|
Fritz Uhl
Fritz Uhl (2 April 1928 – 21 May 2001) was an Austrian operatic tenor, particularly associated with Richard Wagner, Wagner roles. Born in Matzleinsdorf, near Vienna, he studied in Vienna with Elisabeth Radó, and while still a student toured the Netherlands with an operetta troupe. He made his operatic debut in Vienna, as Charles Gounod, Gounod's ''Faust (opera), Faust'' in 1952, and then sang in Graz (1952–53), in Luzern (1953–54), in Oberhausen (1954–56), in Wuppertal Opera, Wuppertal (1956–58). In 1957, he began making guest appearances at the Munich State Opera, the Vienna State Opera, also appearing at the Salzburg Festival and the Bayreuth Festival. He began his career by singing lyric roles and lighter Wagner roles such as Erik in ''Der fliegende Holländer'', Loge in ''Das Rheingold'', First Knight in ''Parsifal'', and gradually moved into heldentenor roles such as Tristan und Isolde, Tristan, Die Walküre, Siegmund, Die Meistersinger, Stolzing, F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heldentenor
A heldentenor (; English: ''heroic tenor''), earlier called tenorbariton, is an operatic tenor voice, most often associated with Wagnerian repertoire. It is distinct from other tenor '' fächer'' by its endurance, volume, and dark timbre, which may be, in its middle register, like that of a baritone. The voice may also sound clear or metallic. It is one of the rarest voice types in opera. Heldentenor roles, such as the title roles in '' Siegfried'' and '' Lohengrin'', often require commanding stage presence and strong acting ability. In some cases, due to reasons such as voice misidentification, singers may begin their careers as baritones before later transitioning. The term ''heldentenor'' may be used to refer to both a singer and their voice. The treble counterpart of the heldentenor is the Wagnerian soprano. Roles The following roles are in the standard heldentenor repertoire: Richard Wagner * Lohengrin, '' Lohengrin'' * Parsifal, '' Parsifal'' * Rienzi, '' Rienzi'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ján Cikker
Ján Cikker (29 July 1911 – 21 December 1989) was a Slovak composer, a leading exponent of modern Slovak classical music. He was awarded the title ''National Artist'' in Slovakia, the Herder Prize (1966) and thIMC-UNESCO International Music Prize(1979). Life Cikker was born in former Austria-Hungary, today Slovakia, in Banská Bystrica. His first music teachers were his mother, Mária Psotková, and Viliam Figuš-Bystrý. After he graduated from high school, he studied at the Prague Conservatory from 1930 to 1935, where he attended courses of composition of Jaroslav Křička, of conducting and organ. He then studied at the Master's School of the Prague Conservatory from 1935 to 1936, where he was a student of Vítězslav Novák. Later on, he moved to Vienna, where he studied with Felix Weingartner from 1936-1937. From 1939 to 1949, he taught at the Bratislava Conservatory. At the same time he was a repertory advisor of the opera of the Slovak National Theatre from 1945 t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Colón
The Teatro Colón () is a historic opera house in Buenos Aires, Argentina. It is considered one of the ten best opera houses in the world by National Geographic. According to a survey carried out by the acoustics expert Leo Beranek among leading international opera and orchestra directors, the Teatro Colón has the room with the best acoustics for opera and the second best for concerts in the world. The present Colón replaced an original theatre which opened in 1857. Towards the end of the century, it became clear that a new theatre was needed, and after a 20-year process, the present theatre opened on 25 May 1908, with Giuseppe Verdi's ''Aïda''. The Teatro Colón was visited by the foremost singers and opera companies of the time, who would sometimes go on to other cities including Montevideo, Rio de Janeiro and São Paulo. After this period of huge international success, the theatre's decline became clear and plans were made for massive renovations. After an initial start ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Francisco Opera
The San Francisco Opera (SFO) is an American opera company founded in 1923 by Gaetano Merola (1881–1953) based in San Francisco, California. History Gaetano Merola (1923–1953) Merola's road to prominence in the Bay Area began in 1906 when he first visited the city. In 1909, he returned as the conductor of the International Opera Company of Montreal, one of the many visiting troupes that frequented the bustling city. Continued visits over the next decade convinced him that an opera company in San Francisco was viable. Merola moved back into the city in 1921 while living with Mrs. Oliver Stine's support Oliver Stine. He drafted plans for a new, locally-owned opera company that would not rely on visiting troupes, a common practice for some opera companies since the Gold Rush. By the next year, Merola organized a trial season at Stanford University. The first performance occurred in the Stanford Cardinal's football stadium on June 3, 1922, with operatic tenor Giovanni Mart ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Opera House
The Royal Opera House (ROH) is a theatre in Covent Garden, central London. The building is often referred to as simply Covent Garden, after a previous use of the site. The ROH is the main home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House (now known collectively as the Royal Ballet and Opera). The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maggio Musicale Fiorentino
The Maggio Musicale Fiorentino (literal English translation: 'Florence Musical May') is an annual Italian arts festival in Florence, including a notable opera festival, under the auspices of the Opera di Firenze. The festival occurs between late April into June annually, typically with four operas. History In April 1933, on Luigi Ridolfi Vay da Verrazzano's idea, Vittorio Gui founded the festival, with the aim of presenting contemporary and forgotten operas in visually dramatic productions. It was the first music festival in Italy and the oldest in Europe after the Salzburg Festival. The first opera presented was Verdi's early ''Nabucco'', his early operas then being rarely staged. The first festival's success, which included two performances of Spontini's '' La Vestale'' with Rosa Ponselle, led to it becoming a biennial event in 1937 with the presentation of nine operas. After 1937, it became an annual festival, except during World War II. Performances took place in the Teatr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liceo
The Gran Teatre del Liceu (; ; ), or simply Liceu, is a theater in Barcelona, Spain. Situated on La Rambla, it is the city's oldest theater building still in use for its original purpose. Founded in 1837 at another location, the Liceu opened at its current address on 4 April 1847. The theater was rebuilt after fires in 1861 and 1994, and reopened on 20 April 1862 and 7 October 1999. On 7 November 1893, on the opening night of the season, an anarchist threw two bombs into the stalls. About twenty people were killed, and many more were injured. Between 1847 and 1989, the 2,338-seat Liceu was the largest opera house in Europe by capacity. Since 1994, the Liceu has been owned and managed by a public foundation whose board of trustees represents the Ministry of Culture, the Generalitat de Catalunya, the Provincial Deputation of Barcelona and the City Council of Barcelona. The theater has its own choir (the Cor del Gran Teatre del Liceu), symphony orchestra (the Orquestra Simf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Monnaie
The Royal Theatre of La Monnaie (, ; , ; both translating as the "Royal Theatre of the Mint") is an opera house in central Brussels, Belgium. The National Opera of Belgium, a federal institution, takes the name of this theatre in which it is housed—La Monnaie in French or De Munt in Dutch—referring both to the building as well as the opera company. As Belgium's leading opera house, it is one of the few cultural institutions to receive financial support from the Federal Government of Belgium. Other opera houses in Belgium, such as the Vlaamse Opera and the Opéra Royal de Wallonie, are funded by regional governments. La Monnaie is located on the Place de la Monnaie/Muntplein, not far from the Rue Neuve/Nieuwstraat and the Place de Brouckère/De Brouckèreplein. The current edifice is the third theatre on the site. The façade dates from 1818 with major alterations made in 1856 and 1986. The foyer and auditorium date from 1856, but almost every other element of the presen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palais Garnier
The (, Garnier Palace), also known as (, Garnier Opera), is a historic 1,979-seatBeauvert 1996, p. 102. opera house at the Place de l'Opéra in the 9th arrondissement of Paris, France. It was built for the Paris Opera from 1861 to 1875 at the behest of Emperor Napoleon III. Initially referred to as ''le nouvel Opéra de Paris'' (the new Paris Opera), it soon became known as the Palais Garnier, "in acknowledgment of its extraordinary opulence" and the architect Charles Garnier (architect), Charles Garnier's plans and designs, which are representative of the Napoleon III style. It was the primary theatre of the Paris Opera and its associated Paris Opera Ballet until 1989, when a new opera house, the Opéra Bastille, opened at the Place de la Bastille. The company now uses the Palais Garnier mainly for ballet. The theatre has been a of France since 1923. The Palais Garnier has been called "probably the most famous opera house in the world, a symbol of Paris like Notre-Dame de Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salome (opera)
''Salome'', Op. 54, is an opera in one act by Richard Strauss. The libretto is Hedwig Lachmann's German translation of the 1891 French play '' Salomé'' by Oscar Wilde, edited by the composer. Strauss dedicated the opera to his friend Sir Edgar Speyer. The opera is famous (at the time of its premiere, infamous) for its " Dance of the Seven Veils". The final scene is frequently heard as a concert-piece for dramatic sopranos. Composition history Oscar Wilde originally wrote his ''Salomé'' in French. Strauss saw the Lachmann version of the play in Max Reinhardt's production at the Kleines Theater in Berlin on 15 November 1902, and immediately set to work on an opera. The play's formal structure was well-suited to musical adaptation. Wilde himself described ''Salomé'' as containing "refrains whose recurring ''motifs'' make it so like a piece of music and bind it together as a ballad". Strauss pared down Lachmann's German text to what he saw as its essentials, and in the proc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fidelio
''Fidelio'' (; ), originally titled ' (''Leonore, or The Triumph of Marital Love''), Opus number, Op. 72, is the sole opera by German composer Ludwig van Beethoven. The libretto was originally prepared by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly. The opera premiered at Vienna's Theater an der Wien on 20 November 1805. The following year, Beethoven's friend Stephan von Breuning (librettist), Stephan von Breuning rewrote the libretto, shortening the work from three acts to two. After further work on the libretto by Georg Friedrich Treitschke, a final version was performed at the Theater am Kärntnertor, Kärntnertortheater on 23 May 1814. As these libretto revisions were going on, Beethoven was also revising some of the music. By convention, only the final version is called ''Fidelio'', and the others are referred to as ''Leonore''. The libretto tells how Leonore, disguised as a prison guard named "Fidelio", Rescue opera, rescues her husband Florestan from death ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
