|
Funérailles
''Funérailles'' is the 7th and one of the most famous pieces in '' Harmonies poétiques et religieuses'' (''Poetic and Religious Harmonies''), a collection of piano pieces by Franz Liszt. It was an elegy written in October 1849 in response to the crushing of the Hungarian Revolution of 1848 by the Habsburgs. ''Funérailles'' has been recorded by pianists such as György Cziffra, Claudio Arrau, Vladimir Horowitz, Arthur Rubinstein, John Ogdon, Martha Argerich, Evgeny Kissin, Sviatoslav Richter, Arnaldo Cohen, Arcadi Volodos, Sergio Fiorentino, Awadagin Pratt and Krystian Zimerman. Composition The piece is composed of four distinct sections, with three main themes repeating throughout. The first section, labeled "Introduzione," is a dark and gloomy adagio movement whose opening bars evoke the sound of muffled bells from across a dreary battlefield. Its forlorn right-hand chords are offset by thundering, sforzando left-hand tremolos, which are interrupted and calmed into submissi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jorge Bolet
Jorge Bolet (November 15, 1914October 16, 1990) was a Cuban-born American virtuoso pianist and teacher. Among his teachers were Leopold Godowsky, and Moriz Rosenthal – the latter an outstanding pupil of Franz Liszt. Life Bolet was born in Havana and studied at the Curtis Institute of Music in Philadelphia, where he himself taught from 1939 to 1942. His teachers included Leopold Godowsky, Josef Hofmann, David Saperton, Moriz Rosenthal and Fritz Reiner."Bolet, Jorge" ''Grove Music Online'', 2007. Accessed June 2, 2007. In 1937, he won the Walter W. Naumburg Foundation, Naumburg Competition and gave his debut recital. In 1942, Bolet joined the US Army. He was sent to Japan as part of the Army of Occupation. While there, he conducted the Japanese premiere of ''The Mikado''. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonies Poétiques Et Religieuses
''Harmonies poétiques et religieuses'' (''Poetic and Religious Harmonies''), S.173, is a cycle of piano pieces written by Franz Liszt at WoronińceVoronivtsi the Polish-Ukrainian country estate of Liszt’s mistress Princess Carolyne von Sayn-Wittgenstein) in 1847, and published in 1853. The pieces are inspired by the poetry of Alphonse de Lamartine, as was Liszt’s symphonic poem ''Les Préludes''. Structure The ten compositions which make up this cycle are: #''Invocation'' (completed at Woronińce); #''Ave Maria'' (transcription of choral piece written in 1846); #''Bénédiction de Dieu dans la solitude'' (‘The Blessing of God in Solitude,’ completed at Woronińce); #''Pensée des morts'' (‘In Memory of the Dead,’ reworked version of earlier individual composition, ''Harmonies poétiques et religieuses'' (1834)); #''Pater Noster'' (transcription of choral piece written in 1846); #''Hymne de l’enfant à son réveil'' (‘The Awaking Child’s Hymn,’ transcription ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krystian Zimerman
Krystian Zimerman (born 5 December 1956) is a Polish-Swiss concert pianist, conductor and pedagogue who has been described as one of the greatest pianists of his generation. In 1975, he won the IX International Chopin Piano Competition. Following the success at the Chopin Piano Competition, he began his collaboration with the Berlin Philharmonic and has since performed with leading orchestras around the world as well as many prominent conductors such as Leonard Bernstein, Pierre Boulez, Herbert von Karajan, Claudio Abbado and Simon Rattle. He is especially known for his performances of compositions by Mozart, Chopin, Brahms and Beethoven. He is also the recipient of many awards and honours including Léonie Sonning Music Prize (1994), Legion of Honour (2005), Order of Polonia Restituta (2013) and Praemium Imperiale (2022). Biography Zimerman was born in Zabrze, Southern Poland, and started to play the piano at the age of five encouraged by his father, who was also a pia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergio Fiorentino
Sergio Fiorentino (22 December 1927 – 22 August 1998) was a 20th-century Italian classical pianist whose sporadic performing career spanned five decades. There is quite a bit of footage of his playing that survives, in addition to audio recordings. Recently, a complete concert recorded on video in 1994 has surfaced. Music career Fiorentino was born in Naples and studied at the Conservatorio San Pietro a Majella in Naples under Luigi Finizio and Paolo Denza, earned his diploma in 1946 and attended a master class of Carlo Zecchi in Salzburg in 1948. His debut was at Carnegie Recital Hall, New York in 1953. The following year, while on tour in Argentina and Uruguay, he was in a near-fatal plane accident, forcing him to cut back on concert performances. This led to him becoming a teacher at Naples Conservatory, where he had once been a student. In the late 1950s he made a new start in concert performances, both in his native country and in England. Many of his recordings wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ostinato
In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's '' Boléro'' and the '' Carol of the Bells'', and popular songs such as Donna Summer and Giorgio Moroder's " I Feel Love" (1977), Henry Mancini's theme from '' Peter Gunn'' (1959), The Who's " Baba O'Riley" (1971), and The Verve's " Bitter Sweet Symphony" (1997). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Awadagin Pratt
