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Finger Vibrato
Finger vibrato is vibrato produced on a string instrument by cyclic hand movements. Despite the name, normally the entire hand moves, and sometimes the entire upper arm. It can also refer to vibrato on some woodwind instruments, achieved by lowering one or more fingers over one of the uncovered holes in a trill-like manner. This flattens the note periodically creating the vibrato. Violin and viola There are three types of violin vibrato: finger, arm and wrist vibrato. In finger vibrato, more or less the performer only moves his or her fingers, finger joints. In wrist vibrato, the performer will move the wrist back and forth while keeping the arm in a resting position. In the arm vibrato, the performer opens and closes the arm. Along with using different bodily movements to create vibrato, there are different methods in regards to forward or backward vibrato movements. Vibrato can be achieved by altering the tone of the note being played. Varying the pitch however, is the most cruci ...
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Vibrato
Vibrato (Italian language, Italian, from past participle of "wikt:vibrare, vibrare", to vibrate) is a musical effect consisting of a regular, pulsating change of pitch (music), pitch. It is used to add expression to vocal and instrumental music. Vibrato is typically characterized in terms of two factors: the amount of pitch variation ("extent of vibrato") and the speed with which the pitch is varied ("rate of vibrato"). In singing, it can occur spontaneously through variations in the larynx. The vibrato of a string instrument and wind instrument is an imitation of that vocal function. Vibrato can also be reproduced mechanically (Leslie speaker) or electronically as an Audio signal processing, audio effect close to Chorus (audio effect), chorus. Terminology History Descriptions of what would now be characterised as vibrato go back to the 16th century. However, no evidence exists of authors using the term vibrato before the 19th century. Instead, authors used various descrip ...
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Portamento
In music, portamento (: ''portamenti''; from old , meaning 'carriage' or 'carrying'), also known by its French name glissade, is a pitch sliding from one Musical note, note to another. The term originated from the Italian language, Italian expression ('carriage of the voice'), denoting from the beginning of the 17th century its use in vocal performances and emulation by members of the violin family and certain wind instruments, and is sometimes used interchangeably with Nonchord tone#Anticipation, anticipation. It is also applied to one type of glissando on, e.g., slide trombones, as well as to the "glide" function of Pedal steel guitar, steel guitars and synthesizers. Vocal portamento In the first example, Rodolfo's first aria in ''La sonnambula'' (1831), the portamento is indicated by the Slur (music), slur between the third and fourth notes. The second example, Judit's first line in ''Bluebeard's Castle'' (1912) by composer Béla Bartók, employs an inclining, wavy line b ...
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Quarter Tone
A quarter tone is a pitch halfway between the usual notes of a chromatic scale or an interval about half as wide (orally, or logarithmically) as a semitone, which itself is half a whole tone. Quarter tones divide the octave by 50 cents each, and have 24 different pitches. Quarter tones have their roots in the music of the Middle East and more specifically in Persian traditional music. However, the first evidenced proposal of the equally-tempered quarter tone scale, or 24 equal temperament, was made by 19th-century music theorists Heinrich Richter in 1823 Julian Rushton, "Quarter-Tone", ''The New Grove Dictionary of Music and Musicians'', second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan, 2001). and Mikhail Mishaqa about 1840. Composers who have written music using this scale include: Pierre Boulez, Julián Carrillo, Mildred Couper, George Enescu, Alberto Ginastera, Gérard Grisey, Alois Hába, Ljubica Marić, Charles Ives, Tristan Murail, Kr ...
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Whole Step
In Western music theory, a major second (sometimes also called whole tone or a whole step) is a second spanning two semitones (). A second is a musical interval encompassing two adjacent staff positions (see Interval number for more details). For example, the interval from C to D is a major second, as the note D lies two semitones above C, and the two notes are notated on adjacent staff positions. Diminished, minor and augmented seconds are notated on adjacent staff positions as well, but consist of a different number of semitones (zero, one, and three). The major second is the interval that occurs between the first and second degrees of a major scale, the tonic and the supertonic. On a musical keyboard, a major second is the interval between two keys separated by one key, counting white and black keys alike. On a guitar string, it is the interval separated by two frets. In moveable-do solfège, it is the interval between ''do'' and ''re''. It is considered a mel ...
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Guitar Tuning
Guitar tunings are the assignment of pitches to the open strings of guitars, including classical guitars, acoustic guitars, and electric guitars. Tunings are described by the particular pitches that are made by notes in Western music. By convention, the notes are ordered and arranged from the lowest-pitched string (i.e., the deepest bass-sounding note) to the highest-pitched string (i.e., the highest sounding note), or the thickest string to thinnest, or the lowest frequency to the highest. This sometimes confuses beginner guitarists, since the highest-pitched string is referred to as the 1st string, and the lowest-pitched is the 6th string. Standard tuning defines the string pitches as E (82.41 Hz), A (110 Hz), D (146.83 Hz), G (196 Hz), B (246.94 Hz), and E (329.63 Hz), from the lowest pitch (low E2) to the highest pitch (high E4). Standard tuning is used by most guitarists, and frequently used tunings can be understood as variations on standard tuning. To aid in memoris ...
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Scale Length (string Instruments)
The scale length of a string instrument is the maximum vibrating length of the strings that produce sound, and determines the range of tones that string can produce at a given tension. It is also called string length. On instruments in which strings are not "stopped" (typically by frets or the player's fingers) or divided in length (such as in the piano), it is the actual length of string between the nut and the bridge. String instruments produce sound through the vibration of their strings. The range of tones these strings can produce is determined by three primary factors: the linear density of the string, that is its mass per unit length (which is determined by its thickness and the density of the material), the tension placed upon it, and the instrument's scale length. Generally, a string instrument has all strings approximately the same length, so the scale length can be expressed as a single measurement, e.g., the violin and most guitars. Bowed strings Violin family The ...
