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Four Note Group
In music, four note group patterns, alternately called "four-note digital patterns" or simply "four note patterns", are one of many ways to formulate improvised solos in jazz. "Four-Note Grouping is an improvisation technique that uses major and minor triads along with specific passing notes as a means of generating lines. The concept of Four-Note Groupings lets the lines be more 'out' and stretch the possibility of available notes over a chord due to the structural integrity of the triad-based line." Four note group devices * Diatonic scale fragment * Arpeggio (of current chord, altered harmony or an implied passing chord) *Chromatic approach note (a note preceding a chord tone or scale tone one semitone above or below) *Chromatic surround notes (two notes preceding a chord tone one semitone above and below) *Pentatonic scale fragment Examples *John Coltrane: "Giant Steps" solo See also *Sequence (music) Sources {{reflist External links"Four Note Groupings Part 2" ''E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Improvisation
Musical improvisation (also known as musical extemporization) is the creative activity of immediate ("in the moment") musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other musicians. Sometimes musical ideas in improvisation are spontaneous, but may be based on chord changes in classical music and many other kinds of music. One definition is a "performance given extempore without planning or preparation". Another definition is to "play or sing (music) extemporaneously, by inventing variations on a melody or creating new melodies, rhythms and harmonies". ''Encyclopædia Britannica'' defines it as "the extemporaneous composition or free performance of a musical passage, usually in a manner conforming to certain stylistic norms but unfettered by the prescriptive features of a specific musical text." Improvisation is often done within (or based on) a pre-existing harmonic framework or chord p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diatonic Scale
In music theory, a diatonic scale is any heptatonic scale that includes five whole steps (whole tones) and two half steps (semitones) in each octave, in which the two half steps are separated from each other by either two or three whole steps, depending on their position in the scale. This pattern ensures that, in a diatonic scale spanning more than one octave, all the half steps are maximally separated from each other (i.e. separated by at least two whole steps). The seven pitches of any diatonic scale can also be obtained by using a chain of six perfect fifths. For instance, the seven natural pitch classes that form the C- major scale can be obtained from a stack of perfect fifths starting from F: :F–C–G–D–A–E–B Any sequence of seven successive natural notes, such as C–D–E–F–G–A–B, and any transposition thereof, is a diatonic scale. Modern musical keyboards are designed so that the white notes form a diatonic scale, though transpositions of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sequence (music)
In music, a sequence is the restatement of a motif or longer melodic (or harmonic) passage at a higher or lower pitch in the same voice.Benward and Saker (2003). ''Music: In Theory and Practice, Vol. I'', p.111-12. Seventh Edition. . It is one of the most common and simple methods of elaborating a melody in eighteenth and nineteenth century classical music ( Classical period and Romantic music). Characteristics of sequences: *Two segments, usually no more than three or four *Usually in only one direction: continuingly higher or lower *Segments continue by same interval distance It is possible for melody or harmony to form a sequence without the other participating. There are many types of sequences, each with a unique pattern. Listed below are some examples. Melodic sequences In a melody, a real sequence is a sequence where the subsequent segments are exact transpositions of the first segment, while a tonal sequence is a sequence where the subsequent segments are diaton ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giant Steps
''Giant Steps'' is the fifth studio album by jazz musician John Coltrane as leader. It was released in February 1960 on Atlantic Records. This was his first album as leader for Atlantic Records, with which he had signed a new contract the previous year. The record is regarded as one of the most influential jazz albums of all time. Many of its tracks have become practice templates for jazz saxophonists. In 2004, it was one of fifty recordings chosen that year by the Library of Congress to be added to the National Recording Registry. It attained gold record status in 2018, having sold 500,000 copies. Two tracks, "Naima" and "Syeeda's Song Flute", are respectively named after Coltrane's wife at the time and her daughter, whom he adopted. A third, "Mr. P.C.", takes its name from the initials of bassist Paul Chambers, who played on the album. A fourth, "Cousin Mary", is named in honor of Mary Lyerly, Coltrane's younger cousin. Background In 1959, Miles Davis's business manager Harold ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pentatonic Scale
A pentatonic scale is a musical scale with five notes per octave, in contrast to the heptatonic scale, which has seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancient civilizations and are still used in various musical styles to this day. There are two types of pentatonic scales: those with semitones (hemitonic) and those without (anhemitonic). Types Hemitonic and anhemitonic Musicology commonly classifies pentatonic scales as either ''hemitonic'' or ''anhemitonic''. Hemitonic scales contain one or more semitones and anhemitonic scales do not contain semitones. (For example, in Japanese music the anhemitonic ''yo'' scale is contrasted with the hemitonic ''in'' scale.) Hemitonic pentatonic scales are also called "ditonic scales", because the largest interval in them is the ditone (e.g., in the scale C–E–F–G–B–C, the interval found between C–E and G–B). (This should not be co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chromatic
Diatonic and chromatic are terms in music theory that are most often used to characterize scales, and are also applied to musical instruments, intervals, chords, notes, musical styles, and kinds of harmony. They are very often used as a pair, especially when applied to contrasting features of the common practice music of the period 1600–1900. These terms may mean different things in different contexts. Very often, ''diatonic'' refers to musical elements derived from the modes and transpositions of the "white note scale" C–D–E–F–G–A–B. In some usages it includes all forms of heptatonic scale that are in common use in Western music (the major, and all forms of the minor). ''Chromatic'' most often refers to structures derived from the twelve-note chromatic scale, which consists of all semitones. Historically, however, it had other senses, referring in Ancient Greek music theory to a particular tuning of the tetrachord, and to a rhythmic notational conventio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leading-tone
In music theory, a leading-tone (also called a subsemitone, and a leading-note in the UK) is a note or pitch which resolves or "leads" to a note one semitone higher or lower, being a lower and upper leading-tone, respectively. Typically, ''the'' leading tone refers to the seventh scale degree of a major scale (), a major seventh above the tonic. In the movable do solfège system, the leading-tone is sung as ''ti''. A leading-tone triad is a triad built on the seventh scale degree in a major key (vii in Roman numeral analysis), while a leading-tone seventh chord is a seventh chord built on the seventh scale degree (vii7). Walter Piston considers and notates vii as V, an incomplete dominant seventh chord. (For the Roman numeral notation of these chords, see Roman numeral analysis.) Note Seventh scale degree (or lower leading tone) Typically, when people speak of ''the'' leading tone, they mean the seventh scale degree () of the major scale, which has a strong affinit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chromaticism
Chromaticism is a compositional technique interspersing the primary diatonic pitches and chords with other pitches of the chromatic scale. In simple terms, within each octave, diatonic music uses only seven different notes, rather than the twelve available on a standard piano keyboard. Music is chromatic when it uses more than just these seven notes. Chromaticism is in contrast or addition to tonality or diatonicism and modality (the major and minor, or "white key", scales). Chromatic elements are considered, "elaborations of or substitutions for diatonic scale members".Matthew Brown; Schenker, "The Diatonic and the Chromatic in Schenker's "Theory of Harmonic Relations", ''Journal of Music Theory'', Vol. 30, No. 1 (Spring 1986), pp. 1–33, citation on p. 1. Development of chromaticism Chromaticism began to develop in the late Renaissance period, notably in the 1550s, often as part of ''musica reservata'', in the music of Cipriano de Rore, in Orlando Lasso's ''Prophe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Passing Chord
In music, a passing chord is a chord that connects, or passes between, the notes of two diatonic chords. "Any chord that moves between one diatonic chord and another one nearby may be loosely termed a passing chord. A diatonic passing chord may be inserted into a pre-existing progression that moves by a major or minor third in order to create more movement."Rawlins and Bahha (2005). ''Jazzology: The Encyclopedia of Jazz Theory for All Musicians'', p.104. . "'Inbetween chords' that help you get from one chord to another are called passing chords."Sokolow, Fred (2002). ''Jazzing It Up'', p.9. . For example, in the simple chord progression in the key of C Major, which goes from I7/iii7/ii7/V7: , Cmaj7 , Em7 , Dm7 , G7 , the diatonic (this means "from the scale of the tonic") passing chord (Dm7) may be inserted: , Cmaj7 Dm7 , Em7 , Dm7 , G7 , or the chromatic passing chord (Ebm7) may be inserted: , Cmaj7 , Em7 Ebm7 , Dm7 , G7 , or one or mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altered Chord
An altered chord is a chord that replaces one or more notes from the diatonic scale with a neighboring pitch from the chromatic scale. By the broadest definition, any chord with a non-diatonic chord tone is an altered chord. The simplest example of altered chords is the use of borrowed chords, chords borrowed from the parallel key, and the most common is the use of secondary dominants. As Alfred Blatter explains, "An altered chord occurs when one of the standard, functional chords is given another quality by the modification of one or more components of the chord." For example, altered notes may be used as leading tones to emphasize their diatonic neighbors. Contrast this with chord extensions: In jazz harmony, chromatic alteration is either the addition of notes not in the scale or expansion of a hordprogression by adding extra non-diatonic chords.Arkin, Eddie (2004). ''Creative Chord Substitution for Jazz Guitar'', p. 42. . For example, "A C major scale with an added D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portable Document Format
Portable Document Format (PDF), standardized as ISO 32000, is a file format developed by Adobe in 1992 to present documents, including text formatting and images, in a manner independent of application software, hardware, and operating systems.Adobe Systems IncorporatedPDF Reference, Sixth edition, version 1.23 (53 MB) Nov 2006, p. 33. Archiv/ref> Based on the PostScript language, each PDF file encapsulates a complete description of a fixed-layout flat document, including the text, fonts, vector graphics, raster images and other information needed to display it. PDF has its roots in "The Camelot Project" initiated by Adobe co-founder John Warnock in 1991. PDF was standardized as ISO 32000 in 2008. The last edition as ISO 32000-2:2020 was published in December 2020. PDF files may contain a variety of content besides flat text and graphics including logical structuring elements, interactive elements such as annotations and form-fields, layers, rich media (including video ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Solo (music)
In music, a solo (from the Spanish and Italian based-word: ''Solo'', meaning ''alone'' or ''by yourself'') is a piece or a section of a piece played or sung featuring a single performer, who may be performing completely alone or supported by an accompanying instrument such as a piano or organ, a continuo group (in Baroque music), or the rest of a choir, orchestra, band, or other ensemble. Performing a solo is "to solo", and the performer is known as a ''soloist''. The plural is soli or the anglicised form solos. In some contexts these are interchangeable, but ''soli'' tends to be restricted to classical music, and mostly either the solo performers or the solo passages in a single piece. Furthermore, the word ''soli'' can be used to refer to a small number of simultaneous parts assigned to single players in an orchestral composition. In the Baroque concerto grosso, the term for such a group of soloists was '' concertino''. An instrumental solo is often used in popular music duri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
