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Fungai Majaya
Bernardino Fungai (1460– c. 1516) was an Italian painter whose work marks the transition from late Gothic painting to the early Renaissance in the Sienese school.Biography of Bernardino Fungai
at the Getty Museum
He maintained a fairly archaic style in his works, which are mainly of a devotional nature.Paolo Moreno, Chiara Stefani, ''Galleria Borghese''
Ediz. Inglese, Touring Editore, 2000, p. 290


Life


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Martyrdom Of St Clement
A martyr (, ''mártys'', 'witness' stem , ''martyr-'') is someone who suffers persecution and death for advocating, renouncing, or refusing to renounce or advocate, a religious belief or other cause as demanded by an external party. In colloquial usage, the term can also refer to any person who suffers a significant consequence in protest or support of a cause. In the martyrdom narrative of the remembering community, this refusal to comply with the presented demands results in the punishment or execution of an individual by an oppressor. Accordingly, the status of the 'martyr' can be considered a posthumous title as a reward for those who are considered worthy of the concept of martyrdom by the living, regardless of any attempts by the deceased to control how they will be remembered in advance. Insofar, the martyr is a relational figure of a society's boundary work that is produced by collective memory. Originally applied only to those who suffered for their religious beliefs, the ...
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Luca Signorelli
Luca Signorelli ( – 16 October 1523) was an Italian Renaissance painter from Cortona, in Tuscany, who was noted in particular for his ability as a draftsman and his use of foreshortening. His massive frescos of the ''Last Judgment'' (1499–1503) in Orvieto Cathedral are considered his masterpiece. In his early 40s he returned to live in Cortona, after working in Florence, Siena and Rome (1478–84, painting a now lost section of the Sistine Chapel). With an established reputation, he remained based in Cortona for the rest of his life, but often travelled to the cities of the region to fulfill commissions. He was probably trained by Piero della Francesca in Florence, as his cousin Giorgio Vasari wrote. Cortona hosted a major exhibition in 2023 to celebrate the 500th anniversary of his death. Biography He was born Luca d'Egidio di Ventura in Cortona, Tuscany (some sources call him Luca da Cortona). The precise date of his birth is uncertain, but birth dates between 1441 ...
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Painters From Siena
Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual arts, visual art, bringing in elements such as drawing, Composition (visual art ...
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16th-century Italian Painters
The 16th century began with the Julian calendar, Julian year 1501 (represented by the Roman numerals MDI) and ended with either the Julian or the Gregorian calendar, Gregorian year 1600 (MDC), depending on the reckoning used (the Gregorian calendar introduced a lapse of 10 days in October 1582). The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the Copernican heliocentrism, heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the SN 1572, 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion of the new sciences, invented the first ...
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Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, a Romance ethnic group related to or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marination * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus * ''Italien'' (magazine), pro-Fascist magazine in Germany between 1927 and 1944 See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) The Italian may refer to: * ''The Ital ...
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15th-century Italian Painters
The 15th century was the century which spans the Julian calendar dates from 1 January 1401 (represented by the Roman numerals MCDI) to 31 December 1500 (MD). In Europe, the 15th century includes parts of the Late Middle Ages, the Early Renaissance, and the early modern period. Many technological, social and cultural developments of the 15th century can in retrospect be seen as heralding the " European miracle" of the following centuries. The architectural perspective, and the modern fields which are known today as banking and accounting were founded in Italy. The Hundred Years' War ended with a decisive French victory over the English in the Battle of Castillon. Financial troubles in England following the conflict resulted in the Wars of the Roses, a series of dynastic wars for the throne of England. The conflicts ended with the defeat of Richard III by Henry VII at the Battle of Bosworth Field, establishing the Tudor dynasty in the later part of the century. Consta ...
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Predella
In art a predella (plural predelle) is the lowest part of an altarpiece, sometimes forming a platform or step, and the painting or sculpture along it, at the bottom of an altarpiece, sometimes with a single much larger main scene above, but often (especially in earlier examples), a polyptych or multipanel altarpiece. In late medieval and Renaissance altarpieces, where the main panel consisted of a scene with large figures, it was normal to include a predella below with a number of small-scale narrative paintings depicting events from the life of the dedicatee, whether the ''Life of Christ'', the '' Life of the Virgin'' or a saint. Typically there would be three to five small scenes, in a horizontal format. Sometimes a single space shows different scenes in continuous representation. They are significant in art history, as the artist had more freedom from iconographic conventions than in the main panel as they could only be seen from close up. As the main panels themselve ...
