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GH Hovagimyan
G. H. Hovagimyan (aka Gerry Hovagimyan) is an American experimental cross-media, new media art and performance artist who lives and works in New York City. Formation and early work Hovagimyan was born 1950 in Plymouth, Massachusetts. In 1972, he received a Bachelor of Fine Arts, B.F.A. from the University of the Arts (Philadelphia), University of the Arts in Philadelphia, Pennsylvania and received an Master of Arts, M.A. from New York University in 2005. He has been a professor at the School of Visual Arts in the MFA Computer Arts Department. He was one of the first artists in New York to start working in Internet Art in 1993 with pioneering online artists groups such as The Thing (art project), The Thing, Artnet, and Rhizome (organization), Rhizome. From 1973 to 1986, Hovagimyan was involved in the SoHo and Lower East Side underground art scene. His first solo exhibition, a conceptual art show at 112 Workshop at 112 Greene Street in 1973, was titled ''Control Designators'' tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Media Art
New media art includes artworks designed and produced by means of electronic media technologies, comprising virtual art, computer graphics, computer animation, digital art, interactive art, sound art, Internet art, video games, robotics, 3D printing, and cyborg art. The term defines itself by the thereby created artwork, which differentiates itself from that deriving from conventional visual arts (i.e. architecture, painting, sculpture, etc.). New Media art has origins in the worlds of science, art, and performance. Some common themes found in new media art include databases, political and social activism, Afrofuturism, feminism, and identity, a ubiquitous theme found throughout is the incorporation of new technology into the work. The emphasis on medium is a defining feature of much contemporary art and many art schools and major universities now offer majors in "New Genres" or "New Media" and a growing number of graduate programs have emerged internationally. New media art may i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lower East Side
The Lower East Side, sometimes abbreviated as LES, is a historic neighborhood in the southeastern part of Manhattan in New York City. It is located roughly between the Bowery and the East River from Canal to Houston streets. Traditionally an immigrant, working-class neighborhood, it began rapid gentrification in the mid-2000s, prompting the National Trust for Historic Preservation to place the neighborhood on their list of America's Most Endangered Places in 2008. The Lower East Side is part of Manhattan Community District 3, and its primary ZIP Code is 10002. It is patrolled by the 7th Precinct of the New York City Police Department. Boundaries The Lower East Side is roughly bounded by East 14th Street on the north, by the East River to the east, by Fulton and Franklin Streets to the south, and by Pearl Street and Broadway to the west. This more extensive definition of the neighborhood includes Chinatown, the East Village, and Little Italy. A less extensiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Creative Time
Creative Time is a New York-based nonprofit arts organization. It was founded in 1974 to support the creation of innovative, site-specific, socially engaged artworks in the public realm, particularly in vacant spaces of historical and architectural interest. History Creative Time came to life amidst the deterioration of New York City's infrastructure and social fabric, combined with the mission of the newly established National Endowment for the Arts to promote the role of artists in a democratic society and introduce new audiences to contemporary art. Artists in the late 1960s and early 70s were already experimenting with new media and new forms of art that could exist in the public sphere, outside the purview of conventional art galleries and museums. Early Creative Time programs took over abandoned storefronts and neglected public spaces, such as the Brooklyn Bridge Anchorage and the Great Hall of the Chamber of Commerce in Lower Manhattan. Both landmarks had been unused for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fluxus
Fluxus was an international, interdisciplinary community of artists, composers, designers and poets during the 1960s and 1970s who engaged in experimental art performances which emphasized the artistic process over the finished product. Fluxus is known for experimental contributions to different artistic media and disciplines and for generating new art forms. These art forms include intermedia, a term coined by Fluxus artist Dick Higgins; conceptual art, first developed by Henry Flynt, an artist contentiously associated with Fluxus; and video art, first pioneered by Nam June Paik and Wolf Vostell. Dutch gallerist and art critic describes Fluxus as "the most radical and experimental art movement of the sixties".. 1979. ''Fluxus, the Most Radical and Experimental Art Movement of the Sixties'' Amsterdam: Editions Galerie A. They produced performance "events", which included enactments of scores, "Neo-Dada" noise music, and time-based works, as well as concrete poetry, visual art, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Dupuy (artist)
Jean Dupuy (November 22, 1925 – April 4, 2021) was a French-born American artist and pioneer of work combining art and technology. He worked in the fields of conceptual art, performance art, painting, installations, sculptures, and video art. In the 1970s he curated many performance art events involving different artists from Fluxus, the New York's avant-garde and neo-dada scene. Many of his works are part of important collections, such as Centre Pompidou in Paris and the MAMAC of Nice. Works Dupuy started his career as a painter, but in 1967 he destroyed most of his paintings by throwing them into the Seine. On moving to New York he exhibited his dust sculpture ''Heart Beats Dust'' (later renamed ''Cone Pyramid'') at the Museum of Modern Art, as part of the 1968 exhibition ''The Machine as Seen at the End of the Mechanical Age'', and at the Brooklyn Museum as part of the 1968 exhibition ''Some More Beginnings''. The work, consisting of red dust set in motion by the viewer's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hypertext
