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Fenomen
"Fenomen" is a song by the Yugoslav new wave band Šarlo Akrobata, from the album '' Bistriji ili tuplji čovek biva kad...'', released in 1981. Cover versions * Serbian punk rock band Džukele covered the song live on the various artists album ''Punk You All'' in 1998. * Električni Orgazam frontman Srđan Gojković "Gile" covered the song on the ''Jako dobar tattoo'' Milan Mladenović Milan Mladenović ( sr-Cyrl, Милан Младеновић; 21 September 1958 – 5 November 1994) was a Yugoslav and Serbian musician best known as the frontman of the Yugoslav art rock band Ekatarina Velika. Early life Born to Serb father S ... tribute album in 2002. References External links * ''EX YU ROCK enciklopedija 1960-2006'', Janjatović Petar; {{DEFAULTSORT:Fenomen (Sarlo Akrobata Song) 1981 songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Šarlo Akrobata
Šarlo Akrobata ( sr-Cyrl, Шарло Акробата, lit= Charlot the Acrobat) were a seminal Serbian new wave/post-punk band from Belgrade. Short-lived but extremely influential, in addition to being one of the most important acts of the Yugoslav new wave scene, the three piece left an indelible mark on the entire music scene of former Yugoslavia. Spawning from the progressive/hard rock group Limunovo Drvo ( sr-Cyrl, Лимуново Дрво, lit=Lemon Tree), founded in 1977 by guitarist and vocalist Milan Mladenović and guitarist Dragomir "Gagi" Mihajlović, after several lineup changes, moved towards new wave music, with the arrival of bassist and vocalist Dušan "Koja" Kojić and drummer Ivan "Vd" Vdović. After performing as an opening act for Pankrti in April 1980, Mihajlović left the band and the remaining three members changed their name to Šarlo Akrobata, after a Yugoslav nickname for Charlie Chaplin's character the Tramp. Subsequently, the trio recorded fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Džukele
Džukele ( sr-Cyrl, Џукеле; transl. '' The Curs'') were a Serbian punk rock band from Subotica. History The band Phoenix was formed in 1991 by Dragan Neorčić (bass guitar), Slobodan Vukosavljević (guitar, vocals), and Rudolf Aleksijević (drums). Together they recorded their first, seven-track demo at the Classic Studio, and a few months later, in February 1992, the band recorded yet another demo, featuring two songs. In April of the same year, former Allegro member Leonid Pilipović, also known as "Leo fon Punkerstein", joined the band and, as Phoenix '39, the band recorded their third demo recording, made in November at the ''Do-Re-Mi'' studio in Novi Sad. After the demo recording, the band was renamed to Džukele, and started performing live, including the 1993 Gitarijada festival in Zaječar, which was their first major live appearance, and, during February 1994, at the Brzi Bendovi Srbije Festival, where they were, along with Goblini, pronounced the greatest breakt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Wave Music
New wave is a music genre that encompasses pop music, pop-oriented styles from the 1970s through the 1980s. It is considered a lighter and more melodic "broadening of Punk subculture, punk culture". It was originally used as a catch-all for the various styles of music that emerged after punk rock. Later, critical consensus favored "new wave" as an umbrella term involving many contemporary popular music styles, including synth-pop, alternative dance and post-punk. The main new wave movement coincided with late 1970s punk and continued into the early 1980s. The common characteristics of new wave music include a humorous or quirky pop approach, angular guitar riffs, jerky rhythms, the use of electronics, and a distinctive visual style in fashion. In the early 1980s, virtually every new pop and rock act – and particularly those that employed synthesizers – were tagged as "new wave" in the United States. Although new wave shares punk's do-it-yourself philosophy, the musician ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punk Rock
Punk rock (also known as simply punk) is a rock music genre that emerged in the mid-1970s. Rooted in 1950s rock and roll and 1960s garage rock, punk bands rejected the corporate nature of mainstream 1970s rock music. They typically produced short, fast-paced songs with hard-edged melodies and singing styles with stripped-down instrumentation. Punk rock lyrics often explore anti-establishment and Anti-authoritarianism, anti-authoritarian themes. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through independent record label, independent labels. The term "punk rock" was previously used by American Music criticism, rock critics in the early 1970s to describe the mid-1960s garage bands. Certain late 1960s and early 1970s Detroit acts, such as MC5 and Iggy and the Stooges, and other bands from elsewhere created out-of-the-mainstream music that became highly influential on what was to come. Glam rock in the UK and the New York Dolls from New York ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Punk
