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Flirting Scholar 2
''Flirting Scholar 2'' () is a 2010 Chinese comedy film directed by Hong Kong director Lee Lik-Chi and starring Huang Xiaoming, Zhang Jingchu, Natalis Chan, Zhou Libo and Richie Ren. It is a prequel to the 1993 Hong Kong film ''Flirting Scholar'', which starred Stephen Chow and also directed by Lee. Cast * Huang Xiaoming as Tang Bohu * Zhang Jingchu as Qiu Xiang * Natalis Chan as Chuk Chi Shan * Cheng Pei-pei as Madame Wah * Kingdom Yuen as Shek Lau * Mimi Chu as Chussy External links * at Wu-Jing.org * * * Flirting Scholar 2' at Hong Kong Cinemagic Hong Kong Cinemagic, sometimes referred to as HKCinemagic, was a bilingual ( French and English) website providing a repository for information about Chinese language films from Hong Kong, China and Taiwan, and the people who created them. The we ... 2010 films 2010s Mandarin-language films 2010 comedy films Chinese comedy films Films set in 15th-century Ming dynasty Films scored by Raymond Wong {{2010s-China-fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lee Lik-Chi
Lee Lik-chi (李力持) (born 10 May 1961) is a Hong Kong–based actor, director, and screenwriter. He is best known for his collaborations with Stephen Chow before disassociating each other due to frequent clashes. He is also an active contributor to local education, lecturing and organising filmmaking programs to students. Biography Lee was born into a working-class family and grew up in government housing. His father was a metalworker and his mother was a textile worker. He has two brothers and a sister. His chemistry teacher taught him how to use a camera. Lee started in the entertainment industry as a production assistant at ATV. Filmography *'' Kill the Monster'' (2021; director) *'' Four in Life'' (2013; director, writer) *'' Flirting Scholar 2'' (2010; director, writer) *'' The King of Comedy'' (1999; director) *''Gorgeous'' (1999; actor) *'' The Lucky Guy'' (1998; director, writer) *'' Troublesome Night 3'' (1998; actor) *''Killing Me Tenderly (film)'' (1997; dir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hong Kong Films Of 1993
This article lists feature-length Hong Kong films released in 1993. Box office The highest-grossing Hong Kong films released in 1993, by domestic box office gross revenue, are as follows: Releases Notes External linksIMDB list of Hong Kong films*Hong Kong films of 1993 aHKcinemamagic.com {{DEFAULTSORT:Hong Kong Films Of 1993 1993 Hong Kong Hong Kong)., Legally Hong Kong, China in international treaties and organizations. is a special administrative region of China. With 7.5 million residents in a territory, Hong Kong is the fourth most densely populated region in the wor ... 1993 in Hong Kong ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Comedy Films
Chinese may refer to: * Something related to China * Chinese people, people identified with China, through nationality, citizenship, and/or ethnicity **Han Chinese, East Asian ethnic group native to China. **''Zhonghua minzu'', the supra-ethnic concept of the Chinese nation ** List of ethnic groups in China, people of various ethnicities in contemporary China ** Ethnic minorities in China, people of non-Han Chinese ethnicities in modern China ** Ethnic groups in Chinese history, people of various ethnicities in historical China ** Nationals of the People's Republic of China ** Nationals of the Republic of China ** Overseas Chinese, Chinese people residing outside the territories of mainland China, Hong Kong, Macau, and Taiwan * Sinitic languages, the major branch of the Sino-Tibetan language family ** Chinese language, a group of related languages spoken predominantly in China, sharing a written script (Chinese characters in traditional and simplified forms) *** Standard Chines ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2010 Comedy Films
1 (one, unit, unity) is a number, numeral, and glyph. It is the first and smallest positive integer of the infinite sequence of natural numbers. This fundamental property has led to its unique uses in other fields, ranging from science to sports, where it commonly denotes the first, leading, or top thing in a group. 1 is the unit of counting or measurement, a determiner for singular nouns, and a gender-neutral pronoun. Historically, the representation of 1 evolved from ancient Sumerian and Babylonian symbols to the modern Arabic numeral. In mathematics, 1 is the multiplicative identity, meaning that any number multiplied by 1 equals the same number. 1 is by convention not considered a prime number. In digital technology, 1 represents the "on" state in binary code, the foundation of computing. Philosophically, 1 symbolizes the ultimate reality or source of existence in various traditions. In mathematics The number 1 is the first natural number after 0. Each natural numbe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2010 Films
1 (one, unit, unity) is a number, numeral, and glyph. It is the first and smallest positive integer of the infinite sequence of natural numbers. This fundamental property has led to its unique uses in other fields, ranging from science to sports, where it commonly denotes the first, leading, or top thing in a group. 1 is the unit of counting or measurement, a determiner for singular nouns, and a gender-neutral pronoun. Historically, the representation of 1 evolved from ancient Sumerian and Babylonian symbols to the modern Arabic numeral. In mathematics, 1 is the multiplicative identity, meaning that any number multiplied by 1 equals the same number. 1 is by convention not considered a prime number. In digital technology, 1 represents the "on" state in binary code, the foundation of computing. Philosophically, 1 symbolizes the ultimate reality or source of existence in various traditions. In mathematics The number 1 is the first natural number after 0. Each natural nu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hong Kong Cinemagic
