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Francesco Mazzola
Girolamo Francesco Maria Mazzola (11 January 150324 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (, , ; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes '' Vision of Saint Jerome'' (1527) and the iconic if somewhat anomalous '' Madonna with the Long Neck'' (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period. His prodigious and individual talent has always been recognised, but his career was disrupted by war, especially the Sack of Rome in 1527, three years after he moved there, and then ended by his death at 37. He produced outstanding drawings, and was one of the first Italian painters to experiment with printmaking himself. While his portable works have always been keenly collected and ar ...
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Self-portrait In A Convex Mirror
''Self-Portrait in a Convex Mirror'' () is a painting by the Italian late Renaissance artist Parmigianino. It is housed in the Kunsthistorisches Museum, Vienna, Austria. History The work is mentioned by Late Renaissance art biographer Giorgio Vasari, who lists it as one of three small-size paintings that the artist brought to Rome with him in 1525. Vasari relays that the self-portrait was created by Parmigianino as an example to showcase his talent to potential customers. The portrait was donated to pope Clement VII, and later to writer Pietro Aretino, in whose house Vasari himself, then still a child, saw it. It was later acquired by Vicentine sculptor Valerio Belli and, after his death in 1546, by his son Elio. Through the intercession of Andrea Palladio, in 1560 the work went to Venetian sculptor Alessandro Vittoria, who bequeathed it to emperor Rudolf II. It arrived in Prague in 1608, and later it became part of the Habsburg imperial collections in Vienna (1777), although ...
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Bologna
Bologna ( , , ; ; ) is the capital and largest city of the Emilia-Romagna region in northern Italy. It is the List of cities in Italy, seventh most populous city in Italy, with about 400,000 inhabitants and 150 different nationalities. Its Metropolitan City of Bologna, metropolitan province is home to more than 1 million people. Bologna is most famous for being the home to the List of oldest universities in continuous operation, oldest university in continuous operation,Top Universities
''World University Rankings'' Retrieved 6 January 2010
Hunt Janin: "The university in medieval life, 1179–1499", McFarland, 2008, , p. 55f.de Ridder-Symoens, Hilde

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Parmigianino - Madonna And Child With Angels, Known As The Madonna With The Long Neck
Girolamo Francesco Maria Mazzola (11 January 150324 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (, , ; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes '' Vision of Saint Jerome'' (1527) and the iconic if somewhat anomalous '' Madonna with the Long Neck'' (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period. His prodigious and individual talent has always been recognised, but his career was disrupted by war, especially the Sack of Rome in 1527, three years after he moved there, and then ended by his death at 37. He produced outstanding drawings, and was one of the first Italian painters to experiment with printmaking himself. While his portable works have always been keenly collected and ar ...
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Cupola
In architecture, a cupola () is a relatively small, usually dome-like structure on top of a building often crowning a larger roof or dome. Cupolas often serve as a roof lantern to admit light and air or as a lookout. The word derives, via Italian language, Italian, from lower Latin ''cupula'' (classical Latin ''cupella''), (Latin ''cupa''), indicating a vault resembling an upside-down cup. The cylindrical drum underneath a larger cupola is called a tholobate. Background The cupola evolved during the Renaissance from the older Oculus (architecture), oculus. Being weatherproof, the cupola was better suited to the wetter climates of northern Europe. The chhatri, seen in Architecture of India, Indian architecture, fits the definition of a cupola when it is used atop a larger structure. Cupolas often serve as a Bell tower, belfry, Belvedere (structure), belvedere, or roof lantern above a main roof. In other cases they may crown a spire, tower, or Turret (architecture), turret. B ...
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Correggio
Antonio Allegri da Correggio (August 1489 – 5 March 1534), usually known as just Correggio (, also , , ), was an Italian Renaissance painter who was the foremost painter of the Parma school of the High Renaissance, who was responsible for some of the most vigorous and sensuous works of the sixteenth century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Baroque art of the seventeenth century and the Rococo art of the eighteenth century. He is considered a master of chiaroscuro. Early life Antonio Allegri was born in Correggio, Italy, Correggio, a small town near Reggio Emilia. His date of birth is uncertain (around 1489). His father was a merchant. Otherwise little is known about Correggio's early life or training. It is, however, often assumed that he had his first artistic education from his father's brother, the painter Lorenzo Allegri (painter), Lorenzo Allegri. In 1503–1505, he was apprenticed to Fran ...
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Francis Of Assisi
Giovanni di Pietro di Bernardone ( 1181 – 3 October 1226), known as Francis of Assisi, was an Italians, Italian Mysticism, mystic, poet and Friar, Catholic friar who founded the religious order of the Franciscans. Inspired to lead a Christianity, Christian life of poverty, he became a Mendicant, beggar and itinerant preacher. One of the most venerated figures in Christianity, Francis was canonized by Pope Gregory IX on 16 July 1228. He is commonly portrayed wearing a brown Religious habit, habit with a rope tied around his waist, featuring three knots symbolizing the evangelical counsels of poverty, chastity, and obedience. In 1219, he went to Egypt in an attempt to convert the sultan al-Kamil and put an end to the conflict of the Fifth Crusade. In 1223, he arranged for the first live nativity scene as part of the annual Christmas celebration in Greccio. According to Christian tradition, in 1224 Francis received the stigmata during the Vision (spirituality), apparition of ...
