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Figura Serpentinata
() is a style in painting and sculpture, intended to make the figure seem more dynamic, that is typical of Mannerism. It is similar, but not identical, to '' contrapposto'', and features figures often in a spiral pose. Early examples can be seen in the work of Leonardo da Vinci, Raphael and Michelangelo. Emil Maurer writes of the painter and theorist Gian Paolo Lomazzo (1538–1600): "The recommended ideal form unites, after Lomazzo, three qualities: the pyramid, the movement and a certain numerical proportion, all three united to form one whole. At the same time, precedence is given to the "moto", that is, to the meandering movement, which should make the pyramid, in exact proportion, into the geometrical form of a cone." Bousquet holds that the style arose as a result of the discovery of the Laocoön group in 1506, and its deep impact on all artists, but on Michelangelo in particular. John Shearman also argues that it was invented by Michelangelo, citing the "Victors" th ...
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Horatius Cocles De Romeinse Helden (serietitel), RP-P-OB-10
Horatius may refer to: People Roman era * several ancient Roman men of the ''Horatia gens, gens Horatia'', including: ** Quintus Horatius Flaccus, the poet known in English as Horace ** one of the Horatii, three members of the ''gens Horatia'' who fought to the death against the Curiatii ** Marcus Horatius Pulvillus, consul in 509 and 507 BC ** Horatius Cocles, hero who defended the Sublician Bridge ** Marcus Horatius Barbatus, consul in 449 BC Post-Roman era *Horatius Acquaviva d'Aragona (d.1617), an Italian prelate *Horatius Paulijn (1644-1691), a Dutch painter *Horatius Sebastiani (1771-1851), a French soldier and diplomat * Horatius Bonar (1808–1889), a Scottish churchman and poet *Horatius "H.H." Coleman (1892-1969), an American church pastor *Horatius Murray (1903-1989), a British Army General Fictional characters * Horatius Faversham, a character in the radio series ''The Penny Dreadfuls Present...'' Literature *a poem in the ''Lays of Ancient Rome'' by Thomas Babington ...
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Marco Pino
Marco Pino or Marco da Siena (1521–1583) was an Italian painter of the Renaissance and Mannerist period. Born in Costalpino and first trained in Siena, he later worked in Rome and in Naples, where he died. He was putatively a pupil of the painters Beccafumi and Daniele da Volterra. The biographer Filippo Baldinucci also says he worked for Baldassare Peruzzi. Among his pupils in Messina was his son-in-law, Antonio Spanò.Cenni sulla pittura in Tropea e sull'opera di Giuseppe Grimaldi
by Francesco Pugliese, page 12.
Fabrizio Santafede Fabrizio Santafede or Fabrizio Santaféde (c. 1560–1623/28) was an Italian painter known for his altarpie ...
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Painting
Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual arts, visual art, bringing in elements such as drawing, Composition (visual art ...
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History Of Sculpture
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. In addition, most ancient sculpture was painted, which h ...
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Jacques Bousquet
Jacques Bousquet (1883–1939) was a French actor and screenwriter.Waldman p.43 Selected filmography * '' Dancing Mad'' (1925) * '' A Gentleman of the Ring'' (1926) * '' Paris-New York-Paris'' (1928) * ''Rendezvous'' (1930) * ''Love Songs'' (1930) * '' My Wife's Teacher'' (1930) * '' A Gentleman of the Ring'' (1932) * ''The Regiment's Champion'' (1932) * '' To the Polls, Citizens'' (1932) * '' A Happy Man'' (1932) * ''Court Waltzes'' (1933) * ''Mannequins'' (1933) * ''Idylle au Caire'' (1933) * ''Night in May'' (1934) * ''Stradivarius'' (1935) * '' Under Western Eyes'' (1936) * ''The Brighton Twins ''The Brighton Twins'' (French: ''Les jumeaux de Brighton'') is a 1936 French comedy film directed by Claude Heymann and starring Raimu, Michel Simon and Suzy Prim.Crisp p.407 It is based on the 1908 play of the same title by Tristan Bernard and ...'' (1936) References Bibliography * Waldman, Harry. ''Missing Reels: Lost Films of American and European Cinema''. McFarland, 2000. E ...
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Emil Maurer
Emil may refer to: Literature *''Emil and the Detectives'' (1929), a children's novel *"Emil", nickname of the Kurt Maschler Award for integrated text and illustration (1982–1999) *''Emil i Lönneberga'', a series of children's novels by Astrid Lindgren People *Emil (given name), including a list of people with the given name ''Emil'' or ''Emile'' *Aquila Emil (died 2011), Papua New Guinean rugby league footballer Other *Emil (river), in China and Kazakhstan *Emil (tank), a Swedish tank developed in the 1950s *Sturer Emil, a German tank destroyer See also * * Emile (other) *Aemilius (other) *Emilio (other) *Emílio (other) Emílio is a variant of the given names Emil, Emilio and Emilios, and may refer to: * Emílio Garrastazu Médici, Brazilian politician * Emílio Peixe, Brazilian footballer * Emílio Lino, Portuguese fencer * Emílio da Silva, footballer *Emíli ... * Emilios (other) {{Disambiguation ...
