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Gaetano Crivelli
Gaetano Crivelli (20 October 1768 – 16 July 1836) was a celebrated Italian tenor. Although he was born not actually in Bergamo but in neighbouring Brescia, Crivelli can be regarded as one of the founders of that remarkable Bergamo tenor school which, beginning with Giacomo David and proceeding through such singers as Giovanni David, Andrea Nozzari, Domenico Donzelli and Marco Bordogni, culminated in the great Giovanni Battista Rubini. Crivelli, a baritonal tenor in the eighteenth century’s Italian manner, made his first public appearance rather late, aged 28, in his native town. He sang in several other Italian theatres before his début at Milan’s La Scala in 1805, in the premiere of Mayr's opera '' Eraldo ed Emma''. He appeared in the Italian premiere of Mozart's '' La clemenza di Tito'' at Naples's Teatro di San Carlo, in 1809. Crivelli then moved to Paris, where, at the Théâtre des Italiens in 1811, he performed what was probably his best-suited opera, '' Pi ...
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Gaetano Crivelli By John Partridge
Gaetano (anglicized ''Cajetan'') is an Italian masculine given name. It is also used as a surname. It is derived from the Latin ''Caietanus'', meaning "from ''Caieta''" (the modern Gaeta). The given name has been in use in Italy since medieval period, although it also remained in use as a byname indicating people from Gaeta, as in Thomas Cajetan or ''Gaetanus'' (1469–1534). The modern given name can be traced to Saint Gaetano dei Conti di Tiene (1480–1547) who was canonized in 1671. Other variants of the name exist in other Romance languages, the French form of the name is ''Gaëtan, Gaétan'', the Portuguese form is '' Caetano'', and the Spanish form is '' Cayetano''. The feminine form is ''Gaetana'' (also ''Caetana'' and ''Cayetana''). People with the given name ''Gaetano'' Clergy and religious figures * Pope Nicholas III (Giovanni Gaetano Orsini), Pope from 1277–1280 * Thomas Cajetan (Tomasso de Vio Cardinal Cajetan), (1469 – 1534), Italian philosopher, the ...
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Pirro (Paisiello)
Pirro may refer to: An Albanian given name; derived from Greek "Pyrrhos" (Latinized as "Pyrrhus") (flame-coloured, red-haired). *Pirro Çako (born 1965), Albanian artist * Pirro Del Balzo (c. 1430-1491), Italian nobleman * Pirro Dodbiba (1925–2004), Albanian politician *Pirro Gonzaga (1505–1529), Roman Catholic cardinal * Pirro Imperoli (1554–1617), Roman Catholic prelate *Pirro Kondi (born 1924), Albanian former politician * Pirro Vaso (born 1948), Albanian architect As an Italian name, it is derived either from the aforementioned Greek name or from a variant of the name "Pierro" (from Peter). Pirro or DiPirro originates from the name "di Pirro" or "DiPirro" meaning "of Pirro" or "family of Pirro". Pirro comes from the historical figure of Pyrrhus of Epirus (319/318 BC – 272 BC). The Pirro family originated in ancient Greece and "Great Greece" or ''Magna Graecia'', the name of the coastal areas of Southern Italy on the Tarentine Gulf that were extensively colonized b ...
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Giovanni Velluti (castrato)
Giovanni Battista Velluti, colloquially "Giambattista" (28 January 1780 – 22 January 1861), was an Italian castrato. Considered "the last great castrato", he had a reputation of being something of a diva, with some singers refusing to appear with him. Biography Born in Pausula (near Macerata), Italy, a local doctor castrated him at the age of eight as treatment for a cough and high fever. Velluti's father, who had planned on a military career for his son, enrolled him in musical training. He became close friends with Luigi Cardinal Chiaramonte, the man who would become Pope Pius VII, after singing a cantata sometime in his teenage years. In 1800, he made his debut at Forlì. The last great castrato roles were composed specifically for him: Arsace in Rossini's ''Aureliano in Palmira'' (1813) and Armando in Meyerbeer's '' Il crociato in Egitto'' (1824). He made his London debut in 1825 in ''Il crociato in Egitto''. The crowds reacted poorly to his initial performances as he w ...
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Giacomo Meyerbeer
Giacomo Meyerbeer (born Jakob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera '' Robert le diable'' and its successors, he gave the genre of grand opera 'decisive character'. Meyerbeer's grand opera style was achieved by his merging of German orchestra style with Italian vocal tradition. These were employed in the context of sensational and melodramatic libretti created by Eugène Scribe and were enhanced by the up-to-date theatre technology of the Paris Opéra. They set a standard which helped to maintain Paris as the opera capital of the nineteenth century. Born to a rich Jewish family, Meyerbeer began his musical career as a pianist but soon decided to devote himself to opera, spending several years in Italy studying and composing. His 1824 opera '' Il crociato in Egitto'' was the first to bring him Europe-wide reputation, ...
