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Francesco Milizia
Francesco Milizia (15 November 17257 March 1798) was an Italian writer and art theorist. He was one of the leading Italian theorist of Neoclassicism. His writings combine neoclassical admiration for Ancient Greek art with Enlightenment rationalism and utilitarianism, showing also a taste for the expressive and the dramatic, and appreciation of Roman and Gothic art. Biography Francesco Milizia studied in Naples, Rome and Padua and in 1761 he settled in Rome. There he began the publication of an influential series of theoretical works, beginning with a biographical encyclopedia of architects (1768). Ferdinand IV, King of Naples, appointed him superintendent of the Farnese buildings in the Papal States, but he soon resigned this post (1780) to resume his literary career. He was friendly with José Nicolás de Azara and the painter Anton Raphael Mengs, whose art he promoted. Theories Although Milizia advocated "great masses, great forms and great tracts" in architecture, he adop ...
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Oria, Apulia
Oria (or ''Orra'', ; or , '; ) is a town and ''comune'' in the Apulia region (Salento), in the province of Brindisi, in southern Italy. It is the seat of the Roman Catholic Diocese of Oria. History Antiquity In classical times, Oria was known as ''Hyria (Uria)'' or ''Hyrium'', one of the principal ancient Messapian cities. It was just north of the ancient town of Manduria, southwest of Brundisium, and southeast of Taras/ Tarentum, corresponding to the location of the modern town. According to Herodotus (7.170), it was founded by the Messapians (who, according to Herodotus, were originally Cretans) sometime after the abortive siege of the Sicanian city Camicus. Messapians were probably of Illyrian origin. Strabo mentions that he saw there the old palace of the Messapian kings (vi. 3. 6, p. 282). Between 217 and 84 BC the city was minting its own coins. The coins often feature '' Iapagus'', the Iapygian national hero. Middle Ages Oria was conquered by the Romans and be ...
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Padua
Padua ( ) is a city and ''comune'' (municipality) in Veneto, northern Italy, and the capital of the province of Padua. The city lies on the banks of the river Bacchiglione, west of Venice and southeast of Vicenza, and has a population of 207,694 as of 2025. It is also the economic and communications hub of the area. Padua is sometimes included, with Venice and Treviso, in the Padua-Treviso-Venice Metropolitan Area (PATREVE) which has a population of around 2,600,000. Besides the Bacchiglione, the Brenta River, which once ran through the city, still touches the northern districts. Its agricultural setting is the Venetian Plain. To the city's south west lies the Euganean Hills, Euganaean Hills, which feature in poems by Lucan, Martial, Petrarch, Ugo Foscolo, and Percy Bysshe Shelley. Padua has two UNESCO World Heritage List entries: its Botanical Garden of Padua, Botanical Garden, which is the world's oldest, and its 14th-century frescoes, situated in Padua's fourteenth-centu ...
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Symmetry
Symmetry () in everyday life refers to a sense of harmonious and beautiful proportion and balance. In mathematics, the term has a more precise definition and is usually used to refer to an object that is Invariant (mathematics), invariant under some Transformation (function), transformations, such as Translation (geometry), translation, Reflection (mathematics), reflection, Rotation (mathematics), rotation, or Scaling (geometry), scaling. Although these two meanings of the word can sometimes be told apart, they are intricately related, and hence are discussed together in this article. Mathematical symmetry may be observed with respect to the passage of time; as a space, spatial relationship; through geometric transformations; through other kinds of functional transformations; and as an aspect of abstract objects, including scientific model, theoretic models, language, and music. This article describes symmetry from three perspectives: in mathematics, including geometry, the m ...
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Functionalism (architecture)
In architecture, functionalism is the principle that buildings should be designed based solely on their purpose and function. An international functionalist architecture movement emerged in the wake of World War I, as part of the wave of Modernism. Its ideas were largely inspired by a desire to build a new and better world for the people, as broadly and strongly expressed by the social and political movements of Europe after the extremely devastating world war. In this respect, functionalist architecture is often linked with the ideas of socialism and modern humanism. A new slight addition to this new wave of architecture was that not only should buildings and houses be designed around the purpose of functionality, architecture should also be used as a means to physically create a better world and a better life for people in the broadest sense. This new functionalist architecture had the strongest impact in Czechoslovakia, Germany, Poland, the USSR and the Netherlands, and from th ...
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Marc-Antoine Laugier
Marc-Antoine Laugier (Manosque, Provence, January 22, 1713 – Paris, April 5, 1769) was a Jesuit priest until 1755, then a Benedictine monk. Overlooking Claude Perrault and numerous other figures, Summerson notes, Laugier is best known for his ''Essay on Architecture'' published in 1753. In 1755 he published the second edition with a famous, often reproduced illustration of a primitive hut. His approach is to discuss some familiar aspects of Renaissance and post-Renaissance architectural practice, which he describes as 'faults'. These 'faults' induce his commentary on columns, the entablature, and on pediments. Among faults he lists for columns are that of "being engaged in the wall", the use of pilasters, incorrect entasis (swelling of the column), and setting columns on pedestal A pedestal or plinth is a support at the bottom of a statue, vase, column, or certain altars. Smaller pedestals, especially if round in shape, may be called socles. In civil engine ...
