Gaetano Martinelli
Gaetano Martinelli (? – 1802) was an Italian librettist active in the court theatres of Charles Eugene, Duke of Württemberg from 1766 to 1769 and in Lisbon as the court poet to Joseph I of Portugal and his daughter Maria I from 1769 until his death in 1802. He was one of a group of reforming Italian librettists which also included Calzabigi, Verazi, and Migliavacca, who moved away from the traditional Metastasian plot structures that had dominated opera during the first half of the 18th century. The majority of his early libretti were for comic (''opera buffa'') or semi-comic (''dramma giocoso'') operas.Armellini, Mario (2008"Martinelli, Gaetano" ''Dizionario Biografico degli Italiani'', vol. 71. Treccani. Online version retrieved 10 December 2016 . Martinelli was described on his early libretti as "Romano" (Roman) but nothing is known of the exact date and place of his birth or of his parentage and early life. His first appearance as a librettist was at the Teatro San Moisè ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Librettist
A libretto (From the Italian word , ) is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass, requiem and sacred cantata, or the story line of a ballet. The Italian word (, ) is the diminutive of the word '' libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15- to 40-page books which were on sale to 19th century ballet audiences in Paris and contained a very detailed description of the ballet's story, scene by scene. The relations ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Il Ratto Della Sposa
''Il ratto della sposa'' (''The Kidnapped Fiancée'') is an ''opera buffa'' in three acts by Pietro Alessandro Guglielmi. The Italian libretto was by Gaetano Martinelli. Performance history It was first performed at the Teatro San Moisè in Venice in the autumn of 1765. A revised version was staged in London in 1768. The opera was successful and there were productions in succeeding decades, some entitled ''Lo sposo rapita'' or ''Il vecchio deluso''. Roles References *Hunter, Mary (1992), 'Ratto della sposa, ll' in ''The New Grove Dictionary of Opera ''The New Grove Dictionary of Opera'' is an encyclopedia of opera. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. The dictionary was first published in 1992 by Macmillan Reference, L ...'', ed. Stanley Sadie (London) {{DEFAULTSORT:Ratto della sposa Operas Italian-language operas Opera buffa Operas by Pietro Alessandro Guglielmi 1765 operas ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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18th-century Italian Writers
The 18th century lasted from 1 January 1701 (represented by the Roman numerals MDCCI) to 31 December 1800 (MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the Atlantic Revolutions. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures. The Industrial Revolution began mid-century, leading to radical changes in human society and the environment. The European colonization of the Americas and other parts of the world intensified and associated mass migrations of people grew in size as part of the Age of Sail. During the century, slave trading expanded across the shores of the Atlantic Ocean, while declining in Russia and China. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revol ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Italian Opera Librettists
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, a Romance ethnic group related to or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marination * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus * ''Italien'' (magazine), pro-Fascist magazine in Germany between 1927 and 1944 See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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1802 Deaths
Events January–March * January 5 – Thomas Bruce, 7th Earl of Elgin, British ambassador to the Ottoman Empire, begins removal of the Elgin Marbles from the Parthenon in Athens, claiming they are at risk of destruction during the Ottoman occupation of Greece; the first shipment departs Piraeus on board Elgin's ship, the ''Mentor'', "with many boxes of moulds and sculptures", including three marble torsos from the Parthenon. * January 15 – Canonsburg Academy (modern-day Washington & Jefferson College) is chartered by the Pennsylvania General Assembly. * January 29 – The French Saint-Domingue expedition (40,000 troops) led by General Charles Leclerc (Bonaparte's brother-in-law) lands in Saint-Domingue (modern Haiti) in an attempt to restore colonial rule following the Haitian Revolution in which Toussaint Louverture (a black former slave) has proclaimed himself Governor-General for Life and established control over Hispaniola. * February 3 – Leclerc and the fir ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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18th-century Births
The 18th century lasted from 1 January 1701 (represented by the Roman numerals MDCCI) to 31 December 1800 (MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the Atlantic Revolutions. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures. The Industrial Revolution began mid-century, leading to radical changes in human society and the environment. The European colonization of the Americas and other parts of the world intensified and associated mass migrations of people grew in size as part of the Age of Sail. During the century, slave trading expanded across the shores of the Atlantic Ocean, while declining in Russia and China. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revol ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Alexis Soriano