Art punk, or artcore, is a subgenre of punk rock in which artists go beyond the genre's rudimentary garage rock and are considered more sophisticated than their peers. These groups still generated punk's aesthetic of being simple, offensive, and free-spirited, but essentially attracted audiences other than the angry, working-class ones that surrounded pub rock. History In the rock music of the 1970s, the "art" descriptor was generally understood to mean either "aggressively avant-garde" or "pretentiously progressive". Musicologists Simon Frith and Howard Horne described the band managers of the 1970s punk bands as "the most articulate theorists of the art punk movement", with Bob Last of Fast Product identified as one of the first to apply art theory to marketing, and Tony Wilson's Factory Records described as "applying the Bauhaus principle of the same 'look' for all the company's goods".Frith, Simon & Horne, Howard (1987) ''Art into Pop'', Methuen, , p. 129-130 Wire's Colin N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jugoton
Jugoton was the largest record label and chain record store in the former Yugoslavia based in Zagreb, SR Croatia. History Jugoton was formed in 1947. It replaced Elektroton, which had been founded in 1937, nationalized in 1945, and liquidated in 1947, acquiring its machines and matrices. By 1961, Jugoton was producing 2,371,600 records a year. It is notable for releasing some of the most important former Yugoslav pop and rock records. In addition, the company owned a widespread network of record shops across SFR Yugoslavia. The company changed its name to Croatia Records in 1991, after Croatia seceded from Yugoslavia. Artists Jugoton notable for signing numerous eminent former Yugoslav pop and rock acts. Some of the artists that have been signed to Jugoton include: * Aerodrom * Ansambel bratov Avsenik * Silvana Armenulić * Atomi * Azra *Đorđe Balašević * Bele Vrane * Beograd *Halid Bešlić * Bezobrazno Zeleno * Bijele Strijele *Bijelo Dugme *Biseri * Borghesia * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Socialist Federal Republic Of Yugoslavia
The Socialist Federal Republic of Yugoslavia (commonly abbreviated as SFRY or SFR Yugoslavia), known from 1945 to 1963 as the Federal People's Republic of Yugoslavia, commonly referred to as Socialist Yugoslavia or simply Yugoslavia, was a country in Central Europe, Central and Southeast Europe. It was established in 1945, following World War II, and lasted until 1992, breakup of Yugoslavia, dissolving amid the onset of the Yugoslav Wars. Spanning an area of in the Balkans, Yugoslavia was bordered by the Adriatic Sea and Italy to the west, Austria and Hungarian People's Republic, Hungary to the north, People's Republic of Bulgaria, Bulgaria and Socialist Republic of Romania, Romania to the east, and People's Socialist Republic of Albania, Albania and Greece to the south. It was a One-party state, one-party socialist state and federation governed by the League of Communists of Yugoslavia, and had six constituent republics: Socialist Republic of Bosnia and Herzegovina, Bosnia and Her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune " The Hucklebuck" and Hank Williams' 1952 song " Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Električni Orgazam
Električni Orgazam ( sr-cyr, Електрични Оргазам, lit=Electric Orgasm, translit=) is a Serbian rock band from Belgrade. Originally starting as a combination of new wave, punk rock and post-punk, the band later slowly changed their style, becoming a mainstream rock act. They were one of the most notable acts of the former Yugoslav rock scene. History New wave years (1980–1983) The melodic hard rock band Hipnotisano Pile (''Hypnotized Chicken''), formed in 1979, which got the name by the line from the Iggy Pop song " Lust For Life", consisted of Srđan Gojković "Gile" (drums), Ljubomir Jovanović "Jovec" (guitar), Bojan Banović (vocals), Vladan Stepanović (guitar), "Džo" Otašević (keyboards). The band performed their own material, mainly written by Banović, on Guitar festivals in Belgrade. In mid-January 1980, at the Mornar bistro, after a Leb i Sol concert held at the Belgrade Dom Sindikata, Hipnotisano Pile members, drummer Gojković and guita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milan Mladenović
Milan Mladenović ( sr-Cyrl, Милан Младеновић; 21 September 1958 – 5 November 1994) was a Yugoslav and Serbian musician best known as the frontman of the Yugoslav art rock band Ekatarina Velika. Early life Born to Serb father Spasa from Kruševac and Croat mother Danica from Podgora, Milan's first years were spent in Zagreb, PR Croatia, where his father, an officer in the Yugoslav People's Army, was stationed at the time. Consequently, Milan grew up wherever it was that his dad's job took the family. In total, it ended up being three cities. When he was six, Milan's family moved to Sarajevo where he spent a notable part of his childhood in neighbourhood Grbavica. Eventually in 1970, they moved to Belgrade just short of his 12th birthday. Once in Belgrade, Milan attended the Eleventh Belgrade Gymnasium in the Lekino Brdo neighbourhood while simultaneously entering the circle of young people involved with music and arts. According to Margita Stefanović, Ml ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
