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Garcia (album)
''Garcia'' is the first solo album by the Grateful Dead's guitarist Jerry Garcia, released in January 1972. Warner Bros. Records offered the Grateful Dead the opportunity to cut their own solo records, and ''Garcia'' was released around the same time as Bob Weir's '' Ace'' and Mickey Hart's '' Rolling Thunder''. Unlike ''Ace'', which was practically a Grateful Dead album, ''Garcia'' was more of a solo effort, as Garcia played all the instrumental parts save the drums. Six tracks (specifically those coauthored by lyricist Robert Hunter) eventually became standards in the Grateful Dead concert repertoire, especially "The Wheel", which was performed over 250 times. Considered a showcase for Garcia's work on electric and pedal steel guitar, ''Garcia'' is considered more electric and psychedelic than then-recent Grateful Dead albums, balancing country and country rock material on the first side with experimental and musique concrète pieces on the second side, which commences wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerry Garcia
Jerome John Garcia (August 1, 1942 – August 9, 1995) was an American musician who was the lead guitarist and a vocalist with the rock band Grateful Dead, which he co-founded and which came to prominence during the counterculture of the 1960s. Although he disavowed the role, Garcia was viewed by many as the leader of the band. He was inducted into the Rock and Roll Hall of Fame in 1994 as a member of the Grateful Dead. As one of its founders, Garcia performed with the Grateful Dead for the band's entire 30-year career (1965–1995). Garcia also founded and participated in a variety of side projects, including the Saunders–Garcia Band (with longtime friend Merl Saunders), the Jerry Garcia Band, Old & In the Way, the Garcia/David Grisman, Grisman and Garcia/John Kahn, Kahn acoustic duos, Legion of Mary (band), Legion of Mary, and New Riders of the Purple Sage (which he co-founded with John Dawson (musician), John Dawson and David Nelson (musician), David Nelson). He also rel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rolling Thunder (album)
''Rolling Thunder'' is the first solo album by Grateful Dead drummer Mickey Hart. Although Hart had temporarily left the Grateful Dead at the time he made ''Rolling Thunder'', members of the Dead play on the album, along with several other well-known musicians from the San Francisco Bay Area music scene. Also featured are classical tabla players Zakir Hussain and his father Alla Rakha. The album contains early versions of two songs co-written by Bob Weir that later became Grateful Dead concert staples – "Playing in the Band"and "Greatest Story Ever Told" (called "Pump Song" on this album). The cover art for ''Rolling Thunder'' was created by Alton Kelly and Stanley Mouse's Kelly/Mouse Studios. The album was named after the Shoshone medicine man, shaman, teacher, and activist, Rolling Thunder, who was a friend of Mickey Hart and the Grateful Dead and whose voice is heard on the first track. In 1986, Relix Records reissued the album on vinyl, utilizing the original master ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ZigZag (magazine)
''ZigZag'' was a British rock music magazine. It was started by Pete Frame and the first edition was published on 16 April 1969. The magazine was noted for its interviews, articles, innovative "rock family trees" by Frame, and support for American songwriters such as Michael Nesmith, Mickey Newbury, Gene Clark, etc. It lasted in various forms through 1986. History It was edited by Pete Frame for the first 29 issues, up to February 1973. Frame later said: "None of the English music papers wrote about the music I liked. They all concentrated on popular acts, but I was interested in the Underground scene. So I decided to start a magazine for people who liked the same kind of music I did. I called it Zigzag after the Captain Beefheart track " Zigzag Wanderer" and also the cigarette papers, which were used for rolling joints." Pete Frame's "rock family trees" first appeared in ''ZigZag''. Very basic examples appeared in issue #14 The Byrds (August 1970) and issue #17 John Mayall ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine to convey the popularity of an artist or groups of artists. Sometimes, a recording act is remembered for its " number ones" that outperformed all other albums during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, acquiring its existing name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985), ''Billboard'' Top Pop Albums (1985–1991), and ''Billboard'' 200 Top Albums (1991–1992). The chart is based mostly on sales—both at retail and digital – of albums in the United States. The weekly sales period was Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, the tracking week begins on Friday (to coincide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multitrack Recording
Multitrack recording (MTR), also known as multitracking, is a method of sound recording developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole. Multitracking became possible in the mid-1950s when the idea of simultaneously recording different audio channels to separate discrete ''tracks'' on the same reel-to-reel tape was developed. A ''track'' was simply a different channel recorded to its own discrete area on the tape whereby their relative sequence of recorded events would be preserved, and playback would be simultaneous or Synchronization, synchronized. A multitrack recorder allows one or more sound sources to different tracks to be simultaneously recorded, which may subsequently be processed and mixed separately. Take, for example, a band with vocals, guitars, a keyboard, bass, and drums that are to be recorded. The singer's microphone, the output of the guitars and keys, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kerosene Hat
