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Fondaco Dei Tedeschi
The ''Fondaco dei Tedeschi'', a historic building in Venice, Italy, is situated along the Grand Canal, close to the iconic Rialto Bridge. It was a hostel and a warehouse for the city's German ''(Tedeschi)'' merchants and their imports. After being destroyed by fire in 1505, the Fondaco dei Tedeschi was rebuilt in a Renaissance architectural style. It not only endured but also continued to serve its original purpose. Today, this building is used as a luxury mall located on Venice's Grand Canal. Etymology: Fondaco dei Tedeschi The word ''fondaco'' is derived from the Arabic ''funduk'' (or ''fundque'') that was in essence a caravanserai (or caravansary)–a combination warehouse, shop, and inn, for traveling merchants. The word ''funduq'' was also used to describe accommodation for European merchants in Eastern port towns''.'' The word ''Tedeschi'' means Germans. History The Fondaco dei Tedeschi was first constructed in 1228 next to the Rialto Bridge, and it was later rebuil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fondaco Dei Tedeschi 2012-05-13
The Grand Canal ( , locally and informally ; , locally usually ) is the largest Channel (geography), channel in Venice, Italy, forming one of the major water-traffic corridors in the city. One end of the canal leads into the Venetian Lagoon, lagoon near the Venezia Santa Lucia railway station, Santa Lucia railway station and the other end leads into the basin at San Marco; in between, it makes a large reverse-S shape through the central districts (''Sestiere (Venice), sestieri'') of Venice. It is long, and wide, with an average depth of . Description The banks of the Grand Canal are lined with more than 170 buildings, most of which date from the 13th to the 18th century, and demonstrate the welfare and art created by the Republic of Venice. The Venetian nobility, noble Venetian families faced huge expenses to show off their richness in suitable palazzos; this contest reveals the citizens’ pride and the deep bond with the lagoon. Amongst the many are the Palazzi Barbaro, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vittore Carpaccio
Vittore Carpaccio ( , , ; – ) was an Italian painter of the Venetian School (art), Venetian school who studied under Gentile Bellini. Carpaccio was largely influenced by the style of the early Italian Renaissance painter Antonello da Messina (), as well as Early Netherlandish art, Early Netherlandish painting. Although often compared to his mentor Gentile Bellini, Vittore Carpaccio's command of perspective, precise attention to architectural detail, themes of death, and use of bold color differentiated him from other Italian Renaissance artists. Many of his works display the religious themes and cross-cultural elements of art at the time; his portrayal of ''Saint Augustine in His Study (Carpaccio), Saint Augustine in His Study'' from 1502, reflects the popularity of collecting "exotic" and highly desired objects from different cultures. Carpaccio's works ranged from single pieces painted on canvas to altarpieces and large pictorial cycles. Several of the altarpieces, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Maria Zanetti (the Younger)
Antonio Maria Zanetti (the younger), also Anton Maria Zanetti, (1706–1778) was a Venetian art historian, noted for his knowledge of antiquities, numismatics, statues, cameos, and sculpted gems. He was skilled in architecture and perspective and was an expert in music. As custodian of the Marciana Library (1737–1778), he compiled the first modern catalogues of the manuscript collection with detailed bibliographical information. Life Antonio Maria was born in the parish of San Giacomo dell'Orio in Venice on 1 January 1706. He was the elder of two sons. The family of his father, Alessandro Zanetti, belonged to the citizen class, whereas the family of his mother, Antonia Limonti, originated in Milan.Zanetti, Girolamo, 'Memoria' At an unknown later date, the family transferred to the parish of Santa Maria Mater Domini.Zorzi, ''La libreria di san Marco''..., p. 258 As a youth, Antonio Maria studied with the Jesuits. He had a particular aptitude for the classics and over time, became ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gallerie Dell'Accademia
The Gallerie dell'Accademia is a museum gallery of pre-19th-century art in Venice, northern Italy. It is housed in the Scuola della Carità on the south bank of the Grand Canal, within the sestiere of Dorsoduro. It was originally the gallery of the Accademia di Belle Arti di Venezia, the art academy of Venice, from which it became independent in 1879, and for which the Ponte dell'Accademia and the Accademia boat landing station for the '' vaporetto'' water bus are named. The two institutions remained in the same building until 2004, when the art school moved to the Ospedale degli Incurabili. History Early history The Accademia di Belle Arti di Venezia was founded on 24 September 1750; the statute dates from 1756.Accademia di belle arti di Venezia, 1750–2010. Cenni storici (in Italian) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ca' D'Oro
The Ca' d'Oro, or Palazzo Santa Sofia, is a palace on the Grand Canal of Venice, Grand Canal in Venice, northern Italy. Ca' d'Oro or Cadoro translates to "House of Gold" or "Golden House" in English because of the Gilding, gilt and polychrome external decorations that once adorned its walls. It was designed by Marino Contarini and later restored by Baron Giorgio Franchetti. In 1927, the building was converted into a museum and since then has been known as the Galleria Giorgio Franchetti alla Ca' d'Oro. The Ca' d'Oro has long been regarded as the best-surviving palazzo in Venetian Gothic architecture, retaining all the most characteristic features, despite some losses. On the facade, the loggia-like window group of closely spaced small columns, with heavy tracery and quatrefoil openings above, use the formula from the Doge's Palace that had become iconic. There is also Byzantine-inspired decoration along the roofline and patterning in fancy colored stone to the flat wall surfaces. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian