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Tempera
Tempera (), also known as egg tempera, is a permanent, fast-drying painting medium consisting of pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. ''Tempera'' also refers to the paintings done in this medium. Tempera paintings are very long-lasting, and examples from the first century AD still exist. Egg tempera was a primary method of painting until after 1500 when it was superseded by oil painting. A paint consisting of pigment and binder commonly used in the United States as poster paint is also often referred to as "tempera paint", although the binders in this paint are different from traditional tempera paint. Etymology The term ''tempera'' is derived from the Italian ''dipingere a tempera'' ("paint in distemper"), from the Late Latin ''distemperare'' ("mix thoroughly"). History Tempera painting has been found on early Egyptian sarcophagus decorations. Many of the Fayum mummy portraits use tempera, sometimes in comb ...
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Girolamo Bedoli
Girolamo Mazzola Bedoli (c. 1500–1569) was an Italian Painting, painter active in the Mannerism, Mannerist style. Biography Bedoli was born in Parma in a family coming from Viadana, Lombardy, Viadana in Lombardy. He was a near contemporary of Parmigianino, and after the early death of the latter master, he completed some frescoes initially commissioned from Parmigianino. For example, he completed works in the apse of Santa Maria della Steccata.European Paintings:Keith Christiansen (1982) Notable Acquisitions (Metropolitan Museum of Art) p.39. He is known to have worked in the studio of the Parmigianino's uncles in the city of Parma. He married the daughter of Pier Ilaro Mazzola, a cousin of Parmigianino, hence he added to his name the better known ''Mazzola'' appellation. He painted along with his father in law the ''Immaculate Conception'' for the ''Oratorio della Concezione'' (now in Galleria nazionale di Parma, Parma Gallery). Freedberg describes him in his masterpiece of th ...
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Viadana, Lombardy
Viadana (Emilian language#Dialects, Casalasco-Viadanese: ) is a ''comune'' (municipality) in the Province of Mantua in the Italian region Lombardy, located about southeast of Milan and about southwest of Mantua. Viadana borders the following municipalities: Boretto, Borgo Virgilio, Brescello, Casalmaggiore, Commessaggio, Dosolo, Gazzuolo, Marcaria, Mezzani, Motteggiana, Pomponesco, Sabbioneta, Suzzara. It is the hometown of Rugby Viadana. Physical geography The municipal territory lies at the southwestern end of the province of Mantua and borders three other provinces: Cremona (municipality of Casalmaggiore), Parma (municipality of Mezzani), and Reggio nell'Emilia (municipalities of Boretto and Brescello). The territory is completely flat and is watered by the Po (river), Po River along its entire southern border and by the Oglio River for much of its northern border. The territory of Viadana is part of the geographical area called Bassa Padana, and with its 102.50 km2 ...
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Mystical Marriage Of Saint Catherine (Parmigianino)
The ''Bardi Altarpiece'' (), is an Italian Mannerist painting by the Italian painter Parmigianino, dating from ''c.'' 1521. It is housed in the church of Santa Maria, at Bardi. History In 1521 Parma was invaded by the imperial-papal troops under Prospero Colonna, in the course of the Italian Wars. The young Parmigianino, then seventeen, was sent by his family to Viadana to his cousin's house. According to Italian late Renaissance art biographer Giorgio Vasari,Giorgio Vasari, ''Lives of the Most Excellent Painters, Sculptors, and Architects'' there Parmigianino painted two tempera panels: ''St. Francis Receiving the Stigmata'' (lost) and the ''Marriage of St. Catherine'', which was placed in the church of San Pietro. The latter was stolen in 1629, during the War of Mantuan Succession, and brought to Parma. Later, in unknown circumstances, it was transferred to the current location in Bardi, a town near Parma: here, in 1860, members of the Academy of Fine Arts of Parma recogniz ...
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San Giovanni Evangelista (Parma)
San Giovanni Evangelista is a Mannerism, Mannerist-style, Roman Catholic church located on Piazzale San Giovanni, located just behind the apse of the Parma Cathedral, in the historic center of Parma, northern Italy. The buildings surrounding the piazza were also part of a former Benedictine convent. The church is notable for its Correggio frescoes. History Construction of the abbey and church were begun in the 10th century under the patronage of then Bishop Sigefredus over a pre-existing oratory dedicated to Saint Colombanus. In 1477 the whole complex was damaged by a fire. The abbey basilica was rebuilt from around 1498 to 1510, according to a design by Bernardino Zaccagni. The abbey was suppressed in 1810, although the monks were able to return in 1817. Description The marble façade of the church opens onto the Piazzale San Giovanni. The facade was designed by Simone Moschino of Orvieto in proto-Baroque architecture, Baroque, or Mannerist, style in 1604, and completed in 1607, ...
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Giorgio Vasari
Giorgio Vasari (30 July 1511 – 27 June 1574) was an Italian Renaissance painter, architect, art historian, and biographer who is best known for his work ''Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of Western art history, art-historical writing, and still much cited in modern biographies of the many Italian Renaissance artists he covers, including Leonardo da Vinci and Michelangelo, although he is now regarded as including many factual errors, especially when covering artists from before he was born. Vasari was a Mannerist painter who was highly regarded both as a painter and architect in his day but rather less so in later centuries. He was effectively what would now be called the minister of culture to the Medici court in Florence, and the ''Lives'' promoted, with enduring success, the idea of Florentine superiority in the visual arts. Vasari designed the ''Tomb of Michelangelo'', his hero, in the Santa Croce, Fl ...
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