Awadagin Pratt (; born March 6, 1966) is a concert pianist born in Pittsburgh, Pennsylvania. Life Awadagin Pratt began piano lessons at six with Leslie Sompong and violin lessons at age nine, having moved to Normal, Illinois. With a violin scholarship he enrolled in University of Illinois at Urbana-Champaign; he then transferred to the Peabody Conservatory of Music in Baltimore as a pianist and as a violinist. In 1992 Pratt became the first African-American pianist to win the Naumburg International Piano Competition since then, "he has performed with nearly every major orchestra in this country he United States at the Bill Clinton">Clinton White House, Obama White House and on ''Sesame Street''" (Cruice 2000). Winning the Naumburg prize launched Pratt into a strenuous performance schedule, with 40 to 50 concerts that year and 70 the following year, when he signed with the New York City artist management firm IMG Artists. In 1994 Pratt made his debut at Lincoln Cente ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dynamics (music)
In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings still require interpretation by the performer depending on the musical context: for instance, the ''forte'' marking (meaning loud) in one part of a piece might have quite different objective loudness in another piece or even a different section of the same piece. The execution of dynamics also extends beyond loudness to include changes in timbre and sometimes tempo rubato. Purpose and interpretation Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. never indicates a precise level of loudness; it merely indicates that music in a passage so marked should be considerably quieter than . There ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tremolo
In music, ''tremolo'' (), or ''tremolando'' (), is a trembling effect. There are two types of tremolo. The first is a rapid reiteration: * Of a single note, particularly used on bowed string instruments, by rapidly moving the bow back and forth; plucked strings such as on a harp, where it is called '' bisbigliando'' () or "whispering". Tremolo picking, on traditionally plucked string instruments including guitar and mandolin, is the rapid articulation of single notes or a group of notes with a plectrum (pick) or with fingers. Tremolo playing sustains notes that would otherwise rapidly decay (fade to silence). * Between two notes or chords in alternation, an imitation (not to be confused with a trill) of the preceding that is more common on keyboard instruments. Mallet instruments such as the marimba are capable of either method. * A roll on any percussion instrument, whether tuned or untuned. A second type of tremolo is a variation in amplitude: * As produced on organs by tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glossary Of Musical Terminology
A variety of musical terms are likely to be encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings. Most of the other terms are taken from French and German, indicated by ''Fr.'' and ''Ger.'', respectively. Unless specified, the terms are Italian or English. The list can never be complete: some terms are common, and others are used only occasionally, and new ones are coined from time to time. Some composers prefer terms from their own language rather than the standard terms listed here. 0–9 ; 1′ : "sifflet" or one foot organ stop ; I : usually for orchestral string instruments, used to indicate that the player should play the passage on the highest-pitched, thinnest string ; ′ : Tierce organ stop ; 2′ : two feet – pipe orga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fortissimo
In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings still require interpretation by the performer depending on the musical context: for instance, the ''forte'' marking (meaning loud) in one part of a piece might have quite different objective loudness in another piece or even a different section of the same piece. The execution of dynamics also extends beyond loudness to include changes in timbre and sometimes tempo rubato. Purpose and interpretation Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. never indicates a precise level of loudness; it merely indicates that music in a passage so marked should be considerably quieter than . There are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frédéric Chopin
Frédéric François Chopin (born Fryderyk Franciszek Chopin; 1 March 181017 October 1849) was a Polish composer and virtuoso pianist of the Romantic period, who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose "poetic genius was based on a professional technique that was without equal in his generation". Chopin was born in Żelazowa Wola in the Duchy of Warsaw and grew up in Warsaw, which in 1815 became part of Congress Poland. A child prodigy, he completed his musical education and composed his earlier works in Warsaw before leaving Poland at the age of 20, less than a month before the outbreak of the November 1830 Uprising. At 21, he settled in Paris. Thereafterin the last 18 years of his lifehe gave only 30 public performances, preferring the more intimate atmosphere of the salon. He supported himself by selling his compositions and by giving piano lessons, for which he was in high demand. Chopin formed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