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Hieratic
Hieratic (; ) is the name given to a cursive writing system used for Ancient Egyptian and the principal script used to write that language from its development in the third millennium BCE until the rise of Demotic in the mid-first millennium BCE. It was primarily written in ink with a reed brush on papyrus. Etymology In the second century, the term ''hieratic'' was used for the first time by the Greek scholar Clement of Alexandria to describe this Ancient Egyptian writing system. The term derives from the Greek for 'priestly writing' () because at that time, for more than eight and a half centuries, hieratic had been used traditionally only for religious texts and literature. ''Hieratic'' can also be an adjective meaning 'of or associated with sacred persons or offices; sacerdotal'. Development Hieratic developed as a cursive form of hieroglyphic script in the Naqada III period of Ancient Egypt, roughly 3200–3000 BCE. Although handwritten printed hieroglyphs continued to b ...
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Fontebranda, Siena
Fontebranda is one of the medieval fountains of Siena, located in Terzo di Camollia, in the Contrada of Oca, near the Porta of Fontebranda. History The fountain was built in the 13th century by the Guild of the Wool-makers (Lana). The first mention of a fountain was in 1081, and documents speak of enlargement by Bellamino in 1193, and finally rebuilt in its present form in 1246. The fountain is cited by Dante Alighieri Dante Alighieri (; most likely baptized Durante di Alighiero degli Alighieri; – September 14, 1321), widely known mononymously as Dante, was an Italian Italian poetry, poet, writer, and philosopher. His ''Divine Comedy'', originally called ... in the "Divine Comedy" ( ''Inferno'' - ''Canto trentesimo''/XXXth, vv. 76-78). Structure The fountain front has three Gothic arches and a crenellated roof. The roof spans a tank fed by water traveling for kilometers to reach the city. The structure was so large, due to multiple use: to get drinking water for men ...
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Cassone
A cassone (plural ''cassoni'') or marriage chest is a rich and showy Italian type of chest, which may be inlaid or carved, prepared with gesso ground then painted and gilded. ''Pastiglia'' was decoration in low relief carved or moulded in gesso, and was very widely used. The cassone ("large chest") was one of the trophy furnishings of rich merchants and aristocrats in Italian culture, from the Late Middle Ages onward. The cassone was the most important piece of furniture of that time. It was given to a bride and placed in the bridal suite. It would be given to the bride during the wedding, and it was the bride's parents' contribution to the wedding. There are in fact a variety of different terms used in contemporary records for chests, and the attempts by modern scholars to distinguish between them remain speculative, and all decorated chests are today usually called ''cassoni'', which was probably not the case at the time. For example, a ''forziere'' probably denoted a dec ...
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Bernardino Pinturicchio
Pinturicchio, or Pintoricchio (, ; born Bernardino di Betto; 1454–1513), also known as Benetto di Biagio or Sordicchio, was an Italian Renaissance painter. He acquired his nickname (meaning "little painter") because of his small stature and he used it to sign some of his artworks that were created during the fifteenth and sixteenth centuries."PINTURICCHIO." ''Benezit Dictionary of Artists''. ''Oxford Art Online''. Oxford University Press. Web. 14 February 2017. http://www.oxfordartonline.com/subscriber/article/benezit/B00142364 . Biography Early years Pinturicchio was born the son of Benedetto or Betto di Biagio, in Perugia. In his career, he may have trained under lesser-known Perugian painters such as Bonfigli and Fiorenzo di Lorenzo. According to Vasari, Pinturicchio was a paid assistant of Perugino. The works of the Perugian Renaissance school are very similar and often paintings by Perugino, Pinturicchio, Lo Spagna, and a young Raphael may be mistaken, one for ...
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Pietro Di Francesco Degli Orioli
Pietro di Francesco degli Orioli (approx. 1458–1496) was an Italian painter of the Renaissance period. Biography Pietro Orioli was born in Siena in Tuscany. The art of Siena has previously been celebrated primarily for its late medieval masters such as Duccio, Simone Martini, as well as Ambrogio Lorenzetti, Ambrogio and Pietro Lorenzetti; Orioli arose in the next century, and the art in Siena of this period has been generally overshadowed by the art of Florentine masters of the Quattrocento. In 1458 the Sienese cardinal Aeneas Sylvius Piccolomini was elected as Pope Pius II. The period between this date and the end of the Sienese republic in 1558 saw the development of a unique style of art from the city state, showing tendencies towards some of the more ethereal properties of the golden age of Sienese art rather than the studied realism and veneration of classical aesthetics and principles which drove many artists within the more celebrated centres of Florence, Rome and Ven ...
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