Firecrackers (novel)
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Firecrackers (novel)
''Firecrackers, a Realistic Novel'' is a 1925 novel by American author Carl Van Vechten. It is one of several fictional works published that same year which assayed the temerity and hedonism of the Jazz Age including F. Scott Fitzgerald's ''The Great Gatsby'' and Anita Loos' '' Gentlemen Prefer Blondes.'' Van Vechten dedicated this novel to his friend James Branch Cabell. The book is considered to be the fourth entry in a series about New York's "Upper Bohemians." ''Firecrackers'' chronicles the further adventures of characters—such as Paul Moody, Gareth Johns, Ella Nattatorrini, and Edith Dale—who appeared in Vechten's earlier works, ''The Blind Bow-Boy'' (1923) and ''The Tattooed Countess'' (1924). Synopsis During 1924, a blasé coterie of pleasure-seeking sophisticates are inordinately excited by a handsome and athletic newcomer to their social circle, Gunnar O'Grady, "a youth with the appearance of a Greek Adonis." Alternately seeking and avoiding their attentions, ...
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Carl Van Vechten
Carl Van Vechten (; June 17, 1880December 21, 1964) was an American writer and Fine-art photography, artistic photographer who was a patron of the Harlem Renaissance and the literary estate, literary executor of Gertrude Stein. He gained fame as a writer, and notoriety as well, for his 1926 novel ''Nigger Heaven''. In his later years, he took up photography and took many portraits of notable people. Although he was married to women for most of his adult years, Van Vechten engaged in numerous homosexual affairs during his lifetime. Life and career Born in Cedar Rapids, Iowa, he was the youngest child of Charles Duane Van Vechten and Ada Amanda Van Vechten (née Fitch). Both of his parents were well educated. His father was a wealthy, prominent banker. His mother established the Cedar Rapids Public Library and had great musical talent. As a child, Van Vechten developed a passion for music and theatre. He graduated from Washington High School (Cedar Rapids, Iowa), Washington High ...
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Self-Portrait Of Carl Van Vechten Crisco Edit
Self-portraits are Portrait painting, portraits artists make of themselves. Although self-portraits have been made since the earliest times, the practice of self-portraiture only gaining momentum in the Early Renaissance in the mid-15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. With better and cheaper mirrors, and the advent of the panel painting, panel portrait, many painters, sculptors and printmakers tried some form of self-portraiture. ''Portrait of a Man in a Turban'' by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. He painted a separate portrait of his wife, and he belonged to the social group that had begun to commission portraits, already more common among wealthy Netherlanders than south of the Alps. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, did it become truly popular. ...
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