient conversationalists and hosts. Their distinct appearance is characterised by long, trailing kimono, traditional hairstyles and {{transliteration, ja, oshiroi make-up. Geisha entertain at parties known as {{transliteration, ja, ozashiki, often for the entertainment ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maiko
A is an apprentice geiko in Kyoto (in Tokyo it is geisha). Their jobs consist of performing songs, dances, and playing the or other traditional Japanese instruments for visitors during banquets and parties, known as . are usually aged 17 to 20, and graduate to geiko status after a period of training that includes traditional dance, the , , and, in Kyoto only, learning the Kyoto dialect. The apprenticeship ranges from a few months to a year or two years, although apprentices too old to dress as may advance to geiko despite still training. Apprentice geisha in other locations in Japan are known by other terms, such as for apprentices in Tokyo. The traditions of apprentice geisha in these areas diverge from those in Kyoto, sometimes to a considerable degree, including an apprentice's appearance and the structure of her apprenticeship. Work In the morning, take lessons in the traditional arts. At night, they dance, sing, play the , and serve visitors at exclusive (teaho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kansai Dialect
The is a group of Japanese dialects in the Kansai region (Kinki region) of Japan. In Japanese, is the common name and it is called in technical terms. The dialects of Kyoto and Osaka are known as , and were particularly referred to as such in the Edo period. The Kansai dialect is typified by the speech of Osaka, the major city of Kansai, which is referred to specifically as . It is characterized as being both more melodic and harsher by speakers of the standard language.Omusubi: Japan's Regional Diversity , retrieved January 23, 2007 Background Since Osaka is the largest city in the region and its speakers received the most media exposure over the last century, non-Kansai-dialect speakers tend to associate the dialect of Osaka with the entire Kansai region. However, technic ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gion
is a district of Higashiyama-ku, Kyoto, Japan, originating as an entertainment district in the Sengoku period, in front of Yasaka Shrine (Gion Shrine). The district was built to accommodate the needs of travellers and visitors to the shrine. It eventually evolved to become one of the most exclusive and well-known geisha districts in all of Japan. Gion is the Japanese translation (via Chinese ''Qiyuan'') of the Buddhist term Jetavana. Yasaka Shrine, located in this district is the center of the Gion faith. The geisha in Kyoto do not refer to themselves as geisha, instead using the local term . While the term geisha means "artist" or "person of the arts", the more direct term means essentially "a woman of art". Divisions Gion houses two , or geisha districts: and . The two were originally the same district, but split many years ago. Gion Kobu is larger, occupying most of the district including the famous Hanamikoji street, while Gion Higashi is smaller and occupies t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miyagawa-chō
is one of the or geisha districts in Kyoto. means "Shrine River", referring to the nickname of the Kamo River just south of Shijō. During the Gion Matsuri, Gion Festival the (divine palanquin) of Yasaka Shrine used to be purified in the waters of this river. Miyagawa-chō trademark consists of three interlocked rings, symbolizing the unity of the shrine/temples, the townspeople, and the teahouses. What is now Miyagawa-chō was a place where entertainers gathered. Kabuki was performed in many small theaters on the banks of the Kamo River. Some of the Japanese tea ceremony, teahouses were even boats that operated in the river. As kabuki was just then developing into a mass entertainment spectacle as known today, the area was very popular and Miyagawa-chō quickly grew into a full town of teahouses. The association with kabuki has gone, but the Minami-za kabuki theatre of Kyoto still stands on its historical spot on the east bank of the Kamo River. Today, Miyagawa-chō has its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamishichiken
, pronounced locally as Kamihichiken, is a district of northwest Kyoto, Japan. It is the oldest hanamachi (geisha district) in Kyoto, and is located just east of the Kitano Tenman-gū shrine. The name Kamishichiken literally means "Seven Upper Houses". These refer to the seven teahouses built from the equipment and material left over from the rebuilding of the Kitano Shrine in the Muromachi era (1333–1573). Kamishichiken is located in Kyoto's Nishijin area, which is known for traditional hand-woven textiles. The quiet streets of Kamigyō-ku are made up of dark wooden buildings, mainly (teahouses) and (geisha houses). Unlike the other remaining districts, which are located close to the city center, Kamishichiken is further away, and accordingly significantly quieter and attracts fewer tourists. The geisha of this district are known for being subtle and demure, few in number but each highly accomplished dancers and musicians. There are approximately 25 (apprentice geisha) and ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nihongami
