Gambyong
Gambyong () is a traditional Javanese dance originating from Surakarta, Central Java, Indonesia. It has existed since ancient times, and began to be displayed at the Mangkunegaran Palace in the era of 1916 to 1944. Gambyong became famous for its smooth and graceful dance moves that amazed the audience who watch them. History The Serat Centini, a Javanese book written during the reigns of Pakubuwana IV (1788-1820) and Pakubuwana V (1820-1823), mentioned the existence of gambyong as a tledhek dance. At that time, one of the dance stylists in the reign of Pakubuwana IX (1861-1893) named K.R.M.T. Wreksadiningrat worked on this folk dance so that it was appropriate to be performed among the nobles or aristocrats. This refined folk dance became popular and was usually performed in front of guests at the Mangkunegaran Palace. An important change in Gambyong Dance occurred when in 1950, Nyi Bei Mintoraras, a dance trainer from the Mangkunegaran Palace during the Mangkunegara VIII p ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gambyong Ala Siswa Bojonegoro
Gambyong () is a traditional Javanese dance, Javanese dance originating from Surakarta, Central Java, Indonesia. It has existed since ancient times, and began to be displayed at the Mangkunegaran Palace in the era of 1916 to 1944. Gambyong became famous for its smooth and graceful dance moves that amazed the audience who watch them. History The Serat Centini, a Javanese book written during the reigns of Pakubuwana IV (1788-1820) and Pakubuwana V (1820-1823), mentioned the existence of gambyong as a tledhek dance. At that time, one of the dance stylists in the reign of Pakubuwana IX (1861-1893) named K.R.M.T. Wreksadiningrat worked on this folk dance so that it was appropriate to be performed among the nobles or aristocrats. This refined folk dance became popular and was usually performed in front of guests at the Mangkunegaran Palace. An important change in Gambyong Dance occurred when in 1950, Nyi Bei Mintoraras, a dance trainer from the Mangkunegaran Palace during the Mangku ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Javanese Dance
Javanese dance (; ) is the dances and art forms that were created and influenced by Javanese culture in Indonesia. Javanese dance movement is controlled, deliberate, and refined. Javanese art often displays finesse, and, at the same time, a serene composure which is elevated far above everything mundane. Javanese dance is usually associated with courtly, refined, and sophisticated culture of the Javanese kratons, such as the '' bedhaya'' and '' srimpi'' dance. However, in a wider sense, Javanese dance also includes the dances of Javanese commoners and villagers, such as '' ronggeng, tayub, reog,'' and '' jaran kepang''. Javanese dance and its discipline has different styles and philosophy compared to other Indonesian dance traditions. Unlike vigorous and expressive Balinese dance or cheerful and slightly sensual Sundanese dance, Javanese dance are commonly involving slow movements and graceful poses. Javanese dance have somewhat a meditative quality and tends to be more self- ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dance In Indonesia
Dance in Indonesia () reflects the country's diversity of Ethnic groups in Indonesia, ethnicities and Culture of Indonesia, cultures. There are more than 600 ethnic groups in Indonesia. Austronesian people, Austronesian roots and Melanesian tribal forms are visible, and influences ranging from neighboring Asian and even western styles through colonization. Each ethnic group has its own dances: there are more than 3,000 original dance forms in Indonesia. The old traditions of dance and drama are being preserved in the numerous dance schools which flourish not only in the courts but also in the modern, government-run or supervised art academies. For classification purposes, the dances of Indonesia can be divided according to several aspects. In the historical aspect it can be divided into three eras; the prehistoric-tribal era, the Hindus, Hindu-Buddhism, Buddhist era, and the era of Islam. According to its patrons, it can be divided into two genres; court dance and folk dance. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lengger