Hypertext is text displayed on a computer display or other electronic devices with references ( hyperlinks) to other text that the reader can immediately access. Hypertext documents are interconnected by hyperlinks, which are typically activated by a mouse click, keypress set, or screen touch. Apart from text, the term "hypertext" is also sometimes used to describe tables, images, and other presentational content formats with integrated hyperlinks. Hypertext is one of the key underlying concepts of the World Wide Web, where Web pages are often written in the Hypertext Markup Language (HTML). As implemented on the Web, hypertext enables the easy-to-use publication of information over the Internet. Etymology The English prefix "hyper-" comes from the Greek prefix "ὑπερ-" and means "over" or "beyond"; it has a common origin with the prefix "super-" which comes from Latin. It signifies the overcoming of the previous linear constraints of written text. The term " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colab
Colab is the commonly used abbreviation of the New York City artists' group Collaborative Projects, which was formed after a series of open meetings between artists of various disciplines. History Colab members came together as a collective in 1977, first using the name Green Corporation, and initially received a National Endowment for the Arts (NEA) Workshop Grant through Center for New Art Activities, Inc., a small not-for-profit organization formed in 1974. In 1978, Collaborative Projects was incorporated as a not-for-profit of its own. By raising its own sources of funding, Colab was in control of its own exhibitions and cable TV shows. Advocating a form of cultural activism that was purely artist driven, the group created artworks, negotiated venues, curated shows, and engaged in discourse that responded to the political themes and predicaments of their time, among them the recessions of the 1970s, the Reagan era of budget cuts and nuclear armament, the housing crisis and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artist Collective
An artist collective is an initiative that is the result of a group of artists working together, usually under their own management, towards shared aims. The aims of an artist collective can include almost anything that is relevant to the needs of the artist; this can range from purchasing bulk materials, sharing equipment, space or materials, to following shared ideologies, aesthetic and political views or even living and working together as an extended family. Sharing of ownership, risk, benefits, and status is implied, as opposed to other, more common business structures with an explicit hierarchy of ownership such as an association or a company A company, abbreviated as co., is a Legal personality, legal entity representing an association of people, whether Natural person, natural, Legal person, legal or a mixture of both, with a specific objective. Company members share a common p .... Overview Artist collectives have occurred throughout history, often gathere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Serra
Richard Serra (born November 2, 1938) is an American artist known for his large-scale sculptures made for site-specific landscape, urban, and architectural settings. Serra's sculptures are notable for their material quality and exploration of the relationship between the viewer, the work, and the site. Since the mid-1960s, Serra has worked to radicalize and extend the definition of sculpture beginning with his early experiments with rubber, neon, and lead, to his large-scale steel works. Early life and education Serra was born in San Francisco, California to Tony and Gladys Serra – the second of three sons. From a young age, he was encouraged to draw by his mother. The young Serra would carry a small notebook for his sketches and his mother would introduce her son as "Richard the artist." His father worked as a pipe fitter for a shipyard near San Francisco. Serra recounts a memory of a visit to the shipyard to see a boat launch when he was four years old. He watched as t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spaulding Gray
Spalding Gray (June 5, 1941 – January 11, 2004) was an American actor, novelist, playwright, screenwriter and performance artist. He is best known for the autobiographical monologues that he wrote and performed for the theater in the 1980s and 1990s, as well as for his film adaptations of these works, beginning in 1987. He wrote and starred in several, working with different directors. Theater critics John Willis and Ben Hodges called Gray's monologues "trenchant, personal narratives delivered on sparse, unadorned sets with a dry, WASP, quiet mania." Gray achieved renown for his monologue '' Swimming to Cambodia'', which he adapted as a 1987 film in which he starred; it was directed by Jonathan Demme. Other of his monologues that he adapted for film were ''Monster in a Box'' (1991), directed by Nick Broomfield, and '' Gray's Anatomy'' (1996), directed by Steven Soderbergh. Gray killed himself by jumping into New York City harbor on January 11, 2004, aged 62, after struggling ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gordon Matta-Clark
Gordon Matta-Clark (born Gordon Roberto Matta-Echaurren; June 22, 1943 – August 27, 1978) was an American artist best known for site-specific artworks he made in the 1970s. He was also a pioneer in the field of socially engaged food art. Life and work Matta-Clark's parents were artists: Anne Clark, an American artist, and Roberto Matta, a Chilean Surrealist painter, of Basque, French and Spanish descent. He was the godson of Marcel Duchamp's wife, Teeny. His twin brother Sebastian, also an artist, died by suicide in 1976. He studied architecture at Cornell University from 1962 to 1968, including a year at the Sorbonne in Paris, where he studied French literature. In 1971, he changed his name to Gordon Matta-Clark, adopting his mother's last name. He did not practice as a conventional architect; he worked on what he referred to as "Anarchitecture". At the time of Matta-Clark's tenure there, Cornell's architecture program was guided in part by Colin Rowe, a preeminent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
