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Garbhodaksayi Vishnu
Garbhodakaśāyī Vishnu is an expansion of Mahavishnu. In Gaudīya Vaishnavism, the Sātvata-tantra describes three different forms of Vishnu as: Mahāvishnu, Garbhodakaśāyī Vishnu and Ksirodakaśāyī Vishnu ( Paramātmā). Each form has a different role in the maintenance of the Universe and its inhabitants. The commentary on the Bhagavad Gita describes this form of Vishnu: In Srimad Bhagavatam, this is explained as: Karanodakashayi Vishnu is the first incarnation of the Supreme Lord, and He is the master of eternal time, space, cause and effects, mind, the elements, the material ego, the modes of nature, the senses, the universal form of the Lord, Garbhodakaśāyī Viṣṇu, and the sum total of all living beings, both moving and non-moving. Garbhodhakaśāyī Vishnu is an expansion or overload of Mahavishnu (expansion of Saṃkarṣaṇa of second caturvyūha, which expands from Nārāyaṇa in Vaikuṇṭhaloka). Garbhodhakaśāyī Vishnu is realized as the form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sankarshana
Shesha (), also known by his epithets Sheshanaga () and Adishesha (), is a serpentine demigod ( naga) and king of the serpents (Nagaraja), as well as a primordial being of creation in Hinduism. In the Puranas, Shesha is said to hold all the planets of the universe on his hoods and to constantly sing the glories of Vishnu from all his mouths. He is sometimes referred to as Ananta Shesha. The Narayana form of Vishnu is often depicted as resting on Shesha, accompanied by his consort Lakshmi. Shesha is considered as one of the two mounts of Vishnu alongside Garuda. He is said to have descended upon Earth in the following human forms or incarnations: Lakshmana, brother of Vishnu's incarnation Rama during the Treta Yuga, and according to some traditions, as Balarama, brother of Vishnu's incarnation Krishna during the Dvapara Yuga. According to the Mahabharata (Adi Parva), his father was Kashyapa and his mother Kadru, though in other accounts, he is usually a primordial being created ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Forms Of Vishnu
Form is the shape, visual appearance, or configuration of an object. In a wider sense, the form is the way something happens. Form may also refer to: *Form (document), a document (printed or electronic) with spaces in which to write or enter data *Form (architecture), a combination of external appearance, internal structure, and the unity of the design *Form (education), a class, set, or group of students * Form (religion), an academic term for prescriptions or norms on religious practice *Form, a shallow depression or flattened nest of grass used by a hare *Form, or rap sheet, slang for a criminal record People * Andrew Form, American film producer * Fluent Form, Australian rapper and hip hop musician Arts, entertainment, and media * Form (arts organisation), a Western Australian arts organisation * Form (visual art), a three-dimensional geometrical figure; one of the seven elements of art *Poetic form, a set of structural rules and patterns to which a poem may adhere *Mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Govinda
Govinda (, ), also rendered Govind, Gobinda, and Gobind, is an epithet of Vishnu and his avatars, such as Krishna. The name appears as the 187th and the 539th name of Vishnu in the ''Vishnu Sahasranama''. The name is also popularly addressed to Krishna, referring to his youthful activity as a cowherd boy. Etymology Govinda can be directly translated as "protector of cows". Moreover, in the word "Govinda", "Govu" means ''Indriyas''. Govinda therefore means the all-pervading, omnipresent ruler of the sense organs, or ''Indriyas''. "Govu" also means 'Vedas'. Hence Govinda is the supreme being who can be known through the Vedas. Interpretations ''Govinda'' is a name of Krishna and also appears as the 187th and 539th name of Vishnu in the Vishnu Sahasranama, the 1,000 names of Vishnu.''Sri Vishnu Sahasranama'', commentary by Sri Sankaracharya, pgs. 69 and 115, translated by Swami Tapasyananda (Ramakrishna Math Publications, Chennai) According to Adi Shankara's commentary on ''Vish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiranyagarbha
Hiranyagarbha (, , poetically translated as 'universal womb') is the source of the creation of the universe or the manifested cosmos in Vedic philosophy. It finds mention in one hymn of the Rigveda ( RV 10.121), known as the Hiraṇyagarbha Sūkta, suggesting a single creator deity (verse 8: ', Griffith: "He is the God of gods, and none beside him."), identified in the hymn as Prajāpati. The concept of the "golden womb" is first mentioned in the Vishvakarma Sūkta (RV 10.82.5,6) which picturized the "primeval womb" as being rested set upon the navel of Vishvakarman. This imagery was later transferred to Vishnu and Surya. The Upanishad calls it the Soul of the Universe or Brahman, and elaborates that Hiraṇyagarbha floated around in emptiness and the darkness of the non-existence for about a year, and then broke into two halves which formed the '' Svarga'' and the '' Pṛthvi''. In classical Purāṇic Hinduism, Hiraṇyagarbha is the term used in the Vedanta for t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pradyumna
Pradyumna () is the eldest son of the Hindu deities Krishna and his wife Rukmini. He is considered to be one of the four vyuha avatars of Vishnu. According to the Bhagavata Purana, Pradyumna was the reincarnation of Kamadeva, the god of love. The Mahabharata states that Pradyumna was a portion of Sanat Kumara. The Harivamsa describes the chaturvyuha, consisisting of the Vrishni heroes Vāsudeva, Samkarsana, Pradyumna, and Aniruddha, that would later be the basis for the Vaishnava concept of primary quadrupled expansion, or avatara. Pradyumna is also another name of the Hindu god Vishnu, mentioned to be one of the 24 Keshava Namas (names). Birth and early life Pradyumna was the son of Krishna and the sixty-first grandson of Adinarayana. His mother was Rukmini, whom Krishna had eloped with from Vidarbha during her swayamvara on her request. Pradyumna was born in Dvaraka and was the reincarnation of the demigod Kamadeva, a deity who was burnt to ashes by the fury of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaikunta
Vaikuntha (), also called Vishnuloka (), and Tirunatu (Tirunāṭu) in Tamil, is the abode of Vishnu, the supreme deity in the Vaishnava tradition of Hinduism, Gavin Flood, An Introduction to Hinduism' (1996). and his consort, Lakshmi, the supreme goddess of the sect. According to Ramanuja, Vaikuntha is the ''Parama Padam'' or ''Nitya Vibhuti,'' an "eternal heavenly realm", and is the "divine imperishable world that is God's abode". In Vaishnava literature, Vaikuntha is described as the highest realm above the fourteen ''lokas'' (worlds), and the place where the devotees of Vishnu go upon achieving liberation. It is guarded by the twin deities, Jaya and Vijaya, the dvarapalakas, or gatekeepers of Vaikuntha. The army of Vishnu, stationed at Vaikuntha, is led by Vishvaksena. The planets of Vaikuntha are described as being full of golden palaces and hanging gardens that grow fragrant fruits and flowers. The planets of Vaikuntha begins 26,200,000 yojanas (209,600,000 miles) abo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narayana
Narayana (, ) is one of the forms and epithets of Vishnu. In this form, the deity is depicted in yogic slumber under the celestial waters, symbolising the masculine principle and associated with his role of creation. He is also known as Purushottama, and is considered the Supreme Being in Vaishnavism. Etymology Narayan Aiyangar states the meaning of the Sanskrit word 'Narayana' can be traced back to the Laws of Manu (also known as the ''Manusmriti'', a ''Dharmaśāstra'' text), which states: This definition is used throughout post-Vedic literature such as the ''Mahabharata'' and the ''Vishnu Purana''. 'Narayana' is also defined as the 'son of the primeval man', and 'Supreme Being who is the foundation of all men'. *'Nara' (Sanskrit नार) means 'water' and 'man' *'Yana' (Sanskrit यान) means 'vehicle', 'vessel', or more loosely, 'abode' or 'home' L. B. Keny proposes that Narayana was associated with the Dravidian, and ultimately, the Indus Valley Civilis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Srimad Bhagavatam
