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Flower-and-bird
Bird-and-flower painting, called () in Chinese, is a kind of Chinese painting with a long tradition in China and is considered one of the treasures of Chinese culture. The was named after its subject matter. It originated in the Tang dynasty where it gained popularity, matured by the end of that period and during the Five Dynasties and Ten Kingdoms period, and fully reached its peak during the Song dynasty. Most paintings belong to the scholar-artist style of Chinese painting. In the coming centuries, the genre gained popularity and spread throughout the East Asian cultural sphere. It also had an influence on Iranian painting in the ' genre of illustration for book covers and illuminated manuscripts. Intended purpose and cultural significance According to Chinese tradition, the covers "flowers, birds, fish, and insects" (); thus, it can deal with a wide range of natural topics, including flowers, fish, insects, birds, pets (dogs, cats), etc. The paintings are inspired b ...
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Song Dynasty
The Song dynasty ( ) was an Dynasties of China, imperial dynasty of China that ruled from 960 to 1279. The dynasty was founded by Emperor Taizu of Song, who usurped the throne of the Later Zhou dynasty and went on to conquer the rest of the Five Dynasties and Ten Kingdoms period#Ten Kingdoms, Ten Kingdoms, ending the Five Dynasties and Ten Kingdoms period. The Song frequently came into conflict with the contemporaneous Liao dynasty, Liao, Western Xia and Jin dynasty (1115–1234), Jin dynasties in northern China. After retreating to southern China following attacks by the Jin dynasty, the Song was eventually conquered by the Mongol-led Yuan dynasty. The History of the Song dynasty, dynasty's history is divided into two periods: during the Northern Song (; 960–1127), the capital was in the northern city of Bianjing (now Kaifeng) and the dynasty controlled most of what is now East China. The #Southern Song, 1127–1279, Southern Song (; 1127–1279) comprise the period following ...
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Xu Xi (painter)
Xu Xi (Xú Xī))(died before 975), was a Chinese painter in the Southern Tang Southern Tang ( zh, c=南唐, p=Nán Táng) was a Dynasties in Chinese history, dynastic state of China that existed during Five Dynasties and Ten Kingdoms period. Located in southern China, the Southern Tang proclaimed itself to be the successor ... kingdom during the Five Dynasties and Ten Kingdoms period.Cihai page 802. Notes References * Ci hai bian ji wei yuan hui (辞海编辑委员会). Ci hai (辞海). Shanghai: Shanghai ci shu chu ban she (上海辞书出版社), 1979. 9th-century births Year of birth uncertain Year of death unknown 10th-century Chinese painters Painters from Nanjing Southern Tang painters {{China-painter-stub ...
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Emperor Huizong Of Song
Emperor Huizong of Song (7 June 1082 – 4 June 1135), personal name Zhao Ji, was the eighth emperor of the Song dynasty of China and the penultimate emperor of the Northern Song dynasty. He was also a very well-known painter, poet and calligrapher. Born as the 11th son of Emperor Shenzong, he ascended the throne in 1100 upon the death of his elder brother and predecessor, Emperor Zhezong, because Emperor Zhezong's only son died prematurely. He lived in luxury, sophistication and art in the first half of his life. In 1126, when the Jurchen-led Jin dynasty invaded the Song dynasty during the Jin–Song Wars, Emperor Huizong abdicated and passed on his throne to his eldest son, Zhao Huan while Huizong assumed the honorary title of '' Taishang Huang'' (or "Retired Emperor"). The following year, the Song capital, Bianjing, was conquered by Jin forces in an event historically known as the Jingkang Incident. Emperor Huizong and Emperor Qinzong and the rest of their family we ...
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Ren Yi
Ren Yi (; 1840–1896), also known as Ren Bonian, was a painter and son of a rice merchant who supplemented his income by doing portraits. He was born in Zhejiang, but after the death of his father in 1855 he lived in Shanghai. This move placed him in a more urban world that was exposed to Western thinking. In Shanghai he became a member of the Shanghai School which fused popular and traditional styles. Ren Bonian ranked with Ren Xiong, Ren Xun and Ren Yu as the "Four Rens." He was noted for his bold brushstrokes and use of color. In his earlier career the Song dynasty painters influenced him, but later on he favored a freer style influenced by the works of Zhu Da. Gallery File:'Portrait of Gao Yong's Wife', ink on paper by Ren Yi (1840-1896), 1886, Honolulu Academy of Arts.jpg, ''Portrait of Gao Yong's Wife'' by Rèn Yi, 1886, Honolulu Museum of Art File:Ren Bonian - Playing the Flute - Walters 35101C.jpg, ''Playing the Flute'', 1860–80, Walters Art Museum Sources *''C ...
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Gongbi
''Gongbi'' () is a careful realist technique in Chinese painting, the opposite of the interpretive and freely expressive '' xieyi'' (寫意 'sketching thoughts') style. The name is from the Chinese ''gong jin'' meaning 'tidy' (meticulous brush craftsmanship). The ''gongbi'' technique uses highly detailed brushstrokes that delimits details very precisely and without independent or expressive variation. It is often highly colored and usually depicts figural or narrative subjects. The term related to ''gongbi'', ''jiehua'' (Traditional: , Simplified: ) meaning "boundary painting", refers to the accurate depiction of architectural forms aided by the ruler. History The ''gongbi'' style had its beginnings approximately 2000 years ago during the Han dynasty (206 BC – 220 AD), when Han's political stability and its prosperity favored the advancement of the arts. These paintings peaked out between the Tang and Song dynasties (7th to 13th centuries) when these refined paintings were ...
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Zhang Daqian
Chang Dai-chien or Zhang Daqian (; 10 May 1899 – 2 April 1983) was one of the best-known and most prodigious Chinese artists of the twentieth century. Originally known as a '' guohua'' (traditionalist) painter, by the 1960s he was also renowned as a modern impressionist and expressionist painter. In addition, he is regarded as one of the most gifted master forgers of the twentieth century. Background Chang was born in 1899 in Sichuan Province to a financially struggling but artistic family, whose members had converted to Roman Catholicism. His first commission came at age 12, when a traveling fortune-teller requested he paint her a new set of divining cards. At age 17 he was captured by bandits while returning home from boarding school in Chongqing. When the bandit chief ordered him to write a letter home demanding a ransom, he was so impressed by the boy's brushmanship that he made the boy his personal secretary. During the more than three months that he was held captive, he ...
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Qi Baishi
Qi Baishi (1 January 1864 – 16 September 1957) was a Chinese painting, Chinese painter, noted for the whimsical, often playful style of his works. Born to a peasant family from Xiangtan, Hunan, Qi taught himself to paint, sparked by the Manual of the Mustard Seed Garden. After he turned 40, he traveled, visiting various scenic spots in China. After 1917 he settled in Beijing. Qi was the master of Hu Jieqing, the wife of Lao She. The subjects of his paintings include almost everything, commonly animals, scenery, figures, toys, vegetables, and so on. He theorized that "paintings must be something between likeness and unlikeness, much like today's vulgarians, but not like to cheat popular people". In his later years, many of his works depict mice, shrimp or birds. He was also good at seal carving and called himself "the rich man of three hundred stone seals" (). In 1953, he was elected president of the China Artists Association (). He died in Beijing in 1957. Early life He wa ...
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