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String Gauge
In music, strings are long flexible structures on string instruments that produce sound through vibration. Strings are held under tension so that they can vibrate freely. The pitch (frequency) at which a string will vibrate is primarily related to its vibrating length (also called speaking length), its tension, and its mass per unit of length. A vibrating string produces very little sound by itself. Therefore, most string instruments have a soundboard to amplify the sound. There are two main kinds of strings; plain and wound. "Plain" strings are simply one piece of long cylindrical material, commonly consisted of nylon or gut. "Wound" strings have a central core, with other material being tightly wound around the string . Prior to World War II, strings of many instruments (including violins and guitars) were composed of a material known as catgut, a type of cord made from refined natural fibers of animal intestines. During the mid-twentieth century however, steel and nylon ...
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The Wall
''The Wall'' is the eleventh studio album by the English rock band Pink Floyd, released on 30 November 1979 by Harvest/ EMI and Columbia/ CBS Records. It is a rock opera which explores Pink, a jaded rock star, as he constructs a psychological "wall" of social isolation. ''The Wall'' topped the US charts for 15 weeks and reached number three in the UK. It initially received mixed reviews from critics, many of whom found it overblown and pretentious, but later received accolades as one of the greatest albums of all time. The bassist, Roger Waters, conceived ''The Wall'' during Pink Floyd's 1977 In the Flesh tour, modelling the character of Pink after himself and the former member Syd Barrett. Recording spanned from December 1978 to November 1979. The producer Bob Ezrin helped to refine the concept and bridge tensions during recording, as the band members were struggling with personal and financial problems. The keyboardist, Richard Wright, was fired by Waters during produ ...
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Pink Floyd
Pink Floyd are an English Rock music, rock band formed in London in 1965. Gaining an early following as one of the first British psychedelic music, psychedelic groups, they were distinguished by their extended compositions, sonic experiments, philosophical lyrics, and elaborate Pink Floyd live performances, live performances, and became a leading progressive rock band. Pink Floyd were founded in 1965 by Syd Barrett (guitar, lead vocals), Nick Mason (drums), Roger Waters (bass guitar, vocals) and Richard Wright (musician), Richard Wright (keyboards, vocals). With Barrett as their main songwriter, they released two hit singles, "Arnold Layne" and "See Emily Play", and the successful debut studio album ''The Piper at the Gates of Dawn'' (all 1967). David Gilmour (guitar, vocals) joined in 1967; Barrett left in 1968 due to deteriorating mental health. Following Barrett's departure, all four remaining members contributed compositions, though Waters became the primary lyricist an ...
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Another Brick In The Wall
"Another Brick in the Wall" is a three-part composition on Pink Floyd's 1979 album '' The Wall'', written by the bassist, Roger Waters. "Part 2", a protest song against corporal punishment and rigid and abusive schooling, features a children's choir. At the suggestion of the producer, Bob Ezrin, Pink Floyd incorporated elements of disco. "Part 2" was Pink Floyd's first UK single since " Point Me at the Sky" (1968). It sold more than four million copies worldwide and topped singles charts in 14 countries, including the UK and the US. It was nominated for a Grammy Award and was ranked number 384 on ''Rolling Stone''s list of " The 500 Greatest Songs of All Time". Concept The three parts of "Another Brick in the Wall" appear on Pink Floyd's 1979 rock opera album '' The Wall''. They are essentially one verse each, although Part 2 sees its own verse sung twice: once by Floyd members, and the second time by the guest choir along with Waters and Gilmour. During "Part 1", the prot ...
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David Gilmour
David Jon Gilmour ( ; born 6 March 1946) is an English guitarist, singer and songwriter who is a member of the rock band Pink Floyd. He joined in 1967, shortly before the departure of the founder member Syd Barrett. By the early 1980s, Pink Floyd had become one of the highest-selling and most acclaimed acts in music history. Following the departure of Roger Waters in 1985, Pink Floyd continued under Gilmour's leadership and released the studio albums ''A Momentary Lapse of Reason'' (1987), ''The Division Bell'' (1994) and ''The Endless River'' (2014). Gilmour has released five solo studio albums: ''David Gilmour (album), David Gilmour'' (1978), ''About Face (album), About Face'' (1984), ''On an Island'' (2006), ''Rattle That Lock'' (2015) and ''Luck and Strange'' (2024). He has achieved three number-one solo albums on the UK Albums Chart, and six with Pink Floyd. He produced two albums by the Dream Academy, and is credited for bringing the singer-songwriter Kate Bush to public ...
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Pinch Harmonics
Playing a string harmonic (a flageolet) is a string instrument technique that uses the nodes of natural harmonics of a musical string to isolate overtones. Playing string harmonics produces high pitched tones, often compared in timbre to a whistle or flute. Palisca, Claude V.; ed. (1996). ''Norton Anthology of Western Music, Volume 1: Ancient to Baroque'', glossary, p.601. Third edition. W. W. Norton. . Overtones can be isolated "by lightly touching the string with the finger instead of pressing it down" against the fingerboard (without stopping). For some instruments this is a fundamental technique, such as the Chinese guqin, where it is known as ''fan yin'' ( 泛音, lit. "floating sound"), and the Vietnamese đàn bầu. Overtones When a string is plucked or bowed normally, the ear hears the fundamental frequency most prominently, but the overall sound is also colored by the presence of various overtones (frequencies greater than the fundamental frequency). The fundamental ...
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