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Filippino Lippi
Filippino Lippi (probably 1457 – 18 April 1504) was an Italian Renaissance painter mostly working in Florence, Italy during the later years of the Early Renaissance and first few years of the High Renaissance. He also worked in Rome for a period from 1488, and later in the Milan area and Bologna. He worked in oils, tempera and fresco, mostly painting religious subjects, with a few portraits and secular allegories or scenes from classical mythology. Biography Filippino Lippi was born, probably in 1457, at Prato, Tuscany, the illegitimate son to Lucrezia Buti and the painter Fra Filippo Lippi; both had broken clerical vows, and though after Filippino's birth they received a papal dispensation to marry (arranged by Lorenzo di Medici), Vasari says that they never did. His sister Alessandra was born in 1465. Filippino first trained under his father in his workshop. They moved to Spoleto, where Filippino served as workshop assistant during the construction of Spoleto Cath ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adoration Of The Magi (Filippino Lippi)
The Adoration of the Magi is a panel painting in tempera by the Italian Renaissance painter Filippino Lippi, of the very common subject of the Adoration of the Magi, signed and dated 1496. It is now in the Uffizi, Galleria degli Uffizi in Florence. The panel was painted for the monastery of San Donato in Vicchio, Scopeto (), as a substitution for Adoration of the Magi (Leonardo), the one commissioned in 1481 from Leonardo da Vinci, who left it unfinished. In 1529 it was acquired by Cardinal Carlo de' Medici and in 1666 it became part of the Uffizi collection, left to the city by the last of the Medicis. Filippino Lippi followed Leonardo's setting, in particular in the central part of the work. Much of its inspiration was clearly derived from Botticelli's ''Adoration of the Magi of 1475 (Botticelli), Adoration of the Magi'', also in the Uffizi: this is evident in the disposition of the characters on the two sides, with the Holy Family portrayed in the centre under. Similarly to Bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brancacci Chapel
The Brancacci Chapel (in Italian language, Italian, "Cappella dei Brancacci") is a chapel in the Church of Santa Maria del Carmine di Firenze, Santa Maria del Carmine in Florence, central Italy. It is sometimes called the "Sistine Chapel of the early Renaissance" for its painting cycle, among the most famous and influential of the period. Construction of the chapel was commissioned by Felice Brancacci and begun in 1422. The paintings were executed over the years 1425 to 1427. Public access is currently gained via the neighbouring convent, designed by Filippo Brunelleschi, Brunelleschi. The church and the chapel are treated as separate places to visit and as such have different opening times and it is quite difficult to see the rest of the church from the chapel. The patron of the pictorial decoration was Felice Brancacci, descendant of Pietro, who had served as the Florentine ambassador to Cairo until 1423. Upon his return to Florence, he hired Masolino da Panicale to paint his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempera
Tempera (), also known as egg tempera, is a permanent, fast-drying painting medium consisting of pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. ''Tempera'' also refers to the paintings done in this medium. Tempera paintings are very long-lasting, and examples from the first century AD still exist. Egg tempera was a primary method of painting until after 1500 when it was superseded by oil painting. A paint consisting of pigment and binder commonly used in the United States as poster paint is also often referred to as "tempera paint", although the binders in this paint are different from traditional tempera paint. Etymology The term ''tempera'' is derived from the Italian ''dipingere a tempera'' ("paint in distemper"), from the Late Latin ''distemperare'' ("mix thoroughly"). History Tempera painting has been found on early Egyptian sarcophagus decorations. Many of the Fayum mummy portraits use tempera, sometimes in comb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louvre
The Louvre ( ), or the Louvre Museum ( ), is a national art museum in Paris, France, and one of the most famous museums in the world. It is located on the Rive Droite, Right Bank of the Seine in the city's 1st arrondissement of Paris, 1st arrondissement (district or ward) and home to some of the most Western canon, canonical works of Art of Europe, Western art, including the ''Mona Lisa,'' ''Venus de Milo,'' and ''Winged Victory''. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II of France, Philip II. Remnants of the Medieval Louvre fortress are visible in the basement of the museum. Due to urban expansion, the fortress eventually lost its defensive function, and in 1546 Francis I of France, Francis I converted it into the primary residence of the French kings. The building was redesigned and extended many times to form the present Louvre Palace. In 1682, Louis XIV chose the Palace of Versailles for his househ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cassone
A cassone (plural ''cassoni'') or marriage chest is a rich and showy Italian type of chest, which may be inlaid or carved, prepared with gesso ground then painted and gilded. ''Pastiglia'' was decoration in low relief carved or moulded in gesso, and was very widely used. The cassone ("large chest") was one of the trophy furnishings of rich merchants and aristocrats in Italian culture, from the Late Middle Ages onward. The cassone was the most important piece of furniture of that time. It was given to a bride and placed in the bridal suite. It would be given to the bride during the wedding, and it was the bride's parents' contribution to the wedding. There are in fact a variety of different terms used in contemporary records for chests, and the attempts by modern scholars to distinguish between them remain speculative, and all decorated chests are today usually called ''cassoni'', which was probably not the case at the time. For example, a ''forziere'' probably denoted a dec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guild
A guild ( ) is an association of artisans and merchants who oversee the practice of their craft/trade in a particular territory. The earliest types of guild formed as organizations of tradespeople belonging to a professional association. They sometimes depended on grants of letters patent from a monarch or other ruler to enforce the flow of trade to their self-employed members, and to retain ownership of tools and the supply of materials, but most were regulated by the local government. Guild members found guilty of cheating the public would be fined or banned from the guild. A lasting legacy of traditional guilds are the guildhalls constructed and used as guild meeting-places. Typically the key "privilege" was that only guild members were allowed to sell their goods or practice their skill within the city. There might be controls on minimum or maximum prices, hours of trading, numbers of apprentices, and many other things. Critics argued that these rules reduced Free market, fre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sandro Botticelli
Alessandro di Mariano di Vanni Filipepi ( – May 17, 1510), better known as Sandro Botticelli ( ; ) or simply known as Botticelli, was an Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period. In addition to the mythological subjects for which he is best known today, Botticelli painted a wide range of religious subjects (including dozens of renditions of the ''Madonna and Child'', many in the round tondo shape) and also some portraits. His best-known works are '' The Birth of Venus'' and '' Primavera'', both in the Uffizi in Florence, which holds many of Botticelli's works.. Botticelli lived all his life in the same neig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Life Of The Virgin
The Life of the Virgin, showing narrative scenes from the life of Mary, the mother of Jesus, is a common subject for pictorial cycles in Christian art, often complementing, or forming part of, a cycle on the Life of Christ. In both cases the number of scenes shown varies greatly with the space available. Works may be in any medium: frescoed church walls and series of old master prints have many of the fullest cycles, but panel painting, stained glass, illuminated manuscripts, tapestries, stone sculptures and ivory carvings have many examples. Scenes shown The Life of the Virgin sometimes merges into a cycle of the Life of Christ, sometimes includes scenes from the Passion of Christ, but often jumps from the childhood of Christ to the Death of the Virgin. The Finding in the Temple, the last episode in the childhood of Christ, often ends the cycle. Important examples whose scenes are listed in the table below, include those in the Tornabuoni Chapel by Domenico Ghirlandai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frescoes
Fresco ( or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' () is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in apparently '' buon fresco'' technology, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spoleto Cathedral
Spoleto Cathedral (; ''Duomo di Spoleto'') is the cathedral of the Archdiocese of Spoleto-Norcia created in 1821, previously that of the diocese of Spoleto, and the principal church of the Umbrian city of Spoleto, in Italy. It is dedicated to the Assumption of the Blessed Virgin Mary. The church is essentially an example of Romanesque architecture, with a nave and two side-aisles crossed by a transept, although subsequently modified. It was built from the second half of the twelfth century after the city had been devastated by Frederick Barbarossa's troops, over an area where there had previously stood an earlier cathedral, dedicated to Saint Primianus (''San Primiano'')Saint Primianus is one of three saints with origins in Larino in Molise; his feast is still celebrated there on May 15, but the chapel dedicated to him is on the outskirts of the town. The historical account suggests that his remains were stolen from Larino by the citizens of nearby Lucera after Larino had been ravag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spoleto
Spoleto (, also , , ; ) is an ancient city in the Italian province of Perugia in east-central Umbria on a foothill of the Apennines. It is south of Trevi, north of Terni, southeast of Perugia; southeast of Florence; and north of Rome. History Spoleto was situated on the eastern branch of the Via Flaminia, which forked into two roads at Narni and rejoined at , near Foligno. An ancient road also ran hence to Norcia, Nursia. The of the 1st century BC still exists. The forum lies under today's marketplace. Located at the head of a large, broad valley, surrounded by mountains, Spoleto has long occupied a strategic geographical position. It appears to have been an important town to the original Umbri tribes, who built walls around their settlement in the 5th century BC, some of which are visible today. The first historical mention of is the notice of the foundation of a colony there in 241 BC; and it was still, according to Cicero "": a Latin colony in 95 BC. After the Bat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vasari
Giorgio Vasari (30 July 1511 – 27 June 1574) was an Italian Renaissance painter, architect, art historian, and biographer who is best known for his work '' Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of Western art-historical writing, and still much cited in modern biographies of the many Italian Renaissance artists he covers, including Leonardo da Vinci and Michelangelo, although he is now regarded as including many factual errors, especially when covering artists from before he was born. Vasari was a Mannerist painter who was highly regarded both as a painter and architect in his day but rather less so in later centuries. He was effectively what would now be called the minister of culture to the Medici court in Florence, and the ''Lives'' promoted, with enduring success, the idea of Florentine superiority in the visual arts. Vasari designed the ''Tomb of Michelangelo'', his hero, in the Basilica of Santa Cro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
