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Gasparcolor
Gasparcolor was a color motion picture film system, developed in Berlin in 1933 by the Hungarian chemist Béla Gáspár, ( Oraviczabánya, Transylvania, Kingdom of Hungary 1898–1973). It used a subtractive 3-color process on a single film strip, one of the earliest to do so. During the 1930s and 1940s, it was used primarily in animation, notably by Oskar Fischinger (''Muratti Gets in the Act'', 1934; ''Composition in Blue'', 1935), Len Lye (''Birth of a Robot'', '' Rainbow Dance'', both 1936), and George Pal. It also saw use in live-action film, including "Colour on the Thames" (1935). William Moritz’s article, from his lecture at the Louvre, Paris, gives more detail about this history of this color process. Because of the darkening political climate in Europe, his Hungarian-Jewish wife Elly Tardos-Taussig (Szeged 1908-) died by suicide; Gaspar eventually moved to Hollywood and sold his patents to Technicolor and 3M. See also * Studio system A studio system is a metho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Len Lye
Leonard Charles Huia Lye (; 5 July 1901 – 15 May 1980) was a New Zealand artist known primarily for his experimental films and kinetic sculpture. His films are held in archives including the New Zealand Film Archive, British Film Institute, Museum of Modern Art in New York City, and the Pacific Film Archive at University of California, Berkeley. Lye's sculptures are found in the collections of the Whitney Museum of American Art, the Art Institute of Chicago, the Albright-Knox Art Gallery and the Berkeley Art Museum. Although he became a naturalized citizen of the United States in 1950, much of his work went to New Zealand after his death, where it is housed at the Govett-Brewster Art Gallery in New Plymouth. Career As a student, Lye became convinced that motion could be part of the language of art, leading him to early (and now lost) experiments with kinetic sculpture, as well as a desire to make film. Lye was also one of the first Pākehā artists to appreciate the art of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Color Motion Picture Film
Color motion picture film refers both to unexposed color photography, color photographic film in a format suitable for use in a Movie camera, motion picture camera, and to finished motion picture film, ready for use in a projector, which bears images in color. The first color cinematography was by additive color systems such as the one patented by Edward Raymond Turner in 1899 and tested in 1902. A simplified additive system was successfully commercialized in 1909 as Kinemacolor. These early systems used black-and-white film to photograph and project two or more component images through different color filter (optics), filters. During the 1930s, the first practical subtractive color processes were introduced. These also used black-and-white film to photograph multiple color-filtered source images, but the final product was a multicolored print that did not require special projection equipment. Before 1932, when three-strip Technicolor was introduced, commercialized subtractive p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rainbow Dance
''Rainbow Dance'' is a 1936 British animated film, created by New Zealand-born animation pioneer Len Lye and released by the GPO Film Unit. Lye's second film to be viewed by the public, it uses the Gasparcolor process. Credits also list Australian music pioneer Jack Ellitt ("Synchronization") and Frank Jones ("Camera"). Synopsis A man ( Rupert Doone) is holding an umbrella in the rain. Then, he starts dancing, and as he does, the backgrounds completely change. Then, he starts dancing near the ocean, with a woman and fish following. Then, he plays tennis with cel-animated circles as another man watches. A colorful array of shapes follow, and the man sits and thinks, as the shapes come back and images come off the score sheet. The music ends, and a man's voice says the following: 'Post Office Savings Bank puts a pot of gold at the end of the rainbow for ''you, followed by 'No deposit is too small for the Post Office Savings Bank'. References External links * * Watc''Rainbow Dan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kingdom Of Hungary
The Kingdom of Hungary was a monarchy in Central Europe that existed for nearly a millennium, from 1000 to 1946 and was a key part of the Habsburg monarchy from 1526-1918. The Principality of Hungary emerged as a Christian kingdom upon the Coronation of the Hungarian monarch, coronation of the first king Stephen I of Hungary, Stephen I at Esztergom around the year 1000;Kristó Gyula – Barta János – Gergely Jenő: Magyarország története előidőktől 2000-ig (History of Hungary from the prehistory to 2000), Pannonica Kiadó, Budapest, 2002, , pp. 37, 113, 678 ("Magyarország a 12. század második felére jelentős európai tényezővé, középhatalommá vált."/"By the 12th century Hungary became an important European factor, became a middle power.", "A Nyugat részévé vált Magyarország.../Hungary became part of the West"), pp. 616–644 his family (the Árpád dynasty) led the monarchy for 300 years. By the 12th century, the kingdom became a European power. Du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subtractive Color
