Free (For Real Album)
''Free'' is the second studio album by American R&B group For Real. It was released on September 17, 1996 via Rowdy Records. Recording sessions took place at D.A.R.P. Studios and Silent Studios in Atlanta, at Riversound Studios in Lithonia, at the Record Plant, SoulPower Studio and Saturn Sound in Los Angeles. Production was handled by Dallas Austin, Soulshock, Babyface, Craig B, Daryl Simmons, Mario Winans, Stephen Bray and Tony Shepperd. In the United States, the album debuted at number 100 on the Top R&B Albums chart. Its lead single, " Like I Do", peaked at number 72 on the US ''Billboard'' Hot 100, number 45 on the UK singles chart and number 49 in New Zealand. The follow-up single, " The Saddest Song I Ever Heard", only made it to number 65 on the US Hot R&B/Hip-Hop Songs. The song "Love Will Be Waiting at Home" previously appeared in '' Waiting to Exhale: Original Soundtrack Album''. Track listing ;Sample credits *Track 3 contains portions of "Soulful Strut" performed ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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For Real
For Real is an American R&B and soul quartet, that formed in 1990. In the latter part of that decade they were nominated for a Billboard Music Award and a Soul Train Music Award. The ladies have now reunited and are touring. Biography For Real secured their recording contract by accident. "We were picking up our manager from the airport. So we decided to greet him with an acappella song. Someone from A&M Records just happened to be in the airport and heard us perform. Not long after, we were signed," said Latanyia Baldwin. The band released their debut album, '' It's a Natural Thang'', with production from Brian McKnight on A&M Records in 1994, and it became a critical success, including a rare four stars from ''Rolling Stone'' magazine. Their first single, "You Don't Wanna Miss" hit #28 on the ''Billboard'' Hot R&B/Hip-Hop Songs chart; the group's second single, "Easy to Love", peaked at #65 on the same chart. The third single, "You Don't Know Nothin'", peaked at #88 on the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Saddest Song I Ever Heard
"The Saddest Song I Ever Heard" is the title of a R&B single by For Real. Written by Diane Warren. "The Saddest Song I Ever Heard" spent eight weeks on the US singles chart. The song would be covered two years later by Australian girl group Cherry. Their version, released with the shortened title "Saddest Song", peaked at #46 in Australia. Sony BMG released the video to YouTube in 2007, since the video has received nearly 350,000 views as of October 2009. Personnel Information taken from Discogs. *Latanyia Baldwin, Necia Bray, Josina Elder, Wendi Williams : lead and background vocals *Diane Warren : writer *Daryl Simmons Daryl L. Simmons is an American R&B record producer and songwriter. Best known for his production work with L.A. Reid and Kenneth "Babyface" Edmonds, Simmons was credited on the majority of albums by their label LaFace Records, as well as sev ... : producer, keyboards and programming *Vance Taylor : piano *Ronnie Garrett : bass *Thom "TK" Kidd : recordi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Young-Holt Unlimited
Young-Holt Unlimited (also known as Young-Holt Trio), were a U.S. soul and jazz instrumental musical ensemble from Chicago, Illinois, United States. Drummer Isaac "Redd" Holt and bassist Eldee Young, formerly members of Ramsey Lewis' jazz trio, formed a new outfit called the Young-Holt Trio with pianist Don Walker in 1966. They met with modest success, including the minor hit "Wack-Wack", which charted at number 40 on the ''Billboard'' Hot 100 and number 44 in Canada. In 1968, the group renamed itself Young-Holt Unlimited, and replaced Walker with Ken Chaney. Under their new name, the group scored a number three Hot 100 hit with " Soulful Strut," the backing instrumental track from Barbara Acklin's "Am I the Same Girl." "Soulful Strut" sold a million copies with the gold record awarded by the RIAA in January 1969, less than three months after the track's release. Follow-up releases failed to match the commercial success of "Soulful Strut", and the group disbanded by 1974, w ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Diane Warren
Diane Eve Warren (born September 7, 1956) is an American songwriter. She has won an Academy Honorary Award, Grammy Award, an Emmy Award, two Golden Globe Awards and three consecutive ''Billboard'' Music Awards for Songwriter of the Year from 1997 to 1999. She first gained recognition for her work on DeBarge's 1985 single " Rhythm of the Night". By the late 1980s, she joined the record label EMI, where she became the first songwriter in the history of ''Billboard'' magazine to have written seven hit songs, each recorded by different artists, prompting EMI's UK Chairman Peter Reichardt to call her "the most important songwriter in the world". Warren has written nine number-one songs and 33 top-10 songs on the ''Billboard'' Hot 100 including " If I Could Turn Back Time" (Cher, 1989), " Look Away" (Chicago, 1988), " Because You Loved Me" (Celine Dion, 1996), "How Do I Live" (LeAnn Rimes, 1997), " When I See You Smile" (Bad English, 1989) and " I Don't Want to Miss a Thing" (Aer ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kenneth Karlin
Kenneth Karlin or just Karlin (born September 18, 1966) is a Danish songwriter and producer who is best known for his work with Carsten Schack, better known as Soulshock, forming the Los Angeles-based producer duo Soulshock & Karlin. They have worked with artists including Whitney Houston, Backstreet Boys, 2Pac, Mary J. Blige, and JoJo. Before joining Soulshock, Karlin was already an integral part of Denmark's jazz scene, producing Patti LaBelle's song "All Right Now." A musician in the traditional sense of the word, Karlin says, "I think our different backgrounds are what make our tracks interesting." Karin and Soulshock made the move to Los Angeles for bigger success. After a few months of struggling, they finally had a breakthrough with CeCe Peniston and the single "I'm In The Mood". Their big commercial success came with Monica's #1 R&B single " Before You Walk Out of My Life", which they jointly wrote and produced. Hits with artists such as Toni Braxton, Brandy, Brownstone ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sonny Sanders
William Nelson "Sonny" Sanders (August 6, 1939 – October 12, 2016) was an American soul music singer, songwriter, arranger, and record producer. Born in Chicago, Sanders made his first recording in 1955, on "Tears of Love" / "Roxanna" by Sax Kari and the Qualtones. The Satintones, ''HarmonyTrain.com'' Retrieved 17 October 2016 He formed the Satintones in in 1957, with Robert Bateman, James Ellis and Sammy Mack. They became the first vocal group signed to [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Eugene Record
Eugene Booker Record (December 23, 1940 – July 22, 2005) was an American singer, songwriter, arranger, and record producer. He was best known as the lead vocalist of the Chicago-based vocal group The Chi-Lites. He had international hits with " Oh Girl," " Have You Seen Her," " Soulful Strut," and " (For God's Sake) Give More Power to the People". His writing contributions earned him a Grammy Award. Biography Born in Chicago, Illinois, United States, to Booker and Bernice Record, Record was drawn to music through his older sister's involvement as a pianist. He learned to play the guitar and formed his first group while at high school with Robert Lester, who stayed on when they joined up with two members of another local group to form The Hi-Lites and eventually changing the name to The Chi-Lites. After a few unsuccessful singles, the group was signed by Brunswick Records production chief in Chicago, Carl Davis. Record wrote or co-wrote (often with singer Barbara Acklin) a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Holland–Dozier–Holland
Holland–Dozier–Holland, often abbreviated as H-D-H, was a songwriting and production team consisting of Lamont Dozier and brothers Brian and Eddie Holland. The trio wrote, arranged and produced many songs that helped define the Motown sound in the 1960s. During their tenure at Motown Records from 1962 to 1967, Dozier and Brian Holland were the composers and producers for each song, and Eddie Holland wrote the lyrics and arranged the vocals. Their most celebrated productions were singles for the Four Tops and the Supremes, including 10 of the Supremes' 12 US No. 1 singles, including " Baby Love", "Stop! In the Name of Love", and " You Keep Me Hangin' On". Their legal representative entity was known as Holland–Dozier–Holland Productions, Inc. or HDHP. From 1969 to 1972, due to a legal dispute with Motown, they did not write material under their own names, but instead used the collective pseudonym "Edythe Wayne". When the trio left Motown, they continued to work ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Original Soundtrack Album
Originality is the aspect of created or invented works that distinguish them from reproductions, clones, forgeries, or substantially derivative works. The modern idea of originality is according to some scholars tied to Romanticism, by a notion that is often called romantic originality.Smith (1924)Waterhouse (1926)Macfarlane (2007) The validity of "originality" as an operational concept has been questioned. For example, there is no clear boundary between "derivative" and "inspired by" or "in the tradition of." The concept of originality is both culturally and historically contingent. For example, unattributed reiteration of a published text in one culture might be considered plagiarism but in another culture might be regarded as a convention of veneration. At the time of Shakespeare, it was more common to appreciate the similarity with an admired classical work, and Shakespeare himself avoided "unnecessary invention".Royal Shakespeare Company (2007) ''The RSC Shakespeare - Will ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African-American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling African-American music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three ch ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Billboard Hot 100
The ''Billboard'' Hot 100, also known as simply the Hot 100, is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), online streaming, and radio airplay in the U.S. A new chart is compiled and released online to the public by ''Billboard''s website on Tuesdays but post-dated to the following Saturday, when the printed magazine first reaches newsstands. The weekly tracking period for sales is currently Friday–Thursday, after being changed in July 2015. It was initially Monday–Sunday when Nielsen started tracking sales in 1991. This tracking period also applies to compiling online streaming data. Radio airplay is readily available on a real-time basis, unlike sales figures and streaming, but is also tracked on the same Friday–Thursday cycle, effective with the chart dated July 17, 2021. Previously, radio was tracked Monday–Sunday and, before Ju ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |