|
Francesco Feo
Francesco Feo (1691 – 28 January 1761) was an Italian composer, known chiefly for his operas. He was born and died in Naples, where most of his operas were premièred. Life Feo studied music at the '' Conservatorio di Santa Maria della Pietà'' in Naples, starting on 3 September 1704. Among the other composers he met there were Leonardo Leo, Giuseppe de Majo (who would later marry his niece), and Niccolò Jommelli. His first teacher was Andrea Basso, and after 1705 Nicola Fago, who had only just been appointed. Feo remained at the conservatory until some time around 1712. In 1713 he presented his first opera, ''L’amor tirannico, ossia Zenobia'' (''Tyrannical Love, or Zenobia''), and for carnival 1714 ''Il martirio di Santa Caterina'' (The Martyrdom of Saint Catherine of Egypt), an oratorio. His fame began to increase with sacred works for local churches, such as his ''Missa defunctorum'' (Requiem Mass) in 1718, and with his recitatives, arias and comic scenes for performanc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
WP Francesco Feo
WP or wp may refer to: Organisations * Warsaw Pact, a disbanded organization of Central and Eastern European communist states * , the Reich Party of the German Middle Class, a political party of Weimar Germany * , the Polish Armed Forces * Workers' Party (Singapore), a political party * Workers Party (United States), a defunct political party Science and technology * Watt-peak (Wp), the nominal power of a photovoltaic * Wilting point, in soil moisture determination Computing * Weakest precondition (''wp''), in computer science * Windows Phone, a smartphone operating system * WordPerfect, a word processor * Word processor, software used for the production of printable material * WordPress (wp.org), a content management system Websites * Wikipedia, an online encyclopedia * Wirtualna Polska, a Polish web portal * WordPress.com, a blog hosting provider powered by WordPress Transportation * Indian locomotive class WP * Western Pacific Railroad (reporting mark), a former American r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matteo Capranica
Matteo Capranica (26 August 1708 – c. 1776) was an Italian composer. Born in Amatrice, Capranica studied at the Conservatorio di Sant'Onofrio a Porta Capuana in Naples under Nicola Porpora, Ignazio Prota, and Francesco Feo. After completing his studies he worked as maestro di cappella at various churches in Naples and devoted himself to music composition of both sacred and secular works. He was for many years organist at the Naples Cathedral. His first opera, ''Carlo'', premiered at the Teatro Nuovo in Naples in 1736. He went on to compose eight more operas through 1753. His other works include 2 oratorios, 2 masses, 2 sonatas, a cantata, several works for harpsichord A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a musical keyboard, keyboard. This activates a row of levers that turn a ..., and various arias and duets for singers. He died in Naples.S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Scarlatti
Pietro Alessandro Gaspare Scarlatti (2 May 1660 – 22 October 1725) was an Italian Baroque composer, known especially for his operas and chamber cantatas. He is considered the most important representative of the Neapolitan school of opera. Nicknamed by his contemporaries "the Italian Orpheus", he divided his career between Naples and Rome, where he received his training; a significant part of his works was composed for the papal city. He is often considered the founder of the Neapolitan school, although he has only been its most illustrious representative: his contribution, his originality and his influence were essential, as well as lasting, both in Italy and in Europe. Particularly known for his operas, he brought the Italian dramatic tradition to its maximum development, begun by Monteverdi at the beginning of 17th century and continued by Cesti, Cavalli, Carissimi, Legrenzi and Stradella, designing the final form of the ''Da capo aria'', imitated throughout Euro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stabat Mater
The Stabat Mater is a 13th-century Christian hymn to Mary, which portrays her suffering as Jesus Christ's mother during his crucifixion. Its author may be either the Franciscan friar Jacopone da Todi or Pope Innocent III.Sabatier, Paul ''Life of St. Francis Assisi'' Charles Scribner Press, NY, 1919, page 286''The seven great hymns of the Mediaeval Church'' by Charles Cooper Nott 1868 ASIN: B003KCW2LA page 96 The title comes from its first line, "Stabat Mater dolorosa", which means "the sorrowful mother was standing". The hymn is sung at the liturgy on the memorial of Our Lady of Sorrows. The Stabat Mater has been set to music by many Western composers. Date The Stabat Mater has often been ascribed to Jacopone da Todi, OFM (ca. 1230–1306), but this has been strongly challenged by the discovery of the earliest notated copy of the Stabat Mater in a 13th-century gradual belonging to the Dominican nuns in Bologna (Museo Civico Medievale MS 518, fo. 200v-04r). The Stabat Mater ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Pergolesi
Giovanni Battista Draghi (; 4 January 1710 – 16 or 17 March 1736), often referred to as Giovanni Battista Pergolesi (), was an Italian Baroque composer, violinist, and organist. His best-known works include his Stabat Mater and the opera ''La serva padrona'' (''The Maid Turned Mistress''). His compositions include operas and sacred music. He died of tuberculosis at the age of 26. Biography Born in Jesi in what is now the Province of Ancona (but was then part of the Papal States), he was commonly given the nickname "Pergolesi", a demonym indicating in Italian the residents of Pergola, Marche, the birthplace of his ancestors. He studied music in Jesi under a local musician, Francesco Santi, before going to Naples in 1725, where he studied under Gaetano Greco and Francesco Feo among others. On leaving the conservatory in 1731, he won some renown by performing the oratorio in two parts ' ("The Phoenix on the Pyre, or The Death of Saint Joseph"), and the ''dramma sacro'' in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intermezzi