The ''Bhagavata Purana'' (; ), also known as the ''Srimad Bhagavatam (Śrīmad Bhāgavatam)'', ''Srimad Bhagavata Mahapurana'' () or simply ''Bhagavata (Bhāgavata)'', is one of Hinduism's eighteen major Puranas (''Mahapuranas'') and one of the most popular in Vaishnavism. Composed in Sanskrit and traditionally attributed to Veda Vyasa, it promotes ''bhakti'' (devotion) towards Krishna, an avatar of Vishnu, integrating themes from the Advaita (monism) philosophy of Adi Shankara, the Vishishtadvaita (qualified monism) of Ramanujacharya and the Dvaita (dualism) of Madhvacharya. It is widely available in almost all Indian languages. The ''Bhagavata Purana'', like other puranas, discusses a wide range of topics including cosmology, astronomy, genealogy, geography, legend, music, dance, yoga and culture. As it begins, the forces of evil have won a war between the benevolent '' devas'' (deities) and evil ''asuras'' (demons) and now rule the universe. Truth re-emerges as Krishn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahavishnu
Mahavishnu () is an aspect of Vishnu, the principal deity in Vaishnavism. In his capacity as Mahavishnu, the deity is known as the Supreme Purusha, the absolute protector and sustainer of the universe, the one who is beyond human comprehension, and all attributes. Literature The Bhagavata Purana, among the most revered texts among Vaishnavas, attributes the following qualities to Mahavishnu: According to Gaudiya tradition of Bhagavatam, Krishna is the Supreme Being, who expands first as Balarama, then into the first quadruple expansion of Sankarshana, Vasudeva, Pradyumna, and Aniruddha. Sankarshana expands into Narayana, then Narayana expands into the second quadruple expansion of Sankarshana, Vasudeva, Pradyumna, and Aniruddha, then Sankarshana expands into Karanodakasayi-Visnu (Maha-Vishnu), who reclines within the Mahat-Tattva, creating innumerable universes from the pores on his body. He then expands into each universe as Garbhodakasayi-Vishnu, from which Brahm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Commentary (philology)
In philology, a commentary is a line-by-line or even word-by-word explication usually attached to an edition of a text in the same or an accompanying volume. It may draw on methodologies of close reading and literary criticism, but its primary purpose is to elucidate the language of the text and the specific culture that produced it, both of which may be foreign to the reader. Such a commentary usually takes the form of footnotes, endnotes, or separate text cross-referenced by line, paragraph or page. Means of providing commentary on the language of the text include notes on textual criticism, syntax and semantics, and the analysis of rhetoric, literary tropes, and style. The aim is to remove, lessen or point out linguistic obstacles to reading and understanding the text. If a text is historical, or is produced within a culture assumed to be of limited familiarity to a reader, a broader range of issues may require elucidation. These include, but are by no means limited to, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhagavad Gita
The Bhagavad Gita (; ), often referred to as the Gita (), is a Hindu texts, Hindu scripture, dated to the second or first century BCE, which forms part of the Hindu epic, epic poem Mahabharata. The Gita is a synthesis of various strands of Indian religious thought, including the Vedic concept of ''dharma'' (duty, rightful action); samkhya-based ''yoga'' and ''jnana'' (knowledge); and ''bhakti'' (devotion). Among the Hindu denominations, Hindu traditions, the text holds a unique pan-Hindu influence as the most prominent sacred text and is a central text in Vedanta and the Vaishnava, Vaishnava Hindu tradition. While traditionally attributed to the sage Veda Vyasa, the Gita is historiographically regarded as a composite work by multiple authors. Incorporating teachings from the Upanishads and the samkhya Yoga (philosophy), yoga philosophy, the Gita is set in a narrative framework of dialogue between the pandava prince Arjuna and his charioteer guide Krishna, an avatar of Vishnu, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