Lengger () is a traditional Javanese dance originating from Banyumas, Central Java, Indonesia. This dance is played in pairs, between a man and a woman. Lengger dance is one of the sacred dances in Java. Etymology ''Lengger'' means 'male and female dancers' which comes from the (). The meaning of Lengger is to give advice and messages to everyone to be able to invite and defend the truth and get rid of ugliness. History The Lengger dance began with a competition from the King Brawijaya of Majapahit who lost his daughter, Dewi Sekartaji. The king rewarded whoever managed to find his daughter, if the person who finds it is a man, he will be married to his daughter but if it is a woman, he will be appointed to the royal family. This competition was participated by many knights and finally only 2 participants left, namely Raden Panji Asmara Bangun disguised as Joko Kembang Kuning from the Janggala kingdom and Prabu Klana from the opposite kingdom. It was Prabu Klana that made the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Traditional Dance
A folk dance is a dance that reflects the life of the people of a certain country or region. Not all ethnic dances are folk dances. For example, ritual dances or dances of ritual origin are not considered to be folk dances. Ritual dances are usually called "religious dances" because of their purpose. The terms "ethnic" and "traditional" are used when it is required to emphasize the cultural roots of the dance. In this sense, nearly all folk dances are ethnic ones. If some dances, such as polka, cross ethnic boundaries and even cross the boundary between "folk" and "ballroom dance", ethnic differences are often considerable enough to mention. Background Folk dances share some or all of the following attributes: *Dances are usually held at folk dance gatherings or social functions by people with little or no professional training, often to traditional music. *Dances not generally designed for public performance or the stage, though they may later be arranged and set for stage p ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mangkunegara VIII
Kanjeng Gusti Pangeran Adipati Arya Mangkunegara VIII (Kartasura, 7 April 1925 – Surakarta, 2 August 1987) was an Indonesian politician, and the eighth and last sovereign Duke of Mangkunegaran, who reigned from 1944 until his death in 1987. He experienced the Dutch colonial period and the beginning of Indonesia's independence. Mangkunegara VIII was the son of Mangkunegara VII, by Gusti Raden Ayu Retnaningrum, one of his secondary wives. The queen consort Gusti Kanjeng Ratu Timur had only one child, a daughter named Gusti Raden Ayu Siti Nurul Kusumawardhani. Mangkunagara VIII faced extreme difficulty in maintaining the sovereignty of his state. As a result, the state of Surakarta (including Mangkunagaran) were incorporated into the province of Central Java Central Java (, ) is a Provinces of Indonesia, province of Indonesia, located in the middle of the island of Java. Its administrative capital is Semarang. It is bordered by West Java in the west, the Indian Ocean and the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dances Of Indonesia
Dance is an art form, consisting of sequences of body movements with aesthetic and often symbolic value, either improvised or purposefully selected. Dance can be categorized and described by its choreography, by its repertoire of movements or by its historical period or place of origin. Dance is typically performed with musical accompaniment, and sometimes with the dancer simultaneously using a musical instrument themselves. Two common types of group dance are theatrical and participatory dance. Both types of dance may have special functions, whether social, ceremonial, competitive, erotic, martial, sacred or liturgical. Dance is not solely restricted to performance, as dance is used as a form of exercise and occasionally training for other sports and activities. Dance performances and dancing competitions are found across the world exhibiting various different styles and standards. Dance may also be participated in alone as a form of exercise or self expression. Dancing is ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bedhaya
The bedhaya (also written as bedoyo, beḍaya and various other transliterations) () is a sacred, ritualised Javanese dance of Java, Indonesia, associated with the royal palaces of Yogyakarta and Surakarta. Along with the srimpi, the bedhaya epitomized the elegant () character of the royal court and became an important symbol of the ruler's power. The bedhaya has different forms in the two court cities, the ''bedhaya Ketawang'' in Surakarta (Solo) and the ''bedhaya Semang'' in Yogyakarta, the latter of which has not been performed for more than 20 years. The Solonese dance continues to be performed once per year on the second day of the Javanese month of Ruwah (May), to commemorate the ascension of the current Susuhunan (prince) of Surakarta. Nine females, relatives or wives of the Susuhunan, perform the dance before a private audience. An invitation to anyone outside of the inner circle of the court is a considerable honor.Becker, 143. History Some kind of female dance known ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kendang