In music, an intermezzo (, , plural form: intermezzi), in the most general sense, is a composition which fits between other musical or dramatic entities, such as acts of a play or movements of a larger musical work. In music history, the term has had several different usages, which fit into two general categories: the opera intermezzo and the instrumental intermezzo. Renaissance intermezzo The Renaissance intermezzo was also called the intermedio. It was a masque-like dramatic piece with music, which was performed between the acts of a play at Italian court festivities on special occasions, especially weddings. By the late 16th century, the intermezzo had become the most spectacular form of dramatic performance, and an important precursor to opera. The most famous examples were created for Medici weddings in 1539, 1565, and 1589. In Baroque Spain the equivalent entremés or paso was a one-act comic scene, often ending in music and dance, between ''jornadas'' (acts) of a play.L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opere Serie
''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770. The term itself was rarely used at the time and only attained common usage once ''opera seria'' was becoming unfashionable and beginning to be viewed as something of a historical genre. The popular rival to ''opera seria'' was ''opera buffa,'' the 'comic' opera that took its cue from the improvisatory commedia dell'arte. Italian ''opera seria'' (invariably to Italian libretti) was produced not only in Italy but almost throughout Europe, and beyond (see Opera in Latin America, Opera in Cuba e. g.). Among the main centres in Europe were the court operas based in Warsaw (since 1628), Munich (founded in 1653), London (established in 1662), Vienna (firmly established 1709; first operatic representation: ''Il pomo d'oro'', 1668), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Francis De Sales
Francis de Sales (french: François de Sales; it, Francesco di Sales; 21 August 156728 December 1622) was a Bishop of Geneva and is revered as a saint in the Catholic Church. He became noted for his deep faith and his gentle approach to the religious divisions in his land resulting from the Protestant Reformation. He is known also for his writings on the topic of spiritual direction and spiritual formation, particularly the '' Introduction to the Devout Life'' and the ''Treatise on the Love of God''. Life Early years Francis de Sales was born two months premature on 21 August 1567 in the Château de Sales into the noble Sales family of the Duchy of Savoy, in what is today Thorens-Glières, Haute-Savoie, France. His father was François de Sales, Lord of Sales, and Novel, and by marriage, de Boisy. His mother was a noblewoman, Françoise de Sionnaz, the only child of the prominent magistrate, Melchior de Sionnaz, Seigneur de Vallières, de la Thuile, and de Boisy. This ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gian Francesco De Majo
Gian Francesco de Majo (24 March 1732 – 17 November 1770) was an Italian composer. He is best known for his more than 20 operas. He also composed a considerable amount of sacred works, including oratorios, cantatas, and masses. Life and career Born in Naples, Majo was the son of composer Giuseppe de Majo. He began his musical education with his father and then studied with his uncle Gennaro Manna and his great uncle Francesco Feo. At the age of 13 he became the harpsichordist at the royal chapel in Naples and at 15 began helping his father with his duties there as maestro di cappella. In 1758 he was made second organist at the royal chapel. On 7 February 1759 his first opera, ''Ricimero, re dei goti'', premiered in Parma. This was soon followed by a series of successful operas mounted in Naples. In 1761 and 1763 Majo traveled to Northern Italy, where he presented several of his compositions and studied for a short period with Giovanni Battista Martini. After a short ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Insanguine
Giacomo Antonio Francesco Paolo Michele Insanguine (also called ''Giacomo Monopoli'' after his birthplace Monopoli; 22 March 1728 – 1 February 1795) was an Italian composer, organist, and music educator. He was the last director (primo maestro) of the conservatoire of Sant'Onofrio in Naples Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's adminis ..., which merged in 1795, two years after Insanguine's death in Naples, with the conservatoire of Santa Maria di Loreto. The most important and up-to-date critical study on him was recently published in an Anthology of unpublished eighteenth-century music in Puglia.''Musiche Inedite del Settecento Pugliese'', Edizione critica a cura di Domenico Morgante, Padova, Armelin Musica, 2021 ISMN 979-0-2158-2588-8. References 1728 births 1793 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Girolamo Abos
Girolamo Abos, last name also given Avos or d'Avossa and baptized Geronimo Abos (16 November 1715 – May 1760), was a Maltese-Italian composer of both operas and church music. Born in Valletta, Malta, son of Gian Tommaso Abos, whose father was a Frenchman from Castellane and Rosa Farrugia, Abos studied under Leonardo Leo and Francesco Durante in Naples. In 1756, he became ''Maestro al Cembalo'' (Director of Music) at the Italian Theatre in London. In 1758 he returned to Italy as a teacher at the Conservatorio della Pietà de' Turchini in Naples, where Giovanni Paisiello was one of his pupils. He wrote fourteen operas for the opera houses in Naples, Rome, and London, of which ''Tito Manlio'' (Naples, 1751) was the most successful. After 1758 he composed a good deal of church music, including seven masses and several litanies. He died in Naples. Many of his sacred works, oratorios, and the opera Pelopida have been edited by the Australian musicologist and conductor Richard Divall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
