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Film Laboratory
A film laboratory is a commercial service enterprise and technical facility for the film industry where specialists develop, print, and conform film material for classical film production and distribution which is based on film material, such as negative and positive, black and white and color, on different film formats: 65-70mm, 35mm, 28mm, 16mm, 9.5mm, 8mm. The film laboratory managers can charge by the footage or by time used while in lab. History In the early days of motion pictures, films were processed by winding on flat racks and then dipping in tanks of solution. As films became longer, such methods proved to be too cumbersome. Processes Exposed motion picture film will be processed according to exact chemical prescriptions at measured temperature as well as over measured time. After processing there is an original, the camera or picture original, in most cases a negative. From it a first sample is exposed on a motion-picture film printer. Again after processing t ...
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Film Industry
The film industry or motion picture industry comprises the technological and commercial institutions of filmmaking, i.e., film production company, production companies, film studios, cinematography, animation, film production, screenwriting, pre-production, post production, post-production, film festivals, Distribution (marketing), distribution, and actors. Though the expense involved in making film almost immediately led film production to concentrate under the auspices of standing production companies, advances in affordable filmmaking equipment, as well as an expansion of opportunities to acquire investment capital from outside the film industry itself, have allowed independent film production to evolve. In 2019, the global box office was worth . When including box office and Home video, home entertainment revenue, the global film industry was worth in 2018. Cinema of the United States, Hollywood is the world's oldest national film industry, and largest in terms of box-office ...
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16 Mm Film
16 mm film is a historically popular and economical Film gauge, gauge of Photographic film, film. 16 mm refers to the width of the film (about inch); other common film gauges include 8 mm film, 8 mm and 35mm movie film, 35 mm. It is generally used for non-theatrical (e.g., industrial, educational, television) film-making, or for low-budget motion pictures. It also existed as a popular amateur or home movie-making format for several decades, alongside 8 mm film and later Super 8 film. Kodak, Eastman Kodak released the first 16 mm "outfit" in 1923, consisting of a Ciné-Kodak camera, Kodascope projector, tripod, screen and splicer, for US$335 (). RCA Records, RCA-Victor introduced a 16 mm sound movie projector in 1932, and developed an optical sound-on-film 16 mm camera, released in 1935. History Eastman Kodak introduced 16 mm film in 1923, as a less expensive alternative to 35mm movie film, 35 mm Film formats, film for amateurs. The ...
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Densitometer
A densitometer is a device that measures the degree of darkness (the optical density) of a photographic or semitransparent material or of a reflecting surface. The densitometer is basically a light source aimed at a photoelectric cell. It determines the density of a sample placed between the light source and the photoelectric cell from differences in the readings. Modern densitometers have the same components, but also have electronic integrated circuitry for better reading. Types *Transmission densitometers that measure transparent materials *A transmission densitometer used to measure transparent surfaces measure color transparencies. Film & transparent substrates are some examples of common transparent surface measures. *Reflection densitometers that measure light reflected from a surface of any state. Photography applications Some are capable of both types of measurements selectable by a switch. They are used in film photography to measure densities of negatives with the ...
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Sensitometry
Sensitometry is the scientific study of light-sensitive materials, especially photographic film. The study has its origins in the work by Ferdinand Hurter and Vero Charles Driffield (circa 1876) with early black-and-white emulsions. They determined how the density of silver produced varied with the amount of light received, and the method and time of development. Details Plots of film density (log of opacity) versus the log of exposure are called characteristic curves, Hurter–Driffield curves, H–D curves, HD curves, H & D curves, D–logE curves, or D–logH curves. At moderate exposures, the overall shape is typically a bit like an "S" slanted so that its base and top are horizontal. There is usually a central region of the HD curve which approximates to a straight line, called the "linear" or "straight-line" portion; the slope of this region is called the gamma. The low end is called the "toe", and at the top, the curve rounds over to form the "shoulder". At extremel ...
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Movie Projector
A movie projector (or film projector) is an optics, opto-mechanics, mechanical device for displaying Film, motion picture film by projecting it onto a movie screen, screen. Most of the optical and mechanical elements, except for the illumination and sound devices, are present in movie cameras. Modern movie projectors are specially built video projectors (see also digital cinema). Many projectors are specific to a particular film gauge and not all movie projectors are film projectors since the use of film is required. Predecessors The main precursor to the movie projector was the magic lantern. In its most common setup it had a concave mirror behind a light source to help direct as much light as possible through a painted glass picture slide and a lens, out of the lantern onto a screen. Simple mechanics to have the painted images moving were probably implemented since Christiaan Huygens introduced the apparatus around 1659. Initially, candles and oil lamps were used, but oth ...
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Film Print
A release print is a copy of a film that is provided to a movie theater for exhibition. Definitions Release prints are not to be confused with other types of prints used in the photochemical post-production process: * Rush prints, or dailies, are one-light, contact-printed copies made from an unedited roll of original camera negative immediately after processing and screened to the cast and crew in order to ensure that the takes can be used in the final film. * Workprints, sometimes called cutting copies, are, like rush prints, copies of a camera negative roll, or from selected takes. A workprint may be roughly corrected for brightness and color balance. The prints are used for editing before the negative itself is conformed, or cut to match the edited workprint. * An answer print is made either from the cut camera negative or an interpositive, depending on the production workflow, in order to verify that the grading ("timing" in American English) conforms to specificatio ...
