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Film Styles
Film style refers to recognizable cinematic techniques used by filmmakers to create specific value in their work. These techniques can include all aspects of film language, including: sound design, mise-en-scène, dialogue, cinematography, editing, or direction. Style and the director A film director may have a distinctive filmmaking style that differs from other directors, similar to an author's own distinctive writing style. Through the analysis of film techniques, differences between filmmakers' styles become apparent. Bordwell, David; Kristin Thompson (2003). ''Film Art: An Introduction'' (Seventh edition ed.). New York: McGraw-Hill. There are many technical possibilities available to filmmakers. As a result, no single film will be made using every single technique. Historical circumstances, for example, limit the choices for the director. During the silent film era, filmmakers were not able to use synchronized dialogue until sound became possible in the late 1920s. Films befor ...
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Cinematic Techniques
This article contains a list of cinematic techniques that are divided into categories and briefly described. Basic definitions of terms ;180-degree rule :A continuity editorial technique in which sequential shots of two or more actors within a scene are all shot with the camera on one side of the two actors so that a coherent spatial relationship and eyeline match are maintained. ;Airborne shot :A shot taken from an aerial device, generally while moving. This technique has gained popularity in recent years due to the popularity and growing availability of drones. ;Arc :A dolly shot where the camera moves in an arc along a circular or elliptical radius in relation to the subject ("arc left" or "arc right") ; Backlighting (lighting design) :The main source of light is behind the subject, silhouetting it, and directed toward the camera. ;Bridging shot :A shot used to cover a jump in time or place or other discontinuity. Examples are a clock face showing advancing time, falling c ...
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Bourekas Film
Bourekas films () (named after bourekas) were a genre of Israeli-made comic melodrama films popular in Israel in the 1960s and 1970s. History ''Haaretz'' film critic Uri Klein describes Bourekas films as a "peculiarly Israeli genre of comic melodramas or tearjerkers... based on ethnic stereotypes". They were "home-grown farces and melodramas that provided escapist entertainment during a tense period in Israeli history". The term is said to have been coined by the Israeli film director Boaz Davidson, the creator of several such films, as a play-on-words on the "Spaghetti Western" genre, known as such because that particular Western subgenre was produced in Italy. Bourekas are a popular food in Israeli cuisine, it is also named because of a scene from '' The Policeman'' in which the title character offers one of his co-workers a boureka. Although Bourekas films were some of the most successful in the box office, they typically received terrible reviews from critics. They were desc ...
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Auteur Film
An (; , ) is an artist with a distinctive approach, usually a film director whose filmmaking control is so unbounded and personal that the director is likened to the "author" of the film, thus manifesting the director's unique style or thematic focus. As an unnamed value, auteurism originated in French film criticism of the late 1940s, and derives from the critical approach of André Bazin and Alexandre Astruc, whereas American critic Andrew Sarris in 1962 called it auteur theory. Yet the concept first appeared in French in 1955 when director François Truffaut termed it ''policy of the authors'', and interpreted the films of some directors, like Alfred Hitchcock, as a body revealing recurring themes and preoccupations. American actor Jerry Lewis directed his own 1960 film '' The Bellboy'' via sweeping control, and was praised for "personal genius". By 1970, the New Hollywood era had emerged with studios granting directors broad leeway. Pauline Kael argued, however, that "auteurs ...
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European Art Cinema
European art cinema is a branch of cinema that was popular in the latter half of the 20th century. It is based on a rejection of the tenets and techniques of classical Hollywood cinema. History European art cinema gained popularity in the 1950s down to the 1970s, with notable filmmakers such as Federico Fellini, Michelangelo Antonioni, and Ingmar Bergman. At this time it was new to the even broader field of art cinema. Differences from classical cinema The continuity editing system is not necessarily abandoned but instead is not ''needed''. The cause and effect driven narrative, as well as the goal-oriented protagonist are also not needed. Instead, we may have the protagonist wander around aimlessly for the whole movie, with nothing of real importance happening to drive him from one activity to the other. Classical Hollywood cinema has a narrative transitivity, in which there is "a sequence of events in which each unit follows the one preceding it according to a chain of causatio ...
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Arthouse Action Film
The action film is a film genre that predominantly features chase sequences, fights, shootouts, explosions, and stunt work. The specifics of what constitutes an action film has been in scholarly debate since the 1980s. While some scholars such as David Bordwell suggested they were films that favor spectacle to storytelling, others such as Geoff King stated they allow the scenes of spectacle to be attuned to storytelling. Action films are often hybrid with other genres, mixing into various forms such as comedies, science fiction films, and horror films. While the term "action film" or "action adventure film" has been used as early as the 1910s, the contemporary definition usually refers to a film that came with the arrival of New Hollywood and the rise of anti-heroes appearing in American films of the late 1960s and 1970s drawing from war films, crime films and Westerns. These genres were followed by what is referred to as the "classical period" in the 1980s. This was followed b ...
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Art Horror
Art horror or arthouse horror (sometimes called elevated horror) is a sub-genre of both horror films and art films. It explores and experiments with the artistic uses of horror. Characteristics Art-horror films tend to rely on atmosphere building, psychological character development, cinematic style and philosophical themes for effect – rather than straightforward scares. Art-horror films have been described as "a fascinating byproduct of the collision of art and commerce, of genre convention and personal vision". Historically, the genre was loosely related to J-horror and Italian Giallo. In the 2000s, a movement of transgressive films in France known as " New French Extremity" has been described as an arthouse horror film movement. Although commentators have suggested some horror films have exemplified qualities applicable to "art horror" for many decades, the term became more widely used during the 2010s, with independent film company A24 credited with popularising the ...
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Art Film
An art film, arthouse film, or specialty film is an independent film aimed at a niche market rather than a mass market audience. It is "intended to be a serious, artistic work, often experimental and not designed for mass appeal", "made primarily for aesthetic reasons rather than commercial profit", and containing "unconventional or highly symbolic content". Film critics and film studies scholars typically define an art film as possessing "formal qualities that mark them as different from mainstream Hollywood films". These qualities can include (among other elements) a sense of social realism; an emphasis on the authorial expressiveness of the director; and a focus on the thoughts, dreams, or motivations of characters, as opposed to the unfolding of a clear, goal-driven story. Film scholars David Bordwell and Barry Keith Grant describe art cinema as "a film genre, with its own distinct conventions". Art film producers usually present their films at special theaters (repertory ...
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Absolute Film
Absolute may refer to: Companies * Absolute Entertainment, a video game publisher * Absolute Radio, (formerly Virgin Radio), independent national radio station in the UK * Absolute Software Corporation, specializes in security and data risk management * Absolut Vodka, a brand of Swedish vodka Mathematics and science * Absolute (geometry), the quadric at infinity * Absolute (perfumery), a fragrance substance produced by solvent extraction * Absolute infinite or Tav (number), a number that is bigger than any other conceivable or inconceivable quantity * Absolute magnitude, the brightness of a star * Absolute value, a notion in mathematics, commonly a number's numerical value without regard to its sign * Absolute pressure, the pressure in a fluid, measured relative to a vacuum *Absolute temperature, a temperature on the thermodynamic temperature scale * Absolute zero, the lower limit of the thermodynamic temperature scale, -273.15 °C * Absoluteness (logic), a concept in ma ...
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Hand-held Camera
Hand-held camera or hand-held shooting is a filmmaking and video production technique in which a camera is held in the camera operator's hands as opposed to being mounted on a Tripod (photography), tripod or other base. Hand-held cameras are used because they are conveniently sized for travel and because they allow greater freedom of motion during filming. Newsreel camera operators frequently gathered images using a hand-held camera. Virtually all modern video cameras are small enough for hand-held use, but many professional video cameras are designed specifically for hand-held use such as for electronic news-gathering (ENG), and electronic field production (EFP). Hand-held camera shots often result in a shaky image, unlike the stable image from a tripod-mounted camera. Purposeful use of this technique is called shaky camera and can be heightened by the camera operator during filming, or artificially simulated in post-production. To prevent shaky shots, a number of image stabilizat ...
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Cloverfield
''Cloverfield'' is a 2008 American Found footage (film technique), found footage monster movie, monster horror film directed by Matt Reeves and written by Drew Goddard. It stars Lizzy Caplan, Jessica Lucas, T.J. Miller (in his film debut), Michael Stahl-David, Mike Vogel, and Odette Yustman. In the film, six friends attempt to flee from Clover (creature), a monster which attacks New York City. Development began when producer J. J. Abrams started conceptualizing a monster film and enlisted Neville Page to design the eventual creature, called Clover (creature), Clover. In February 2007, the project was secretly greenlit by Paramount Pictures and produced by Abrams's Bad Robot. Principal photography took place in Los Angeles and New York City in 2007. The project had several working titles, including ''Slusho'', ''Cheese'', and ''Greyshot''. As part of a viral marketing campaign, a teaser trailer was released ahead of screenings of ''Transformers (film), Transformers'' (2007) with ...
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Independence Day (1996 Film)
''Independence Day'' (also promoted as ''ID4'') is a 1996 American Science fiction film, science fiction action film directed by Roland Emmerich, written by Emmerich and the film's producer Dean Devlin. The film stars an ensemble cast of Will Smith, Bill Pullman, Jeff Goldblum, Mary McDonnell, Judd Hirsch, Margaret Colin, Randy Quaid, Robert Loggia, Vivica A. Fox, James Rebhorn, and Harvey Fierstein. The film follows disparate groups of people who converge in the Great Basin Desert, Nevada desert in the aftermath of a worldwide attack by a powerful Extraterrestrials in fiction, extraterrestrial race. With the other people of the world, they launch a counterattack on July 4—Independence Day (United States), Independence Day in the United States. Conceived by Emmerich while promoting Stargate (film), ''Stargate'' (1994), the film aimed to depict a large-scale alien invasion, departing from typical portrayals of extraterrestrial visits. Filming began in July 1995 and was complete ...
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