''Kerosene Hat'' is the second studio album by American rock band Cracker, released on August 24, 1993. It reached number 1 on ''Billboard''s Top Heatseekers chart, and number 59 on the ''Billboard'' 200 album chart. The singles from the album, " Low" and "Get Off This", helped Cracker gain widespread notice. According to frontman David Lowery, the album title comes from the band's early days in Richmond, Virginia. Lowery lived with Cracker guitarist Johnny Hickman in an old dilapidated house whose only source of heat came from two kerosene heaters. To buy more kerosene meant a cold walk to a nearby gas station, so before leaving the house, Lowery would bundle up and put on an old wool hunting cap – his "kerosene hat." "To this day," says Lowery, "the smell of kerosene reminds me of the poverty and the wistful hope we had for our music." Background and recording notes Following the release of their debut album, Cracker entered the studio in 1992 intending to record thei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cracker (band)
Cracker is an American rock music, rock band formed in 1990 by lead singer David Lowery (musician), David Lowery and guitarist Johnny Hickman. The band's first album ''Cracker (album), Cracker'' was released in 1992 on Virgin Records; it included the single "Teen Angst (What the World Needs Now)", which went to #1 on the U.S. Modern Rock Tracks, Modern Rock chart. The band's follow-up, the 1993 album ''Kerosene Hat'' included the hit songs "Low (Cracker song), Low," "Get Off This" and "Euro-Trash Girl". Cracker has released nine studio albums and several compilations, collaborations, solo projects and live albums. The band mix influences and sounds from rock music, rock, punk rock, punk, grunge, psychedelic music, psychedelia, country music, country, blues and folk music, folk. History 1990s Shortly after Lowery's former group Camper Van Beethoven disbanded in 1990, he began demoing material along with boyhood friend guitarist Johnny Hickman. After moving from Redlands, Califo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acid Rock
Acid rock is a loosely defined type of rock music that evolved out of the mid-1960s garage rock, garage punk movement and helped launch the psychedelia, psychedelic subculture. While the term has sometimes been used interchangeably with "psychedelic rock", acid rock also specifically refers to a more musically intense, rawer, or heavier subgenre or sibling of psychedelic rock. Named after lysergic acid diethylamide (LSD), the style is generally defined by heavy, Distortion (music), distorted guitars and often contains lyrics with drug references and long improvised Jam session, jams. Compared to other forms of psychedelic rock, acid rock features a harder, louder, heavier, or rawer sound. Much of the style overlaps with Garage rock, 1960s garage punk, proto-metal, and early heavy, blues-based hard rock. It developed mainly from the American West Coast, where groups did not focus on the novelty recording effects or whimsy of British psychedelia; instead, the subgenre emphasiz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gospel Music
Gospel music is a traditional genre of Christian music and a cornerstone of Christian media. The creation, performance, significance, and even the definition of gospel music vary according to culture and social context. Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music is characterized by dominant vocals and strong use of harmony with Christian lyrics. Gospel music can be traced to the early 17th century. Hymns and sacred songs were often performed in a call-and-response fashion, heavily influenced by ancestral African music. Most of the churches relied on hand–clapping and foot–stomping as rhythmic accompaniment. Most of the singing was done ''a cappella''.Jackson, Joyce Marie. "The changing nature of gospel music: A southern case study." ''African American Review'' 29.2 (1995): 185. Academic Search Premier. EBSCO. Web. October 5, 201 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Rock
Folk rock is a fusion genre of rock music with heavy influences from pop, English and American folk music. It arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music. The commercial success of the Byrds' cover version of Dylan's " Mr. Tambourine Man" and their debut album of the same name, along with Dylan's own recordings with rock instrumentation—on the albums '' Bringing It All Back Home'' (1965), '' Highway 61 Revisited'' (1965), and '' Blonde on Blonde'' (1966)—encouraged other folk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Collage
In music, montage (literally "putting together") or sound collage ("gluing together") is a technique where newly branded sound objects or Musical composition, compositions, including songs, are created from collage, also known as musique concrète. This is often done through the use of sampling (music), sampling, while some sound collages are produced by gluing together sectors of different vinyl records. Like its visual cousin, sound collage works may have a completely different effect than that of the component parts, even if the original parts are recognizable or from a single source. Audio collage was a feature of the audio art of John Cage, Fluxus, postmodern music, postmodern hip-hop and postconceptual digital art. History The origin of sound collage can be traced back to the works of Heinrich Ignaz Biber, Biber's programmatic sonata ''Battalia'' (1673) and Wolfgang Amadeus Mozart, Mozart's ''Don Giovanni'' (1789), and certain passages in Gustav Mahler, Mahler symphonies as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Music
Experimental music is a general label for any music or music genre that pushes existing boundaries and genre definitions. Experimental compositional practice is defined broadly by exploratory sensibilities radically opposed to, and questioning of, institutionalized compositional, performing, and aesthetic conventions in music. Elements of experimental music include Indeterminacy in music, indeterminacy, in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. Artists may approach a hybrid of disparate styles or incorporate unorthodox and unique elements. The practice became prominent in the mid-20th century, particularly in Europe and North America. John Cage was one of the earliest composers to use the term and one of experimental music's primary innovators, utilizing Indeterminacy (music), indeterminacy techniques and seeking unknown outcomes. In France, as early as 1953, Pierre Schaeffer had begun using ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