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Filmstrip
The filmstrip is a form of still image instructional Media (communication), media, once widely used by educators in primary and secondary schools (K–12) and for corporate presentations (e.g., sales training and new product introductions). It was largely made obsolete by the late 1980s by newer and increasingly lower-cost full-motion videocassettes and later on by DVDs. From the 1920s to the 1980s, filmstrips provided an easy and less expensive alternative to full motion educational films, requiring little storage space and being very quick to rewind for the next use. Filmstrips were durable and rarely needed splicing. They are still used in some areas. Technology A filmstrip is a spool of 35mm movie film, 35 mm positive film containing a series of images (often thirty-two to sixty-four) in sequential order. Filmstrips could be inserted either vertically or horizontally, depending on the manufacturer, in front of the projector aperture. With vertically oriented strips, t ...
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Motion Picture
A film, also known as a movie or motion picture, is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, synchronized with sound and (less commonly) other sensory stimulations. Etymology and alternative terms The name "film" originally referred to the thin layer of photochemical emulsion on the celluloid strip that used to be the actual medium for recording and displaying motion pictures. Many other terms exist for an individual motion-picture, including "picture", "picture show", "moving picture", "photoplay", and "flick". The most common term in the United States is "movie", while in Europe, "film" is preferred. Archaic terms include "animated pictures" and "animated photography". "Flick" is, in general a slang term, first recorded in 1926. It originates in the verb flicker, owing to the flickering appearance of early films. ...
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8 Mm Film
8 mm film is a motion picture film format in which the film strip is wide. It exists in two main versions – the original standard 8 mm film, also known as regular 8 mm, and Super 8. Although both standard 8 mm and Super 8 are 8 mm wide, Super 8 has a larger image area because of its smaller and more widely spaced perforations. There are also two other varieties of Super 8 – Single 8 mm and Straight-8 – that require different cameras but produce a final film with the same dimensions. Standard 8 The standard 8 mm (also known as regular 8 or double 8) film format was developed by the Eastman Kodak company during the Great Depression and released to the market in 1932 to create a home movie format that was less expensive than 16 mm. Double 8 spools actually contain a 16 mm film with twice as many perforations along each edge as normal 16 mm film; on its first pass through the camera, the film is exposed only al ...
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28 Mm Film
28 mm film was introduced by the Pathé Film Company in 1912 under the name Pathé Kok. Geared toward the home market, 28 mm utilized diacetate film stock rather than the flammable nitrate commonly used in 35 mm. The film gauge was deliberately chosen such that it would be uneconomical to slit 35 mm nitrate film. Pathé in France and later Victor in the United States printed reduction prints (usually, although not always, abridged) of popular films for home rental, designed to be used in Pathéscope Cinematograph or Victor Animatograph projectors. World War I stopped European production of 28 mm. It continued in North America until 1920 before ceasing entirely. Shortly after, 9.5 mm and 16 mm would take the amateur film gauge role 28 mm had once filled. History of 28 mm film Pathé Frères Pathé Frères was founded by brothers Charles and Émile Pathé. The company had two divisions, a phonograph and a cinema portion, which were ...
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Film Stock
Film stock is an analog medium that is used for recording motion pictures or animation. It is recorded on by a movie camera, developed, edited, and projected onto a screen using a movie projector. It is a strip or sheet of transparent plastic film base coated on one side with a gelatin emulsion containing microscopically small light-sensitive silver halide crystals. The sizes and other characteristics of the crystals determine the sensitivity, contrast and resolution of the film.Karlheinz Keller et al. "Photography" in Ullmann's Encyclopedia of Industrial Chemistry, 2005, Wiley-VCH, Weinheim. The emulsion will gradually darken if left exposed to light, but the process is too slow and incomplete to be of any practical use. Instead, a very short exposure to the image formed by a camera lens is used to produce only a very slight chemical change, proportional to the amount of light absorbed by each crystal. This creates an invisible latent image in the emulsion, which ...
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35mm Movie Film
35 mm film is a film gauge used in filmmaking, and the film standard. In motion pictures that record on film, 35 mm is the most commonly used gauge. The name of the gauge is not a direct measurement, and refers to the nominal width of the 35 mm format photographic film, which consists of strips wide. The standard negative pulldown, image exposure length on 35 mm for movies ("single-frame" format) is four film perforations, perforations per Film frame, frame along both edges, which results in 16 frames per foot of film. A variety of largely proprietary gauges were devised for the numerous camera and projection systems being developed independently in the late 19th and early 20th centuries, along with various film feeding systems. This resulted in cameras, projectors, and other equipment having to be calibrated to each gauge. The 35 mm width, originally specified as inches, was introduced around 1890 by William Kennedy Dickson and Thomas Edison, using 120 film st ...
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