Subtractive color or subtractive color mixing predicts the spectral power distribution of light after it passes through successive layers of partially absorbing media. This idealized model is the essential principle of how dyes and pigments are used in color printing and photography, where the perception of color is elicited after white light passes through microscopic "stacks" of partially absorbing media, allowing some wavelengths of light to reach the eye and not others. It is also a concept seen in painting, wherein the colors are mixed or applied in successive layers. Process The subtractive color mixing model predicts the resultant spectral power distribution of light filtered through overlaid partially absorbing materials on a reflecting or transparent surface. Each layer partially absorbs some wavelengths of light from the illumination spectrum while letting others pass through, resulting in a colored appearance. The resultant spectral power distribution is predicted b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oskar Fischinger
Oskar Wilhelm Fischinger (June 22, 1900 – January 31, 1967) was a German-American abstract animation, abstract animator, filmmaker, and painting, painter, notable for creating abstract musical animation many decades before the appearance of computer graphics and music videos. He created special effects for Fritz Lang's 1929 ''Woman in the Moon'', one of the first sci-fi rocket films, and influenced Walt Disney, Disney's ''Fantasia (1940 film), Fantasia''. He made over 50 short films and painted around 800 canvases, many of which are in museums, galleries, and collections worldwide. Among his film works is ''Motion Painting No. 1'' (1947 in film, 1947), which is now listed on the National Film Registry of the U.S. Library of Congress. Biography Born in Gelnhausen, near Frankfurt, Fischinger apprenticed at an organ-building firm after he finished school until the owners were drafted into World War I. The next year he worked as a draftsman in an architect's office, until he too wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Pal
George Pal (born György Pál Marczincsak; ; February 1, 1908 – May 2, 1980) was a Hungarian-American animator, film director and producer, principally associated with the fantasy and science-fiction genres. He became an American citizen after emigrating from Europe. He was nominated for Academy Awards (in the category Best Short Subjects, Cartoon) for seven consecutive years (1942–1948) and received an honorary award in 1944. This makes him the second-most nominated Hungarian exile (together with William S. Darling and Ernest Laszlo) after Miklós Rózsa. Early life and career Pal was born in Cegléd, Hungary, as György Gyula Marczincsak the son of Gyula Marczincsak, Sr. and his wife Mária Tikó; in 1936 he officially changed his lastname Marczincsak to "''Pál''", becoming György (George) Pál. He graduated from the Hungarian University of Fine Arts in 1928 (aged 20). From 1928 to 1931, he made films for Hunnia Film Studio of Budapest, Hungary. In 30th June of 1930 in Bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Moritz
William Moritz (May 6, 1941 – March 12, 2004) was an American film historian who specialized in visual music and experimental animation. His principal published works concerned abstract filmmaker and painter Oskar Fischinger. He also wrote extensively on other visual music artists who worked with motion pictures, including James and John Whitney and Jordan Belson; Moritz also published on German cinema, Visual Music, color organs, experimental animation, avant-garde film and the California School of Color Music. Early life Moritz was born in Williams, Arizona and raised in California and Arizona. His father Edward Moritz, a German immigrant, influenced his son's interest in music and literature. In an interview Moritz related the importance of his early experiences with animation: I saw a lot of animation in movie theatres, while growing up (there was no television then), like Mickey Mouse, Donald Duck, Porky Pig, Woody Woodpecker cartoons, character animation made by studios. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Technicolor
Technicolor is a family of Color motion picture film, color motion picture processes. The first version, Process 1, was introduced in 1916, and improved versions followed over several decades. Definitive Technicolor movies using three black-and-white films running through a special camera (3-strip Technicolor or Process 4) started in the early 1930s and continued through to the mid-1950s, when the 3-strip camera was replaced by a standard camera loaded with single-strip "monopack" color negative film. Technicolor Laboratories were still able to produce Technicolor prints by creating three black-and-white matrices from the Eastmancolor negative (Process 5). Process 4 was the second major color process, after Britain's Kinemacolor (used between 1909 and 1915), and the most widely used color process in Cinema of the United States, Hollywood during the Golden Age of Hollywood. Technicolor's #Process 4: Development and introduction, three-color process became known and cele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studio System
A studio system is a method of filmmaking wherein the production and distribution of films is dominated by a small number of large movie studios. It is most often used in reference to Hollywood motion picture studios during the early years of the Golden Age of Hollywood from 1927 (the introduction of sound motion pictures) to 1948 (the beginning of the demise of the studio system), wherein studios produced films primarily on their own filmmaking lots with creative personnel under often long-term contract, and dominated exhibition through vertical integration, i.e., the ownership or effective control of distributors and exhibition, guaranteeing additional sales of films through manipulative booking techniques such as block booking. During the Hollywood Golden Age, eight companies constituted the major studios that promulgated the Hollywood studio system. Of these eight, five were fully integrated conglomerates known as the original Big Five, combining ownership of a production ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