is the term used for a number of traditional Culture of Japan, Japanese hairstyles considered to be distinctive in their construction and societal role. Traditionally, the construction of most hairstyles consisted of two "wings" at the side of the head, curving upwards towards the back of the head to form a Chonmage, topknot or ponytail, with a long loop of hair below this also drawn into the topknot. Styles were accessorised with kanzashi, traditional hair accessories, though typically only by women; the combination of both style and accessories formed hairstyles that distinctively varied based on gender, age, job role and social standing. Most styles of were hardened and shaped with wax, known as , and were styled with specially carved combs made of either bamboo or buxus, boxwood, with heated tongs used to straighten the hair before styling. Hair styled in this manner was typically restyled weekly, and in some cases would necessitate sleeping on a pillow raised from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ponto-chō
is a district in Kyoto, Japan, known for its and , and is home to many of the city's and traditional tea houses. Like Gion, Ponto-chō is famous for the preservation of forms of traditional architecture and entertainment. Etymology The name "Ponto" is believed to come from the Portuguese word (bridge), and is written in kanji used for their sound only (''ateji''). The Japanese word means town, block or street. District Ponto-chō as a district is for the most part constructed around a long, narrow alleyway, running from Shijō-dōri to Sanjō-dōri, one block west of the Kamo River. This location is also known as the traditional location for the beginning of kabuki as an art form, and a statue of kabuki's founder, Izumo no Okuni, stands on the opposite side of the river. The district's crest is a stylized water plover, or . Cultural features ''Geiko'' and have existed in Ponto-chō since at least the 16th century, as have prostitution and other forms of entertainmen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shirabyōshi
were Japanese female entertainers in the Heian and Kamakura periods who sang songs and performed dances. They danced dressed as men. The profession of became popular in the 12th century. They would perform for the nobility, and at celebrations. The word can also refer to the songs they sang and the dances they performed. They are sometimes referred to as courtesans in the English language, but by nature they were performers. Some did sometimes sleep with their patrons and give birth to nobles' children, but this was not their intended purpose as entertainers. The best known were Shizuka Gozen, Giō and Hotoke, who were featured in ''The Tale of the Heike''. History The name may be interpreted as "white beat" or "simple rhythm"; it may refer to the white robe they wore, or alternatively the rhythm of the songs that they sang and danced to, which were also performed by . means "white", although scholars believe that it should be interpreted as ; in this interpretation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heian Period
The is the last division of classical Japanese history, running from 794 to 1185. It followed the Nara period, beginning when the 50th emperor, Emperor Kammu, moved the capital of Japan to Heian-kyō (modern Kyoto). means in Japanese. It is a period in Japanese history when the Chinese influence on Japanese culture, Chinese influences were in decline and the national culture matured. The Heian period is also considered the peak of the Japanese Emperors of Japan, imperial court, noted for its Japanese art, art, especially Japanese poetry, poetry and Japanese literature, literature. Two syllabaries unique to Japan, katakana and hiragana, emerged during this time. This gave rise to Japan's famous vernacular literature, with many of its texts written by court ladies who were not as educated in Chinese as their male counterparts. Although the Imperial House of Japan had power on the surface, the real power was in the hands of the Fujiwara clan, a powerful Kuge, aristocratic family wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heian-kyō
Heian-kyō was one of several former names for the city now known as Kyoto. It was the official capital of Japan for over one thousand years, from 794 to 1868 with an interruption in 1180. Emperor Kanmu established it as the capital in 794, moving the Imperial Court there from nearby Nagaoka-kyō at the recommendation of his advisor Wake no Kiyomaro and marking the beginning of the Heian period of Japanese history. According to modern scholarship, the city is thought to have been modelled after the urban planning for the Tang dynasty Chinese capital of Chang'an (modern-day Xi'an). It remained the chief political center until 1185, when the samurai Minamoto clan defeated the Taira clan in the Genpei War, moving administration of national affairs to Kamakura and establishing the Kamakura shogunate. Though political power would be wielded by the samurai class over the course of three different shogunates, Heian-kyō remained the site of the Imperial Court and seat of Imperi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese History
The first human inhabitants of the Japanese archipelago have been traced to the Paleolithic, around 38–39,000 years ago. The Jōmon period, named after its cord-marked pottery, was followed by the Yayoi period in the first millennium BC when new inventions were introduced from Asia. During this period, the first known written reference to Japan was recorded in the Chinese ''Book of Han'' in the first century AD. Around the 3rd century BC, the Yayoi people from the continent immigrated to the Japanese archipelago and introduced iron technology and agricultural civilization. Because they had an agricultural civilization, the population of the Yayoi began to grow rapidly and ultimately overwhelmed the Jōmon people, natives of the Japanese archipelago who were hunter-gatherers. Between the fourth and ninth centuries, Japan's many kingdoms and tribes gradually came to be unified under a centralized government, nominally controlled by the Emperor of Japan. The imperial dynasty es ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