A ''kendang'' or ''gendang'' (, , , Tausug language, Tausug/Bajau/Maranao language, Maranao: ''gandang'', Buginese language, Bugis: ''gendrang'' and Makassarese language, Makassar: ''gandrang'' or ''ganrang'') is a two-headed drum used by people from the Indonesian Archipelago. The kendang is one of the primary instruments used in the gamelan ensembles of Javanese music, Javanese, Music of Sunda, Sundanese, and Balinese music, Balinese music. It is also used in various Kulintang ensembles in Indonesia, Brunei, Malaysia, Singapore, and the Philippines. It is constructed in a variety of ways by different ethnic groups. It is related to the Indian double-headed mridangam drum. Overview The typical double-sided membrane drums are known throughout Maritime Southeast Asia and India. One of the oldest image of kendang can be found in Candi of Indonesia, ancient temples in Indonesia, especially the ninth century Borobudur and Prambanan temple. Among the Javanese people, Javanese, Sund ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dewi Sri
Dewi Sri or Shridevi ( Javanese: ꦢꦺꦮꦶꦱꦿꦶ, Balinese: , Dewi Sri, Sundanese: , Nyai Pohaci Sanghyang Asri) is the Javanese, Sundanese, and Balinese Hindu Goddess of rice and fertility, still widely worshiped on the islands of Java, Bali and Lombok, Indonesia. She is often associated or equated with the Hindu goddess Lakshmi, the ''shakti'' (consort) of Vishnu. History and origin The cult of the primordial rice goddess has its origin in the prehistoric domestication, development and propagation of rice cultivation in Asia, possibly brought by Austroasiatic or Austronesian population that finally migrated and settled in the archipelago. Similar but slightly different rice spirits and rice deity mythologies are widespread among Indonesian ethnicities and also in neighbouring countries, e.g. in Thailand and Cambodia. The name "Sri" was derived from Sanskrit () which means wealth, prosperity, health, beauty, good fortune and also the other name of the Hindu god ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pakubuwana IX
Pakubuwono IX (also transliterated Pakubuwana IX) was the ninth Susuhunan (ruler of Surakarta Surakarta (Javanese script, Javanese: , Pegon script, Pegon: ), known colloquially as Solo (Javanese script, Javanese: ; ), is a major List of regencies and cities of Indonesia, city in Central Java, Indonesia. The city adjoins Karanganyar Reg ...). He was born in 1830, the second son of Pakubuwano VI, and reigned from 1861 until his death in 1893. He is attributed as author of ''Serat woro isworo'' a book about genealogy and morals. Notes References * Miksic, John N. (general ed.), et al. (2006) ''Karaton Surakarta. A look into the court of Surakarta Hadiningrat, central Java'' (First published: 'By the will of His Serene Highness Paku Buwono XII'. Surakarta: Yayasan Pawiyatan Kabudayan Karaton Surakarta, 2004), Marshall Cavendish Editions Singapore Burials at Imogiri Susuhunan of Surakarta 1830 births 1893 deaths Indonesian royalty Sons of monarchs {{Ind ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gusti Nurul
Gusti Raden Ayu Siti Nurul Kamaril Ngasarati Kusumowardhani (17 September 1921 – 10 November 2015) was an Indonesian dancer and the only daughter of Mangkunegara VII and his consort, Gusti Kanjeng Ratu Timoer. She was known for her performance at the Princess Juliana of the Netherlands and Prince Bernhard of Lippe-Biesterfeld marriage in 1937, and for rejecting the marriage proposal from Hamengkubuwono IX, Sutan Sjahrir, and Sukarno due to not wanting to be in a polygamy. Early life Nurul was born on 17 September 1921 in Surakarta, Dutch East Indies, as the only daughter of Mangkunegara VII and Gusti Kanjeng Ratu Timoer. She trained dancing, making poet, horsing, tennis, and swimming at a young age. Personal life Marriage and relationships In 1941, Nurul was proposed by Hamengkubuwono IX. However, she refused the proposal because did not want to be in polygamy. She later said that she remembered her mother's sadness at being a mistress and her hope on her so that she did n ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |