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Filippo Colini
Filippo Colini (21 October 1811 – June 1863) was an Italian operatic baritone. Debuted with the Accademia Filarmonica Romana in 1831. He is best known today for creating roles in the world premieres of several operas by Giuseppe Verdi, including Giacomo in ''Giovanna d'Arco'' (1845), Rolando in ''La battaglia di Legnano'' (1849), and Stankar in ''Stiffelio'' (1850). Colini was born in Rome. Other roles that he originated during his career include Appio Claudio in Alessandro Nini's ''Virginia'' (1843), Luigi XIV in Fabio Campana's ''Luisa di Francia'' (1844), Severo in Gaetano Donizetti's ''Poliuto'' (1848), Prospero in Fromental Halévy Jacques-François-Fromental-Élie Halévy, usually known as Fromental Halévy (; 27 May 179917 March 1862), was a French composer. He is known today largely for his opera ''La Juive''. Early career Halévy was born in Paris, son of the cantor ...'s ''La tempesta'' (1850), and Inquaro in Eugenio Terziani's ''Alfredo'' (1852). Refe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippo Colini Litho
Filippo is an Italian language, Italian male given name, which is the equivalent of the English language, English name Philip (name), Philip, from the Greek language, Greek ''Philippos'', meaning "amante dei cavalli".''Behind the Name''"Given Name Philip" Retrieved on 23 January 2016. The female variant is Filippa. The name may refer to: *Filippo I Colonna (1611–1639), Italian nobleman *Filippo II Colonna (1663–1714), Italian noblemen *Filippo Abbiati (1640–1715), Italian painter *Filippo Baldinucci (1624–1697), Italian historian *Filippo Brunelleschi (1377–1446), Italian architect *Filippo Carli (1876–1938), Italian sociologist *Filippo Castagna (1765–1830), Maltese politician *Filippo Coarelli (born 1936), Italian archaeologist *Filippo Coletti (1811–1894), Italian singer *Filippo di Piero Strozzi (1541–1582), French general *Filippo Salvatore Gilii (1721–1789), Italian priest and linguist *Filippo Grandi (born 1957), Italian diplomat *Filippo Illuminato (193 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the ave ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accademia Filarmonica Romana
The Accademia Filarmonica Romana is a musical institution based in Rome, Italy. It was established in 1821 by a group of upper class amateur musicians led by the Marquis Raffaele Muti Papazzurri (1801–1858) in order to encourage the performance of chamber music and symphony, and to perform in concert operas whose representation was hampered by censorship. In 1824 it became an official institution of the Papal States with the aim of "training students to the exercise of the vocal and instrumental music."Gaetano Moroni. "Accademie di Roma e Pontificie". ''Dizionario di erudizione storico-ecclesiastica, Vol. I''. Dalla Tipografia Emiliana, 1840. The Academy suspended its activities between 1849 and 1856 for economic difficulties, and in 1860 it was disbanded by the papal government, as many of its members were accused of having liberal ideas. It resumed its activities in 1870. Gaetano Donizetti collaborated with the institution by composing a part of a cantata A cantata (; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini, whose works significantly influenced him. In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanna D'Arco
''Giovanna d'Arco'' (''Joan of Arc'') is an operatic ''dramma lirico'' with a prologue and three acts by Giuseppe Verdi set to an Italian libretto by Temistocle Solera, who had prepared the libretti for ''Nabucco'' and ''I Lombardi''. It is Verdi's seventh opera. The work partly reflects the story of Joan of Arc and appears to be loosely based on the play ''Die Jungfrau von Orleans'' by Friedrich von Schiller. Verdi wrote the music during the autumn and winter of 1844/45 and the opera had its first performance at Teatro alla Scala in Milan on 15 February 1845. This opera is not to be confused with Rossini's cantata of the same name, which was composed in 1832 for contralto and piano, and runs approximately 15 minutes. Libretto By the middle of the 19th century, the story of Joan of Arc had served as the basis for many operas, including those of Nicola Vaccai (1827) and Giovanni Pacini (1830), both of which were strongly reminiscent of Schiller's play. Solera was asked by Verdi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Battaglia Di Legnano
''La battaglia di Legnano'' (''The Battle of Legnano'') is an opera in four acts, with music by Giuseppe Verdi to an Italian-language libretto by Salvadore Cammarano. It was based on the play ''La Bataille de Toulouse'' by Joseph Méry, later the co-librettist of ''Don Carlos''. Written as a commission from the Teatro Argentina in the "beleaguered republic" of Rome while the composer was still living in Paris, he traveled to Rome in late 1848 to prepare the opera for its first performance, which was given on 27 January 1849. Musicologist Roger Parker describes the première as "a clamorous success, with the entire final act encored"Parker, p. 349 and the audience wild with enthusiasm. He goes to add that act 4 was encored at every performance of the run. However, we learn elsewhere that the opera failed in its 1850 production in Genoa. In later years ''Battaglia'' was given under different settings and different titles until Italian unification allowed for the opera to be present ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stiffelio
''Stiffelio'' is an opera in three acts by Giuseppe Verdi, from an Italian libretto by Francesco Maria Piave. The origin of this was the novel ''Le pasteur d’hommes'', by Émile Souvestre, which was published in 1838. This was adapted into the French play ''Le pasteur, ou L'évangile et le foyer'' by Souvestre together with Eugène Bourgeois. (Its premiere was on 10 February 1849 at the Théâtre de la Porte Saint-Martin in Paris.) That play was in turn translated into Italian by Gaetano Vestri as ''Stifellius''; this formed the basis of Piave's libretto. Verdi's experience in Naples for '' Luisa Miller'' had not been a good one and he returned home to Busseto to consider the subject for his next opera. The idea for ''Stiffelio'' came from his librettist and, entering into a contract with his publisher, Ricordi, he agreed to proceed, leaving the decision as to the location of the premiere to Ricordi. This became the Teatro Grande (now the Teatro Comunale Giuseppe Verdi) in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Nini
Alessandro Nini (born in Fano near Pesaro, 1 November 1805 – died in Bergamo, 27 December 1880) was an Italian composer of operas and church music, also chamber music and symphonies. Of the eight operas he composed, '' La marescialla d'Ancre'' is considered his best work. He also contributed to a portion of Messa per Rossini. Specifically the fifth section of ''II. Sequentia'', Ingemisco for solo tenor and chorus. Operas *''Ida della torre'' (11 November 1837, Venice) *''La marescialla d'Ancre'' (23 July 1839, Padua) *''Cristina di Svezia'' (6 June 1840, Genoa) *''Margherita d'Yorck'' (21 March 1841, Venice) *''Odalisa'' (19 February 1842, Milan) *''Virginia'' (21 February 1842, Genoa) *''La marescialla d'Ancre'' ev(1 May 1847, Milan) *''Il corsaro'' (25 September 1847 Turin Turin ( , Piedmontese: ; it, Torino ) is a city and an important business and cultural centre in Northern Italy. It is the capital city of Piedmont and of the Metropolitan City of Turin, and wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fabio Campana
Fabio Campana (14 January 1819 – 2 February 1882) was an Italian composer, opera director, conductor, and singing teacher who composed eight operas which premiered between 1838 and 1869.Ambìveri (1998) p. 32 He was born in Livorno, the city where his first two operas premiered, but in the early 1850s he settled in London. There he opened a famous singing school, conducted concerts, and continued his reputation as a prolific and popular composer of art songs and concert arias. His last opera, ''Esmeralda'', premiered in Saint Petersburg in 1869, followed by London performances in 1870 with Adelina Patti in the title role. Campana died in London at the age of 63. Although his operas are no longer performed, his art songs can be heard on several modern recordings. Life and career Campana was born in Livorno and initially studied music there with Bernardo Nucci before going on to further studies at the Naples Conservatory and finally at the Accademia Filarmonica di Bologna. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaetano Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the ''bel canto'' opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy '' Il Pigmalione'', which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poliuto
''Poliuto'' is a three-act ''tragedia lirica'' (or tragic opera) by Gaetano Donizetti from the Italian libretto by Salvadore Cammarano, which was based on Pierre Corneille's play ''Polyeucte'' written in 1641–42. It reflected the life of the early Christian martyr Saint Polyeuctus. Regarded by one author as Donizetti's "most personal opera" with the music being "some of the finest Donizetti was to compose",Allitt 1991, pp. 177—187 ''Poliuto'' was written in 1838 for performances planned at the Teatro San Carlo in Naples later that year. However, close to the time for rehearsals to begin, King Ferdinand II refused to allow the martyrdom of a Christian saint to be seen on stage and forbade the production.Ashbrook and Hibberd 2001, p. 224 Angry at the decision and with a commission for the Paris Opéra due from the composer, Donizetti paid the penalty to the San Carlo for not producing an original work as a substitute, and left Naples for Paris arriving on 21 October. As hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fromental Halévy
Jacques-François-Fromental-Élie Halévy, usually known as Fromental Halévy (; 27 May 179917 March 1862), was a French composer. He is known today largely for his opera ''La Juive''. Early career Halévy was born in Paris, son of the cantor Élie Halfon Halévy, who was the secretary of the Jewish community of Paris and a writer and teacher of Hebrew, and a French Jewish mother. The name Fromental (meaning 'oat grass'), by which he was generally known, reflects his birth on the day dedicated to that plant: 7 Prairial in the French Revolutionary calendar, which was still operative at that time. He entered the Conservatoire de Paris at the age of nine or ten (accounts differ), in 1809, becoming a pupil and later protégé of Cherubini. After two second-place attempts, he won the Prix de Rome in 1819: his cantata subject was ''Herminie''. As he had to delay his departure to Rome because of the death of his mother, he was able to accept the first commission that brought him to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