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Carlo Lodoli
Carlo Lodoli (28 November 1690 – October 27, 1761) was an Italian architectural theory, architectural theorist, Franciscan priest, mathematician and teacher, whose work anticipated modernist notions of Functionalism (architecture), functionalism and truth to materials. He claimed that architectural forms and proportions should be derived from the abilities of the material being used. He is sometimes referred to as the Socrates of architecture since his own writings have been lost his theories are only known from the works of others. Together with architects and architectural theorists including Claude Perrault, Abbé Jean-Louis de Cordemoy, Abbé Marc-Antoine Laugier, Lodoli articulated a rational architecture which challenged the prevailing Baroque and Rococo styles. Biography Carlo Lodoli came from a family who had close connections with the Venetian Arsenal and military engineering. After completing his initial studies at the monastery of San Francesco della Vigna, Venice, ...
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Yale University Press
Yale University Press is the university press of Yale University. It was founded in 1908 by George Parmly Day and Clarence Day, grandsons of Benjamin Day, and became a department of Yale University in 1961, but it remains financially and operationally autonomous. , Yale University Press publishes approximately 300 new hardcover A hardcover, hard cover, or hardback (also known as hardbound, and sometimes as casebound (At p. 247.)) book is one bookbinding, bound with rigid protective covers (typically of binder's board or heavy paperboard covered with buckram or other clo ... and 150 new paperback books annually and has a backlist of about 5,000 books in print. Its books have won five National Book Awards, two National Book Critics Circle Awards and eight Pulitzer Prizes. The press maintains offices in New Haven, Connecticut and London, England. Yale is the only American university press with a full-scale publishing operation in Europe. It was a co-founder of the dist ...
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Guarino Guarini
Camillo Guarino Guarini (17 January 16246 March 1683) was an Italian architect of the Piedmontese Baroque architecture, Baroque, active in Turin as well as Sicily, Kingdom of France, France and Kingdom of Portugal, Portugal. He was a Theatines, Theatine priest, mathematician, and writer.Guarino Guarini
Encyclopædia Britannica on-line
. His work represents the ultimate achievement of Italian Baroque structural engineering, creating in stone what could be attempted today in reinforced concrete. Together with Francesco Borromini, Guarini is the most renowned exponent of the anti-classical, anti-Vitruvian trend that dominated Italian architecture after Michelangelo but increasingly lost ground from the late 17th century. His subtly designed buildings, crowned with daring and complex domes, were ignor ...
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Francesco Borromini
Francesco Borromini (, ), byname of Francesco Castelli (; 25 September 1599 – 2 August 1667), was an Italian architect born in the modern Switzerland, Swiss canton of Ticino"Francesco Borromini."
''Encyclopædia Britannica.'' Web. 30 Oct. 2010.
who, with his contemporaries Gian Lorenzo Bernini and Pietro da Cortona, was a leading figure in the emergence of Roman Baroque architecture. A keen student of the architecture of Michelangelo and the ruins of Antiquity, Borromini developed an inventive and distinctive, if somewhat idiosyncratic, architecture employing manipulations of Classical architectural forms, geometrical rationales in his plans, and symbolic meanings in his buildings. His soft lead drawings are particularly distinctive. He seems to have had a sound understanding of structures that perh ...
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Moses (Michelangelo)
''Moses'' ( ; ) is a sculpture by the Italian High Renaissance artist Michelangelo, housed in the Basilica of San Pietro in Vincoli in Rome. Commissioned in 1505 by Pope Julius II for Tomb of Pope Julius II, his tomb, it depicts the Bible, biblical figure Moses with horned Moses, horns on his head, based on a description in chapter 34 of Book of Exodus, Exodus in the Vulgate, the Latin translation of the Bible used at that time. Some scholars believe the use of horns may often hold an antisemitic implication, while others hold that it is simply a convention based on the translation error. Sigmund Freud's interpretations of the statue from 1916 are particularly well-known. Some interpretations of the sculpture including Freud note a demotic force, but also as a beautiful figure, with an emotional intensity as God's word is revealed. The delicacy of some of the features such as Moses' flowing hair are seen as a remarkable technical achievement, but Freud argues that Michelangelo goes ...
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Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (6March 147518February 1564), known mononymously as Michelangelo, was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early. Two of his best-known works, the ''Pietà (Michelangelo), Pietà'' and ''David (Michelangelo), David'', were sculpted before the age of 30. Although he did not consider himself a painter, Michelangelo created ...
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Baroque
The Baroque ( , , ) is a Western Style (visual arts), style of Baroque architecture, architecture, Baroque music, music, Baroque dance, dance, Baroque painting, painting, Baroque sculpture, sculpture, poetry, and other arts that flourished from the early 17th century until the 1750s. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassicism, Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran art#Baroque period, Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep color, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to the rest of Italy, France, Spain, and Portugal, then to Austria, southern Germany, Poland and Russia. By the 1730s, i ...
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