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The Rape Of Proserpina
''The Rape of Proserpina'' (), more accurately translated as ''The Abduction of Proserpina'', is a large Baroque marble group sculpture by Italian artist Gian Lorenzo Bernini, executed in 1621 and '22, when Bernini's career was in its early stage. The group, finished when Bernini was just 23 years old, depicts the abduction of Proserpina, who is seized and taken to the underworld by the god Pluto.Wittkower 1955, p. 235. It features Pluto holding Proserpina aloft, and a Cerberus to symbolize the border into the underworld that Pluto carries Proserpina into.Hibbard 1990, p. 45. Cardinal Scipione Borghese commissioned the sculpture and gave it to the newly appointed Cardinal-nephew, Ludovico Ludovisi, possibly as a means of gaining favour. The choice to depict the myth of Proserpina may relate to the recent death of Pope Paul V, or to the recent empowerment of Ludovico. Bernini drew inspiration from Giambologna and Annibale Carracci for the sculpture, which is the only work for wh ...
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Gian Lorenzo Bernini
Gian Lorenzo (or Gianlorenzo) Bernini (, ; ; Italian Giovanni Lorenzo; 7 December 1598 – 28 November 1680) was an Italians, Italian sculptor and Italian architect, architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque sculpture, Baroque style of sculpture. As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful ..." In addition, he was a painter (mostly small canvases in oil) and a man of the theatre: he wrote, directed and acted in plays (mostly Carnival satires), for which he designed stage sets and theatrical machinery. He produced designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches. As an architect and city planner, he de ...
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Renaissance Art
Renaissance art (1350 – 1620) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. Renaissance art took as its foundation the art of Classical antiquity, perceived as the noblest of ancient traditions, but transformed that tradition by absorbing recent developments in the art of Northern Europe and by applying contemporary scientific knowledge. Along with Renaissance humanist philosophy, it spread throughout Europe, affecting both artists and their patrons with the development of new techniques and new artistic sensibilities. For art historians, Renaissance art marks the transition of Europe from the medieval period to the Early Modern age. The body of art, including painting, sculpture, architecture, music and literature identified as "Renaissance art" was ...
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Paolo Pino
Paolo Pino (?-?, active between 1534 and 1565) was an Italian painter and art writer. He was born in Venice. A student of Giovanni Gerolamo Savoldo, he wrote the "Dialogo di pittura" (1548), which affirmed the supremacy of the Venetian School over the Florentine School and anticipated some aspects of the Mannerist style. Works Writings * Paintings *''Portrait of a collector'', Musée des Beaux-Arts, Chambéry, France. ''Portrait of Doctor Coignati'' 1534, Uffizi The Uffizi Gallery ( ; , ) is a prominent art museum adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums and the most visited, it is also one of th ... Sources Bibl. : Gilbert Creighton, « Antique Framework for Renaissance Art Theory : Alberti and Pino », Marsyas 3 (1946). Year of birth missing Year of death missing 16th-century Italian painters Italian male painters Painters from the Republic of Venice ...
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Parmigianino
Girolamo Francesco Maria Mazzola (11 January 150324 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (, , ; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes '' Vision of Saint Jerome'' (1527) and the iconic if somewhat anomalous '' Madonna with the Long Neck'' (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period. His prodigious and individual talent has always been recognised, but his career was disrupted by war, especially the Sack of Rome in 1527, three years after he moved there, and then ended by his death at 37. He produced outstanding drawings, and was one of the first Italian painters to experiment with printmaking himself. While his portable works have always been keenly collected and ...
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Francesco Salviati (painter)
Francesco Salviati or Francesco de' Rossi (1510 – 11 November 1563) was an Italian Mannerist painter who lived and worked in Florence, with periods in Bologna and Venice, ending with a long period in Rome, where he died. He is known by various names, usually the adopted one of Francesco Salviati or Il Salviati, after an early patron, but also Francesco Rossi and Cecchino del Salviati. He worked in fresco and oils, on ambitious history paintings, but also painted many portraits, and designed tapestries for the Medici. Biography Salviati was born in Florence, Italy. He apprenticed under Giuliano Bugiardini, Baccio Bandinelli, Andrea del Brescianino, and finally (in 1529–1530) Andrea del Sarto. In 1531 he travelled to Rome, where he met another pupil of Bandinelli's, Giorgio Vasari, and helped to complete the frescoes on the ''Life of John the Baptist'' in the Palazzo Salviati for his patron, the Cardinal Giovanni Salviati. It is from his attachment to this household that ...
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