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Funérailles De Jean Leclant - Haie Et église
''Funérailles'' is the 7th and one of the most famous pieces in ''Harmonies poétiques et religieuses'' (''Poetic and Religious Harmonies''), a collection of piano pieces by Franz Liszt. It was an elegy written in October 1849 in response to the crushing of the Hungarian Revolution of 1848 by the Habsburgs. ''Funérailles'' has been recorded by pianists such as György Cziffra, Claudio Arrau, Vladimir Horowitz, Arthur Rubinstein, John Ogdon, Martha Argerich, Evgeny Kissin, Sviatoslav Richter, Arnaldo Cohen, Arcadi Volodos, Sergio Fiorentino, Awadagin Pratt and Krystian Zimerman. The work was recorded on 19th century pianos by Andrea Bonatta, Claire Chevallier, Yves Henry, Ray Dudley, Pascal Mantin, Alexei Orlowetsky and Patrick Scheyder. Composition The piece is composed of four distinct sections, with three main themes repeating throughout. The first section, labeled "Introduzione," is a dark and gloomy adagio movement whose opening bars evoke the sound of muffled bells from acr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergio Fiorentino
Sergio Fiorentino (22 December 1927 – 22 August 1998) was a 20th-century Italian classical pianist whose sporadic performing career spanned five decades. There is quite a bit of footage of his playing that survives, in addition to audio recordings. Recently, a complete concert recorded on video in 1994 has surfaced. Biography Fiorentino was born in Naples and studied at the Conservatorio San Pietro a Majella in Naples under Luigi Finizio and Paolo Denza, earned his diploma in 1946 and attended a master class of Carlo Zecchi in Salzburg in 1948. At the age of 20, in 1947 he won a piano competition in Monza, whose jury was chaired by Arturo Benedetti Michelangeli. There is a legend that Michelangeli himself would later say about him: "He is the only other pianist." His debut was at Carnegie Recital Hall, New York in 1953. The following year, while on tour in Argentina and Uruguay, he was in a near-fatal plane accident, forcing him to cut back on concert performances. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polonaise In A-flat Major, Op
The polonaise (, ; , ) is a dance originating in Poland, and one of the five Polish national dances in time. The original Polish-language name of the dance is ''chodzony'' (), denoting a walking dance. The polonaise dance influenced European ballrooms, folk music and European classical music. The polonaise has a rhythm quite close to that of the Swedish semiquaver or sixteenth-note polska, and the two dances share a common origin. Polska dance was introduced to Sweden during the period of the Vasa dynasty and the Polish–Swedish union. The polonaise is popular in Poland today. It is the opening dance in major events, at New Year's balls, on national days as well as other parties. The polonaise is always the first dance at a '' studniówka'' ("student ball"), the Polish equivalent of the senior prom that occurs approximately 100 days before exams, hence its name "studniówka" or literally in Polish "the ball of the hundred days". In 2023, the dance was included on t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frédéric Chopin
Frédéric François Chopin (born Fryderyk Franciszek Chopin; 1 March 181017 October 1849) was a Polish composer and virtuoso pianist of the Romantic period who wrote primarily for Piano solo, solo piano. He has maintained worldwide renown as a leading composer of his era whose "poetic genius was based on a professional technique that was without equal in his generation". Chopin was born in Żelazowa Wola and grew up in Warsaw, which in 1815 became part of Congress Poland. A child prodigy, he completed his musical education and composed his early works in Warsaw before leaving Poland at age 20, less than a month before the outbreak of the November Uprising, November 1830 Uprising; at 21, he settled in Paris. Thereafter he gave only 30 public performances, preferring the more intimate atmosphere of the Salon (gathering), salon. He supported himself, selling his compositions and giving piano lessons, for which he was in high demand. Chopin formed a friendship with Franz Liszt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Staccatissimo
Staccato (; Italian for "detached") is a form of Articulation (music), musical articulation. In modern notation, it signifies a note of shortened duration, separated from the note that may follow by silence. It has been described by theorists and has appeared in music since at least 1676. Notation In 20th-century music, a dot placed above or below a note indicates that it should be played staccato, and a wedge is used for the more emphatic staccatissimo. However, before 1850, dots, dashes, and wedges were all likely to have the same meaning, even though some theorists from as early as the 1750s distinguished different degrees of staccato through the use of dots and dashes, with the dash indicating a shorter, sharper note, and the dot a longer, lighter one. A number of signs came to be used in the late 19th and early 20th centuries to discriminate more subtle nuances of staccato. These signs involve various combinations of dots, vertical and horizontal dashes, vertical and horiz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fortissimo