Hong Kong Cinemagic, sometimes referred to as HKCinemagic, was a bilingual ( French and English) website providing a repository for information about Chinese language films from Hong Kong, China and Taiwan, and the people who created them. The website contained news, interviews, film reviews and a database of people, films and film studios as well as an illustrated glossary of terms. The web magazine existed in various forms for over two decades. the database contains over 10,000 films. The site was updated for the last time in December 2017. The site was designed and was maintained by Marc Delcambre, Jean-Louis Ogé and Thomas Podvin. The key staff and editors were Stéphane Jaunin, Arnaud Lanuque, Van-Thuan Ly, Philippe Quevillart and David-Olivier Vidouze. History The original HKCinemagic1 site was created in late 1998 by Laurent Henry and Thomas Podvin, and initially hosted on Wanadoo France, it began as a site dedicated to directors Tsui Hark and Wong Kar-wai. As the sit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cheng Pei-pei
Cheng Pei-pei (6 January 1946 – 17 July 2024) was a Hong Kong-American actress who was considered cinema's first female action hero. Popularly known as "Queen of Swords" and "Queen of Martial Arts Films", Cheng starred in numerous successful wuxia and martial arts films in Hong Kong, including the Shaw Brothers-produced ''Come Drink with Me'' (1966), which launched Cheng into stardom, '' Golden Swallow'' (1968), ''Lady Hermit'' (1971), ''Flirting Scholar'' (1993), and ''Crouching Tiger, Hidden Dragon'' (2000). For the latter, she won a Hong Kong Film Award for Best Supporting Actress. In addition to her Chinese-language works, Cheng also appeared in English-language productions, including '' Street Fighter: The Legend of Chun-Li'' (2009), '' Lifting'' (2014), '' Meditation Park'' (2017) and ''Mulan'' (2020). In television, she appeared in the '' Wong Fei Hung Series'' (1996), '' Young Hero Fong Sai Yuk'' (1999), '' Legendary Fighter: Yang's Heroine'' (2001), '' Book and Sword ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tang Yin
Tang Yin (; 6 March 1470 – 7 January 1524), courtesy name Bohu () and Ziwei (子畏), was a Chinese painter, calligrapher, and poet of the Ming dynasty period. Even though he was born during the Ming dynasty, many of his paintings, especially those of people, were illustrated with elements from Pre-Tang dynasty, Tang to Song dynasty art. Tang Yin is one of the most notable painters in the history of Chinese art. He is one of the "Four Masters of Ming dynasty” (''Ming Si Jia''), which also includes Shen Zhou (1427–1509), Wen Zhengming (1470–1559) and Qiu Ying (c. 1495–1552). His influence on the art of contemporaries, like Cai Han, is notable. Tang was also a talented poet, and together with his contemporaries Wen Zhengming, Zhu Yunming (1460–1526), and Xu Zhenqing, he was one of the "Four Literary Masters of the Wuzhong Region". Life Tang emerged from the vital merchant class of Suzhou, at a very low economic level of the son of a restaurant operator. Contrary to so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stephen Chow
Stephen Chow Sing-chi (; born 22 June 1962) is a Hong Kong filmmaker and former actor, known for his mo lei tau comedy. His career began in television, where he gained recognition through variety shows and TV dramas. Chow's breakthrough came in 1989 with the comedy dramas '' The Final Combat'' and ''The Justice of Life'', the latter marking the beginning of his on-screen collaboration with Ng Man-tat. He consecutively broke Hong Kong’s box office records in the next two years with films '' All for the Winner'' (1990) and '' Fight Back to School'' (1991), cementing his status as one of the region's most popular comedic actors. Since the early 1990s, Chow began working as a screenwriter and director, serving as a de facto director for '' Flirting Scholar'' (1993) before receiving his first directorial credit with '' From Beijing with Love'' (1994). His first two attempts at Hong Kong–mainland co-productions, ''Flirting Scholar'' and the two-part tragicomedy '' A Chinese Odyssey ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flirting Scholar
''Flirting Scholar'' (Cantonese: 唐伯虎點秋香; Jyutping: tong⁴ baak³ fu² dim² cau¹ heong¹) is a 1993 Hong Kong comedy film directed by Lee Lik-Chi. It parodies famous works of literature which feature the same characters and settings. The title is itself a pun. The phrase "點秋香" means "to light Autumn incense", but as "秋香" is the actual name of a character, the title can also mean "courts Chow Heung". Plot In the Ming Dynasty, there were four scholars, whose literary and artistic skills are unmatched in China. Tong Pak Fu ( Stephen Chow) is the most famous, for having eight wives in addition to his expertise as an artist, poet, and calligrapher. However, Tong's wives are all gambling addicts and unappreciative of Tong's artistic skills. This leads to Tong's quest for a woman who can truly appreciate his strengths. The Tong Family comes from a pedigree of martial arts masters. They have two major enemies: the Evil Scholar, a notorious swordsman known fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of Hong Kong
The cinema of Hong Kong ( zh, t=香港電影) is one of the three major threads in the history of Chinese-language cinema, alongside the cinema of China and the cinema of Taiwan. As a former Crown colony, Hong Kong had a greater degree of artistic freedom than mainland China and Taiwan, and developed into a filmmaking hub for the Chinese-speaking world (including its worldwide diaspora). For decades, Hong Kong was the third largest motion picture industry in the world following US cinema and Indian cinema, and the second largest exporter. Despite an industry crisis starting in the mid-1990s and Hong Kong's transfer to Chinese sovereignty in July 1997, Hong Kong film has retained much of its distinctive identity and continues to play a prominent part on the world cinema stage. In the West, Hong Kong's vigorous pop cinema (especially Hong Kong action cinema) has long had a strong cult following, which is now a part of the cultural mainstream, widely available and imitated. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