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Saverio Mercadante
Giuseppe Saverio Raffaele Mercadante (baptised 17 September 179517 December 1870) was an Italian composer, particularly of operas. While Mercadante may not have retained the international celebrity of Gaetano Donizetti or Gioachino Rossini beyond his own lifetime, he composed as prolific a number of works as either; and his development of operatic structures, melodic styles and orchestration contributed significantly to the foundations upon which Giuseppe Verdi built his dramatic technique. Biography Early years Mercadante was born illegitimate in Altamura, near Bari in Apulia; his precise date of birth has not been recorded, but he was baptised on 17 September 1795. Mercadante studied flute, violin and composition at the conservatory in Naples, and organized concerts among his compatriots.Michael Rose, "Mercadante: Flute Concertos", booklet accompanying the 2004 RCA CD recording with James Galway and I Solisti Veneti under Claudio Scimone. The opera composer Gioachino Ro ...
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Francesca Maffei Festa
Francesca is an Italian female given name, derived from the Latin male name '' Franciscus'' meaning 'the Frenchman' It is widely used in most Romance languages, including Italian, French and Catalan, and place of origin is Italy. It is derived from the same source as the female name '' Frances'', and the male names ''Francesc'', ''Francesco'' and ''Francis''. People named Francesca *Daniel Francesca, Danish esports player *Francesca Alderisi, Italian television presenter and politician *Francesca Allinson, English author and musician *Francesca Annis, British actress * Julia Francesca Barretto, Filipino actress * Francesca Battistelli, American Christian musician *Francesca Beard, Malaysian performance poet *Francesca Caccini, Italian composer and singer of the early Baroque *Francesca Anna Canfield, American poet and translator *Francesca Capaldi, American child actress *Francesca Cumani, English racing presenter for ITV *Francesca Cuzzoni, Italian operatic soprano *Francesca da ...
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La Conquista Di Granata
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * ''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, a ...
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Giuseppe Nicolini (composer)
Giuseppe Nicolini (or Niccolini; 29 January 1762 – 18 December 1842) was an Italian composer who wrote at least 45 operas. From 1819 onwards, he devoted himself primarily to religious music. He was born and died at Piacenza. Operas Nicolini's operas include: *''La famiglia stravagante'' (''dramma giocoso'', 1793, Parma) *''La clemenza di Tito'' (''opera seria'', libretto by Pietro Metastasio, 1797, Livorno) *''I due fratelli ridicoli (Li fratelli ridicoli)'' (''dramma giocoso'', libretto by Filippo Livigni, 1798, Rome) *''Il trionfo del bel sesso'' (''dramma giocoso'', libretto by Giovanni Bertati, 1799) *''I baccanali di Roma'' (1801, Milan) *''Il geloso innamorato'' (''farsa'', libretto by Giambattista Lorenzi, 1804, Naples) *' (opera seria, libretto by Michelangelo Prunetti, 1807, Rome) *''Le due gemelle'' (''farsa'', 1808, Rome) *''Coriolano ossia L'assedio di Roma'' (''opera seria'', libretto by Luigi Romanelli, 1808, Milan) *''Angelica e Medoro ossia L'Orlando'' (''oper ...
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Giuditta Pasta
Giuditta Angiola Maria Costanza Pasta (née Negri; 26 October 1797 – 1 April 1865) was an Italian soprano opera singer. She has been compared to the 20th-century soprano Maria Callas. Career Early career Pasta was born Giuditta Angiola Maria Costanza Negri in Saronno, near Milan, on 26 October 1797.Stern (n.d.) She was born of the Negri family, who came from Lomazzo, where the family practiced medical art. Her father, Carlo Antonio Negri or Schwarz, was Jewish and a soldier in the Napoleonic Army. She studied in Milan with Giuseppe Scappa and Davide Banderali, and later with Girolamo Crescentini and Ferdinando Paer among others. In 1816, she married fellow singer, Giuseppe Pasta and took his surname as her own. She made her professional opera début in the world première of Scappa's ''Le tre Eleonore'' in Milan that same year. Later that year she performed at the Théâtre Italien in Paris as Donna Elvira in ''Don Giovanni'', Giulietta in Niccolò Antonio Zingarelli's '' Giu ...
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La Fenice
Teatro La Fenice (, "The Phoenix") is an opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre" and in the history of opera as a whole. Especially in the 19th century, La Fenice became the site of many famous operatic premieres at which the works of several of the four major bel canto era composers – Rossini, Bellini, Donizetti, Verdi – were performed. Its name reflects its role in permitting an opera company to "rise from the ashes" despite losing the use of three theatres to fire, the first in 1774 after the city's leading house was destroyed and rebuilt but not opened until 1792; the second fire came in 1836, but rebuilding was completed within a year. However, the third fire was the result of arson. It destroyed the house in 1996 leaving only the exterior walls, but it was rebuilt and re-opened in November 2004. In order to celebrate this event the tradition of the Venice New Year's Concert started. Histo ...
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