In music, the dynamics of a piece are the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece. The execution of dynamics also extends beyond loudness to include changes in timbre and sometimes tempo rubato. Purpose and interpretation Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. (''piano'' - "soft") never indicates a precise level of loudness; it merely indicates that music in a passage so marked should be considerably quieter than (''forte'' - "loud"). There are many factors affecting the interpretation of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ostinato
In music, an ostinato (; derived from the Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's ''Boléro'' and the '' Carol of the Bells'', and popular songs such as John Lennon’s “Mind Games” (1973), Donna Summer and Giorgio Moroder's " I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's " Baba O'Riley" (1971), The Verve's " Bitter Sweet Symphony" (1997), and Flo Rida's " Low" (2007). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term cover ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glossary Of Musical Terminology
A variety of musical terms is encountered in Sheet music, printed scores, music reviews, and program notes. Most of the terms Italian musical terms used in English, are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings. Most of the other terms are taken from French language, French and German language, German, indicated by ''Fr.'' and ''Ger.'', respectively. Unless specified, the terms are Italian or English. The list can never be complete: some terms are common, and others are used only occasionally, and new ones are coined from time to time. Some composers prefer terms from their own language rather than the standard terms listed here. 0–9 ; 1 : "sifflet" or one foot organ stop ; I : usually for Violin family, orchestral string instruments, used to indicate that the player should play the passage on the highest-pitched, thinnest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tremolo
In music, ''tremolo'' (), or ''tremolando'' (), is a trembling effect. There are multiple types of tremolo: a rapid repetition of a note, an alternation between two different notes, or a variation in volume. Tremolos may be either ''measured'', in which the exact rate of repetition or oscillation is specified, or ''unmeasured'', in which it is not (the understanding being in that case that it should be performed as rapidly as possible). Types of tremolo Rapid reiteration or oscillation The rapid reiteration of a single Musical note, note is a characteristic effect of String instrument#Bowing, bowed string instruments, obtained by rapidly moving the bow back and forth. However, the technique may be performed on any instrument on which it is practicable. (Indeed, a slow measured tremolo is simply a shorthand notation for an ordinary repetition of notes; thus, tremolo notation may appear in written music for any instrument.) The notation for this effect consists of one or mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dynamics (music)
In music, the dynamics of a piece are the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece. The execution of dynamics also extends beyond loudness to include changes in timbre and sometimes tempo rubato. Purpose and interpretation Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. (''piano'' - "soft") never indicates a precise level of loudness; it merely indicates that music in a passage so marked should be considerably quieter than (''forte'' - "loud"). There are many factors affecting the interpretati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yves Henry
Yves Henry (born 2 April 1959) is a French pianist who specializes in romantic music. He debuted at 13 performing Ludwig van Beethoven's 1st Piano Concerto with the Berlin Philharmonic. After graduating from the Conservatoire de Paris (where he now teaches), he was the first Western European pianist to win the Robert Schumann Competition (1981) and was subsequently prized at the Casadesus Competition (1985). He performs and records at an international level, and often judges international piano competitions. Currently he serves as the president of the Nohant Festival (fr). Yves Henry is also a music transcriber and a composer, known for his music tale ''Tubulin''. He has been awarded the rank of Officer in the Ordre des Arts et des Lettres by the French government, and has received the silver Gloria Artis Medal for Merit to Culture The Gloria Artis Medal for Merit to Culture () or Gloria Artis Medal, is a departmental decoration of Poland in arts awarded by the Ministry of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claire Chevallier
Claire Chevallier (born in 1969) is a Franco-Belgian pianist who specializes in the fortepiano. Biography Chevallier studied piano at the Conservatoires of Nancy and Strasbourg (class of Hélène Boschi) then with Bruno Rigutto in Paris. She then continued her training at the Royal Conservatory of Brussels with and Guy Van Waas. She received a First Prize for piano and chamber music. It was during a masterclass given by Jos van Immerseel that she was fascinated by the fortepiano and therefore interested, as musician and researcher, in the historical contexts of the instruments and their technical evolution. Since 2004 she has been teaching the fortepiano at the Royal Conservatory of Brussels. Since 2007, she has been a member of the Jury of the International Competition of fortepiano organized by the Festival Musica Antiqua of Bruges. She is also a member of the jury of the 1st Frédéric Chopin International Competition on period instruments. Chevallier has built up a col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
