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Futurama (Supercar Album)
''Futurama'' is the third album by the Japanese indie rock band Supercar. The album's name is a portmanteau of the words "future" and "panorama." Musically, its electronic experimentation marked a significant shift for a group whose music two years earlier had been characterized primarily as guitar rock. Futurama was released on November 22, 2000, and it reached the 21st place on the Oricon Albums Chart The Oricon Albums Chart is the Japanese music industry standard albums popularity chart issued daily, weekly, monthly and yearly by Oricon. Oricon originally published LP, CT, Cartridge and CD charts prior to the establishment of the Oricon .... Track listing References External links * 2000 albums Supercar (band) albums Ki/oon Records albums {{2000s-indie-rock-album-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Supercar (band)
was a Japanese rock band active from 1995 to 2005, who made their debut in 1997. Consisting of composer and vocalist Kōji Nakamura (中村弘二 ''Nakamura Kōji''), lyricist and guitarist Junji Ishiwatari (いしわたり淳治 ''Ishiwatari Junji''), bassist Miki Furukawa (フルカワミキ ''Furukawa Miki''), and drummer Kōdai Tazawa (田沢公大 ''Tazawa Kōdai''), Supercar is best known for combining alternative rock with electronic music and has been characterized as having an "almost foundational importance to 21st century Japanese indie rock". Internationally, Supercar is also known for providing much of the soundtrack for the Japanese film ''Ping Pong'', as well as being featured in the anime series ''Eureka Seven''. History Hailing from Aomori Prefecture, Supercar was formed in 1995 when bassist Miki Furukawa placed an advertisement in a local magazine seeking fellow musicians. Junji Ishiwatari responded and convinced childhood friend Kōji Nakamura to join as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indie Rock
Indie rock is a Music subgenre, subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or "Pop rock, guitar pop rock". One of the primary scenes of the movement was Dunedin, where Dunedin sound, a cultural scene based around a convergence of noise pop and jangle became popular among the city's University of Otago, large student population. Independent labels such as Flying Nun Records, Flying Nun began to promote the scene across New Zealand, inspiring key college rock bands in the United States such as Pavement (band), Pavement, Pixies (band), Pixies and R.E.M. Other notable scenes grew in Madchester, Manchester and Hamburger Schule, Hamburg, with many others thriving thereafter. In the 1980s, the use of the term "independent music, indie" (or " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shoegazing
Shoegaze (originally called shoegazing and sometimes conflated with " dream pop") is a subgenre of indie and alternative rock characterized by its ethereal mixture of obscured vocals, guitar distortion and effects, feedback, and overwhelming volume.Pete Prown / Harvey P. Newquist: "One faction came to be known as dream-pop or "shoegazers" (for their habit of looking at the ground while playing the guitars on stage). They were musicians who played trancelike, ethereal music that was composed of numerous guitars playing heavy droning chords wrapped in echo effects and phase shifters.", Hal Leonard 1997, It emerged in Ireland and the United Kingdom in the late 1980s among neo-psychedelic groups who usually stood motionless during live performances in a detached, non-confrontational state. The name comes from the heavy use of effects pedals, as the performers were often looking down at their pedals during concerts. My Bloody Valentine's album ''Loveless'' (1991) is often seen as t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthpop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Rock
Experimental rock, also called avant-rock, is a subgenre of rock music that pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with some of the genre's distinguishing characteristics being improvisational performances, avant-garde influences, odd instrumentation, opaque lyrics (or instrumentals), unorthodox structures and rhythms, and an underlying rejection of commercial aspirations. From its inception, rock music was experimental, but it was not until the late 1960s that rock artists began creating extended and complex compositions through advancements in multitrack recording. In 1967, the genre was as commercially viable as pop music, but by 1970, most of its leading players had incapacitated themselves in some form. In Germany, the krautrock subgenre merged elements of improvisation and psychedelic rock with electronic music, avant-garde and contemporary classic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ki/oon Music
is a Japanese record label, a subsidiary of Sony Music Entertainment Japan. Artists Their artists include L'Arc-en-Ciel, Asian Kung-Fu Generation, Home Made Kazoku, Puffy AmiYumi, Polysics, Supercar, Pushim, Chatmonchy, Denki Groove, Tomoe Shinohara, The Babystars, DOES, KANA-BOON, Guitar Wolf, Miki Furukawa, Nico Touches the Walls, plingmin, Joe Inoue, Sid, Merengue, Acid Android, Piko, Domino, Prague, Lama, Group Tamashii, Totalfat, Hemenway, Negoto, Unicorn, Chara, Folks, Scenarioart Scenarioart (シナリオアート, Shinarioāto) is a three-member pop-rock Japanese band founded in 2009 by guitarist Kōsuke Hayashi and bassist Takahisa Yamashita, with drummer Kumiko Hattori joining in 2011. The band released the single "White ..., Blue Encount, Lenny Code Fiction, FlowBack, and Ive. Labels * Haunted Records * Ki/oon Music (main) * Ki/oon Overseas * Loopa Neosite Discs(typeset NeOSITE DISCS) - founded in 1996. VOCALOID In December 2010, Ki/oo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jump Up (Supercar Album)
''Jump Up'' is the second studio album by Supercar. It was released on March 10, 1999. It peaked at number 12 on the Oricon Albums Chart. Track listing Personnel Credits adapted from the liner notes. * Koji Nakamura – vocals, guitar * Junji Ishiwatari – guitar * Miki Furukawa (born February 19, 1979) is a Japanese musician. From 1995 to 2005 she was the bass player and vocalist of the indie rock band Supercar. She released her first solo record in 2006. Biography Originating from Aomori Prefecture, Miki Furukawa ... – vocals, bass guitar * Kodai Tazawa – drums Charts References External links * 1999 albums Supercar (band) albums Epic Records albums {{1990s-indie-rock-album-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Highvision
''Highvision'' is the fourth album by the Japanese alternative rock band Supercar. It was released on April 24, 2002, and peaked at 11th place on the Oricon Albums Chart. The album is notable for Supercar's continued experimental trajectory starting from their previous album ''Futurama'' expanding upon it in ''Highvision'', with the single "Strobolights" not even containing a guitar. The song "Storywriter" was used in the soundtrack of the anime '' Eureka Seven'', which also contains several references to music from the 1980s and 1990s. In 2007, Rolling Stone Japan ''Rolling Stone'' is an American monthly magazine that focuses on music, politics, and popular culture. It was founded in San Francisco, California, in 1967 by Jann Wenner, and the music critic Ralph J. Gleason. It was first known for its c ... listed Highvision as number 86 among its "100 Greatest Japanese Rock Albums of All Time." Track list References External links * 2002 albums Supercar (band) al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sony Music Japan
, often abbreviated as SMEJ or simply SME, and also known as Sony Music Japan for short (stylized as ''SonyMusic''), is a Japanese music arm for Sony. Founded in 1968 as CBS/Sony, SMEJ is directly owned by Sony Group Corporation and is operating independently from the United States-based Sony Music Entertainment due to its strength in the Japanese music industry. Its subsidiaries include the Japanese animation production enterprise, Aniplex, which was established in September 1995 as a joint-venture between Sony Music Entertainment Japan and Sony Pictures Entertainment Japan, but which in 2001 became a wholly owned subsidiary of Sony Music Entertainment Japan. It was prominent in the early to mid '90s producing and licensing music for animated series such as '' Roujin Z'' from acclaimed Japanese comic artist Katsuhiro Otomo and Capcom's '' Street Fighter'' animated series. Until March 2007, Sony Music Japan also had its own North American sublabel, Tofu Records. Release ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japan
Japan ( ja, 日本, or , and formally , ''Nihonkoku'') is an island country in East Asia. It is situated in the northwest Pacific Ocean, and is bordered on the west by the Sea of Japan, while extending from the Sea of Okhotsk in the north toward the East China Sea, Philippine Sea, and Taiwan in the south. Japan is a part of the Ring of Fire, and spans an archipelago of 6852 islands covering ; the five main islands are Hokkaido, Honshu (the "mainland"), Shikoku, Kyushu, and Okinawa. Tokyo is the nation's capital and largest city, followed by Yokohama, Osaka, Nagoya, Sapporo, Fukuoka, Kobe, and Kyoto. Japan is the eleventh most populous country in the world, as well as one of the most densely populated and urbanized. About three-fourths of the country's terrain is mountainous, concentrating its population of 123.2 million on narrow coastal plains. Japan is divided into 47 administrative prefectures and eight traditional regions. The Greater Tokyo Ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portmanteau
A portmanteau word, or portmanteau (, ) is a blend of wordsGarner's Modern American Usage , p. 644. in which parts of multiple words are combined into a new word, as in ''smog'', coined by blending ''smoke'' and ''fog'', or ''motel'', from ''motor'' and ''hotel''. In , a portmanteau is a single morph that is analyzed as representing two (or more) underlying s. When portmanteaus shorte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music
Electronic music is a Music genre, genre of music that employs electronic musical instruments, digital instruments, or electronics, circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means (electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including pickup (music technology), magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
