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French Moralists
In French literature, the moralists () were a tradition of secular writers who described "personal, social and political conduct", typically through maxims. The tradition is associated with the salons of the ''Ancien Régime'' from the 16th through the 18th centuries. The tradition begins with the '' Essais'' of Michel de Montaigne (1580), but its heyday was the late 17th century.Ian MacLean, "Moralistes", ''Routledge Encyclopedia of Philosophy'' (Taylor and Francis, 1998), . Although the moralists wrote essays and pen-portraits, their preferred genre was the maxim. These were short abstract statements devoid of context, often containing paradoxes and always designed to shock or surprise. The moralists aimed for objective and impartial observation freed from the preconceptions of their day. Their approach was never systematic. The four principal moralists and their main works are: * François de La Rochefoucauld, ''Réflexions ou sentences et maximes morales'' (1665) * Jean de ...
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French Literature
French literature () generally speaking, is literature written in the French language, particularly by French people, French citizens; it may also refer to literature written by people living in France who speak traditional languages of France other than French. Literature written in the French language by citizens of other nations such as Belgium, Switzerland, Canada, Senegal, Tunisia, Algeria, Morocco, etc. is referred to as Francophone literature. For centuries, French literature has been an object of national pride for French people, and it has been one of the most influential aspects of the literature of Europe. France ranks first on the list of Nobel Prize in Literature, Nobel Prizes in literature by country. One of the first known examples of French literature is the The Song of Roland, Song of Roland, the first major work in a series of poems known as, "Chanson de geste, chansons de geste". The French language is a Romance languages, Romance language derived from Lat ...
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Maxim (philosophy)
A maxim is a moral rule or principle which can be considered dependent on one's philosophy. A maxim is often pedagogical and motivates specific actions. Simon Blackburn, in the '' Oxford Dictionary of Philosophy'' defines it generally as: providing as examples: *"neither a borrower nor a lender be"; * Tennyson's "little hoard of maxims preaching down a daughter's heart", from his 1835 poem, Locksley Hall. Blackburn also notes that in Immanuel Kant's usage, Biblical usage The apochyphal Book of Sirach refers to the "maxims of the wise" as sayings to be treasured, because "from them you will learn discipline and how to serve princes". Deontological ethics In deontological ethics, mainly in Kantian ethics, maxims are understood as subjective principles of action. A maxim is thought to be part of an agent's thought process for every rational action, indicating in its standard form: (1) the action, or type of action; (2) the conditions under which it is to be done; and ...
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Salon (gathering)
A salon is a gathering of people held by a host. These gatherings often consciously followed Horace's definition of the aims of poetry, "either to please or to educate" (Latin: ''aut delectare aut prodesse''). Salons in the tradition of the French literary and philosophical movements of the 17th and 18th centuries are still being conducted. Historical background The salon first appeared in Italy in the 16th century, then flourished in France throughout the 17th and 18th centuries. It continued to flourish in Italy throughout the 19th century. In 16th-century Italy, some brilliant circles formed in the smaller courts which resembled salons, often galvanized by the presence of a beautiful and educated patroness such as Isabella d'Este or Elisabetta Gonzaga. Salons were an important place for the exchange of ideas. The word ''salon'' first appeared in France in 1664 (from the Italian ''salone'', the large reception hall of Italian mansions; ''salone'' is actually the augmentati ...
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Ancien Régime
''Ancien'' may refer to * the French word for " ancient, old" ** Société des anciens textes français * the French for "former, senior" ** Virelai ancien ** Ancien Régime ** Ancien Régime in France {{disambig ...
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Essays (Montaigne)
The ''Essays'' (, ) of Michel de Montaigne are contained in three books and 107 chapters of varying length. They were originally written in Middle French and published in the Kingdom of France. Montaigne's stated design in writing, publishing and revising the ''Essays'' over the period from approximately 1570 to 1592 was to record "some traits of my character and of my humours." The ''Essays'' were first published in 1580 and cover a wide range of topics. The ''Essais'' exercised an important influence on both French and English literature, in thought and style. Style Montaigne wrote in a seemingly conversational or informal style that combines a highly literate vocabulary with popular sayings and local slang. The earlier essays are more formal and structured and sometimes quite short ("Of prognostications"), but later essays, and revisions to the essays in later editions, are longer and more complex. In his later style he freely associates one topic with another in the manner of ...
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Michel De Montaigne
Michel Eyquem, Seigneur de Montaigne ( ; ; ; 28 February 1533 – 13 September 1592), commonly known as Michel de Montaigne, was one of the most significant philosophers of the French Renaissance. He is known for popularising the the essay, essay as a literary genre. His work is noted for its merging of casual anecdotes and autobiography with intellectual insight. Montaigne had a direct influence on numerous writers of Western literature in the Western world; his ''Essays (Montaigne), Essais'' contain some of the most influential essays ever written. During his lifetime Montaigne was admired more as a statesman than as an author. The tendency in his essays to digress into anecdotes and personal ruminations was seen as detrimental to proper style rather than as an innovation, and his declaration that "I am myself the matter of my book" was viewed by his contemporaries as self-indulgent. In time, however, Montaigne came to be recognised as embodying the spirit of freely enter ...
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Essay
An essay ( ) is, generally, a piece of writing that gives the author's own argument, but the definition is vague, overlapping with those of a Letter (message), letter, a term paper, paper, an article (publishing), article, a pamphlet, and a short story. Essays have been sub-classified as formal and informal: formal essays are characterized by "serious purpose, dignity, logical organization, length," whereas the informal essay is characterized by "the personal element (self-revelation, individual tastes and experiences, confidential manner), humor, graceful style, rambling structure, unconventionality or novelty of theme," etc. Essays are commonly used as literary criticism, political manifestos, learned arguments, observations of daily life, recollections, and reflections of the author. Almost all modern essays are written in prose, but works in Poetry, verse have been dubbed essays (e.g., Alexander Pope's ''An Essay on Criticism'' and ''An Essay on Man''). While brevity usual ...
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Paradox
A paradox is a logically self-contradictory statement or a statement that runs contrary to one's expectation. It is a statement that, despite apparently valid reasoning from true or apparently true premises, leads to a seemingly self-contradictory or a logically unacceptable conclusion. A paradox usually involves contradictory-yet-interrelated elements that exist simultaneously and persist over time. They result in "persistent contradiction between interdependent elements" leading to a lasting "unity of opposites". In logic, many paradoxes exist that are known to be invalid arguments, yet are nevertheless valuable in promoting critical thinking, while other paradoxes have revealed errors in definitions that were assumed to be rigorous, and have caused axioms of mathematics and logic to be re-examined. One example is Russell's paradox, which questions whether a "list of all lists that do not contain themselves" would include itself and showed that attempts to found set theory on ...
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François De La Rochefoucauld (writer)
François de La Rochefoucauld, 2nd Duke of La Rochefoucauld, Prince de Marcillac (; ; 15 September 1613 – 17 March 1680) was an accomplished French French moralists, moralist of the era of French Classical literature and author of ''Maximes'' and ''Memoirs'', the only two works of his dense literary ''œuvre'' published. His ''Maximes'' portrays the callous nature of human conduct, with a cynical attitude towards putative virtue and avowals of affection, friendship, love, and loyalty. Leonard Tancock regards ''Maximes'' as "one of the most deeply felt, most intensely lived texts in French literature", with his "experience, his likes and dislikes, sufferings and petty spites ... crystallized into absolute truths." Born in Paris in 1613, at a time when the royal court was vacillating between aiding the nobility and threatening it, he was considered an exemplar of the accomplished seventeenth-century nobleman. Until 1650, he bore the title of ''Prince de Marcillac''. His gr ...
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Jean De La Bruyère
Jean de La Bruyère (, , ; 16 August 1645 – 11 May 1696) was a French philosopher and moralist, who was noted for his satire. Early years Jean de La Bruyère was born in Paris, in today's Essonne ''département'', in 1645. His family was middle class, and his reference to a certain "Geoffroy de La Bruyère", a crusader, is only a satirical illustration of a method of self-ennoblement then common in France, as in some other countries. As such, he signed his surname as Delabruyère in one word, as evidence of this disdain. La Bruyère could trace his family back on his father's side at least as far as his great-grandfather, who along with his grandfather had been dedicated members of the Catholic League. His great-grandfather had been exiled from France when Henry IV came to the throne and Catholics fell into disfavor. La Bruyère's father also had been active in the league under the Duke of Guise in 1584. His father was controller general of finance to the Hôtel de Vill ...
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