Alexis Soriano is a Spanish-Lithuanian orchestral conductor and composer. A pupil of Ilya Musin, and later of Valery Gergiev, he has been Principal Associate Conductor of The Hermitage Orchestra for ten years and is Artistic Director of the "Spanish Evenings Festival" in Saint Petersburg. On the invitation of Gergiev, he made his debut at the Mariinsky Theater, conducting Mozart's ''The Marriage of Figaro''. Since 2009 he has been Artistic Director and principal conductor of the chamber opera company, "Opera Incognita" and conducted the company's first fully staged opera, ''The letters of Van Gogh'' by Grigory Frid, at the Hermitage Theatre. The production was nominated for the Golden Mask Award. His repertoire also includes contemporary and rarely performed music, especially Spanish. He was chief conductor of INSO Lviv Symphony Orchestra between 2010 and 2012. He has conducted the first recording of José Lidón's 1792 opera, ''Glaura y Cariolano''. Since 2012 he has been Arti ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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João De Sousa Carvalho
João de Sousa Carvalho (22 February 1745c. 1798) was the foremost Portuguese composer of his generation. Born in Estremoz, he studied music from 1753 at the Colégio dos Santos Reis in Vila Viçosa, then from 1761 at the Conservatório di Sant' Onofrio a Porta Capuana in Naples. In 1766 his setting of Metastasio’s operatic libretto ''La Nitteti'' was performed in Rome. The following year, he joined the Irmandade de Santa Cecília at Lisbon and was appointed professor of counterpoint in the Seminário da Patriarcal, where he later served as ''mestre'' (1769–1773) and ''mestre de capela'' (1773–1798). In 1778, he became music teacher to the royal family. He died in 1798 in Alentejo at the age of 53. His numerous church works are written in a style similar to that of Niccolò Jommelli and, sometimes, Haydn. Several of his '' opere serie'' and serenatas were performed at the royal palaces of Ajuda and Queluz. Some of his keyboard music survives and is occasionally play ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Giovanni Paisiello
Giovanni Paisiello (or Paesiello; 9 May 1740 – 5 June 1816) was an Italian composer of the Classical era, and was the most popular opera composer of the late 1700s. His operatic style influenced Mozart and Rossini. Life Paisiello was born in Taranto in the Apulia region and educated by the Jesuits there. He became known for his beautiful singing voice and in 1754 was sent to the Conservatorio di S. Onofrio at Naples, where he studied under Francesco Durante, and eventually became assistant master. For the theatre of the Conservatorio, which he left in 1763, he wrote some intermezzi, one of which attracted so much notice that he was invited to write two operas, ''La Pupilla'' and ''Il Mondo al Rovescio'', for Bologna, and a third, ''Il Marchese di Tidipano'', for Rome. His reputation now firmly established, he settled for some years at Naples, where, despite the popularity of Niccolò Piccinni, Domenico Cimarosa and Pietro Guglielmi, of whose triumphs he was bitterly je ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pietro Alessandro Guglielmi
Pietro Alessandro Guglielmi (9 December 1728 – 19 November 1804) was an Italian opera composer of the classical period. Biography Guglielmi was born into the Guglielmi family of musicians in Massa. His father, Jacopo Guglielmi, was a composer and conductor of the orchestra in the court of the Duke of Massa. Pietro received his first musical education from his father who taught him to play bassoon and the viola; eventually becoming a musician under his father at court while still a boy. Pietro's brother, Abate Domenico, was the maestro di cappella at the Massa Cathedral, and Pietro studied the organ under him. A child prodigy, Guglielmi's talent as a musician earned him the favor of the Duke of Massa who took an interest in supporting his musical development. The Duke initially paid for Guglielmi to have formal musical training with Jacopo Puccini (the great-great-grandfather of Giacomo Puccini) in Massa, and afterwards paid his tuition for his education at the Conservato ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lo Spirito Di Contradizione
Lo may refer to any of the following: Arts and entertainment * Comic LO, a Japanese ''lolicon''-focused erotic manga magazine * ''Lo!'', the third published nonfiction work of the author Charles Fort * L.O., a fictional character in the Playhouse Disney show Happy Monster Band * ''Lo'' (film), a 2009 independent film * Lo Recordings, a London-based record company established in 1995 * ''Law & Order'' (franchise), several related American television series created by Dick Wolf * '' Lost Odyssey'', a 2007 role-playing video game * ''Lore Olympus'', a 2018 webcomic by Rachel Smithe ** ''Lore Olympus'' (TV series), an in-development adaptation by The Jim Henson Company Businesses and organizations * Legal observer, a third-party organization that monitors protests or war zones in the interest of protecting human and civil rights * Lo Recordings, a London-based record company established in 1995 * LO, abbreviation used for the national confederation of trade unions in several Sca ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Teatro San Moisè
The Teatro San Moisè was a theatre and opera house in Venice, active from 1620 to 1818. It was in a prominent location near the Palazzo Giustinian and the church of San Moisè at the entrance to the Grand Canal. History Built by the San Bernaba branch of the Giustiniani family , it was originally a prose theatre. Its first opera production was Claudio Monteverdi's (now lost) opera ''L'Arianna'' in 1640 by which time the ownership had passed to the Zane family who had long intermarried with the Giustiniani. It was used by the Ferrari company, and the librettist Giovanni Faustini was one of the theatre's first impresarios.Rosand, Ellen (1990''Opera in Seventeenth-Century Venice: The Creation of a Genre'' pp. 88–124. University of California Press. From the outset it was one of the smaller theatres of Venice, but also one of the most influential. In 1668 it was enlarged to 800 seats, although this did not result in a significant increase on the size of the stage which limited the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |