Frauenlied
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Frauenlied
''Frauenlied'' (or ''Frauenmonolog'') is, in the medieval German genre Minnesang, a form of song (German ''Lied In the Western classical music tradition, ( , ; , ; ) is a term for setting poetry to classical music. The term is used for any kind of song in contemporary German and Dutch, but among English and French speakers, is often used interchangea ...'') that presents a monologue in a female voice (despite the poets themselves usually being men). References {{music-genre-stub Minnesang Musical terminology ...
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Minnesang
(; "love song") was a tradition of German lyric- and song-writing that flourished in the Middle High German period (12th to 14th centuries). The name derives from '' minne'', the Middle High German word for love, as that was ''Minnesang'''s main subject. People who wrote and performed ''Minnesang'' were known as ''Minnesänger'' (), and a single song was called a ''Minnelied'' (). The ''Minnesänger'' are comparable to the Occitan troubadours and northern French ''trouvères,'' but they are "an original German contribution to courtly lyric." Social status In the absence of reliable biographical information, there has been debate about the social status of the ''Minnesänger''. Some clearly belonged to the higher nobility – the 14th-century Codex Manesse includes songs by dukes, counts, kings, and the Emperor Henry VI. Some ''Minnesänger'', as indicated by the title ''Meister'' (master), were clearly educated commoners, such as Meister Konrad von Würzburg. It is thought ...
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Lied
In the Western classical music tradition, ( , ; , ; ) is a term for setting poetry to classical music. The term is used for any kind of song in contemporary German and Dutch, but among English and French speakers, is often used interchangeably with "art song" to encompass works that the tradition has inspired in other languages as well. The poems that have been made into lieder often center on pastoral themes or themes of romantic love. The earliest ''Lieder'' date from the late fourteenth or early fifteenth centuries, and can even refer to from as early as the 12th and 13th centuries. It later came especially to refer to settings of Romantic poetry during the late eighteenth and nineteenth centuries, and into the early twentieth century. Examples include settings by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert, Robert Schumann, Johannes Brahms, Hugo Wolf, Gustav Mahler or Richard Strauss. History Terminology For German speakers, the ...
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