Tiziano Vecellio (; 27 August 1576), Latinized as Titianus, hence known in English as Titian ( ), was an Italian Renaissance painter, the most important artist of Renaissance Venetian painting. He was born in Pieve di Cadore, near Belluno. Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exerted a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought after by patrons, initially from Venice and its possessions, then joined by the north Italian princes, and finally the Habsburgs and the papacy. Along with Giorgione, he is considered a founder of the Venetian school of Italian Renaissance painting. In 1590, the painter and art theorist Giovanni Paolo Lomazzo describe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgione
Giorgio Barbarelli da Castelfranco (; 1470s – 17 September 1510), known as Giorgione, was an Italian painter of the Venetian school during the High Renaissance, who died in his thirties. He is known for the elusive poetic quality of his work, though only about six surviving paintings are firmly attributed to him. The uncertainty surrounding the identity and meaning of his work has made Giorgione one of the most mysterious figures in European art. Together with his younger contemporary Titian, he founded the Venetian school of Italian Renaissance painting, characterised by its use of colour and mood. The school is traditionally contrasted with Florentine painting, which relied on a more linear disegno-led style. Life What little is known of Giorgione's life is given in Giorgio Vasari's '' Lives of the Most Excellent Painters, Sculptors, and Architects''. He came from the small town of Castelfranco Veneto, 40 km inland from Venice. His name sometimes appears as ''Zorz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fugger Family
The House of Fugger () is a German family that was historically a prominent group of European bankers, members of the fifteenth- and sixteenth-century mercantile patrician (post-Roman Europe), patriciate of Augsburg, international mercantile bankers, and venture capitalists. Alongside the Welser, Welser family, the Fugger family controlled much of the European economy in the sixteenth century and accumulated enormous wealth. The Fuggers held a near monopoly on the European copper market. This banking family replaced the House of Medici, Medici family who influenced all of Europe during the Renaissance. The Fuggers took over many of the Medicis' assets and their political power and influence. They were closely affiliated with the House of Habsburg whose rise to world power they financed. Unlike the citizenry of their hometown and most other trading patricians of German free imperial city, free imperial cities, such as the Tucher von Simmelsdorf, Tuchers, they never converted to Lu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Umayyad Mosque
The Umayyad Mosque (; ), also known as the Great Mosque of Damascus, located in the old city of Damascus, the capital of Syria, is one of the largest and oldest mosques in the world. Its religious importance stems from the eschatological reports concerning the mosque and historic events associated with it. Christian and Muslim tradition alike consider it the burial place of John the Baptist's head, a tradition originating in the 6th century. Two shrines inside the premises commemorate the Islamic prophet Muhammad's grandson Husayn ibn Ali, whose Battle of Karbala, martyrdom is frequently compared to that of John the Baptist. The site has been used as a house of worship since the Iron Age, when the Aram-Damascus, Arameans built on it a temple dedicated to their god of rain, Hadad. Under Roman Syria, Roman rule, beginning in 64 CE, it was converted into the center of the imperial cult of ancient Rome, imperial cult of Jupiter, the Roman god of rain, becoming one of the largest templ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Islamic Architecture
Islamic architecture comprises the architectural styles of buildings associated with Islam. It encompasses both Secularity, secular and religious styles from the early history of Islam to the present day. The Muslim world, Islamic world encompasses a wide geographic area historically ranging from western Africa and Europe to eastern Asia. Certain commonalities are shared by Islamic architectural styles across all these regions, but over time different regions developed their own styles according to local materials and techniques, local dynasties and patrons, different regional centers of artistic production, and sometimes Islamic schools and branches, different religious affiliations. Early Islamic architecture was influenced by Roman architecture, Roman, Byzantine architecture, Byzantine, Iranian architecture, Iranian, and Architecture of Mesopotamia, Mesopotamian architecture and all other lands which the early Muslim conquests conquered in the seventh and eighth centuries.: "As ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Merlon
A merlon is the solid, upright section of a battlement (a crenellated parapet) in medieval architecture or fortifications. Merlons are sometimes pierced by narrow, vertical embrasures, or tooth-like slits designed for observation and fire. The space between two merlons is called a crenel, and a succession of merlons and crenels is a crenellation. Crenels designed in later eras for use by cannons were also called embrasures. Etymology The term ''merlon'' comes from French 704 adapted from the Italian , possibly a shortened form of , perhaps connected to Latin ("two-pronged pitchfork"), or from a diminutive , from or (a wall). An alternative etymology suggests that the medieval Latin (mentioned from the end of the 10th century) functioned as a diminutive of Latin , " blackbird", expressing an image of this bird sitting on a wall. As part of battlements As an essential part of battlements, merlons were used in fortifications for millennia. The best-known examples appear on m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
