Femme Fragile
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Femme Fragile
(; ) is a cultural and literary archetype that portrays women as delicate, vulnerable, and emotionally or psychologically fragile. Originating in literature, art, and social discourse, the concept often represents women as passive figures in need of protection, guidance, or rescue. She is the conceptual counterpart to the ''femme fatale''; where the latter is self-assured and dangerous, the ''femme fragile'' is innocent, dependent, and susceptible to collapse under the weight of societal or personal pressures. Historical context and examples The origins of the ''femme fragile'' can be traced back to the Romantic era, particularly in 19th-century European literature and art. During this period, women were frequently depicted as ethereal, sensitive beings, prone to illness, emotional breakdowns, and even death due to their fragile dispositions. These portrayals explored themes of femininity, virtue, and the limits of endurance in the face of a harsh world. The trope often invo ...
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La Bohème (1926) - 4
LA most frequently refers to Los Angeles, the second most populous city in the United States of America. La, LA, or L.A. may also refer to: Arts and entertainment Music *La (musical note), or A, the sixth note *"L.A.", a song by Elliott Smith on Figure 8 (album), ''Figure 8'' (album) *L.A. (EP), ''L.A.'' (EP), by Teddy Thompson *''L.A. (Light Album)'', a Beach Boys album *L.A. (Neil Young song), "L.A." (Neil Young song), 1973 *The La's, an English rock band *L.A. Reid, a prominent music producer *Yung L.A., a rapper *Lady A, an American country music trio *L.A. (Amy Macdonald song), "L.A." (Amy Macdonald song), 2007 *"La", a song by Australian-Israeli singer-songwriter Old Man River (musician), Old Man River *''La'', a Les Gordon album Other media *l(a, a poem by E. E. Cummings *La (Tarzan), fictional queen of the lost city of Opar (Tarzan) *''Lá'', later known as Lá Nua, an Irish language newspaper *La7, an Italian television channel *LucasArts, an American video game deve ...
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Verdi
Giuseppe Fortunino Francesco Verdi ( ; ; 9 or 10 October 1813 â€“ 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto, a small town in the province of Parma, to a family of moderate means, receiving a musical education with the help of a local patron, Antonio Barezzi. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Vincenzo Bellini, and Gaetano Donizetti, whose works significantly influenced him. In his early operas, Verdi demonstrated sympathy with the Risorgimento movement which sought the unification of Italy. He also served briefly as an elected politician. The chorus " Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he bec ...
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Romanticism In Literature
Romanticism (also known as the Romantic movement or Romantic era) was an artistic and intellectual movement that originated in Europe towards the end of the 18th century. The purpose of the movement was to advocate for the importance of subjectivity and objectivity (philosophy), subjectivity, imagination, and appreciation of nature in society and culture in response to the Age of Enlightenment and the Industrial Revolution. Romanticists rejected the social conventions of the time in favour of a moral outlook known as individualism. They argued that passion (emotion), passion and intuition were crucial to understanding the world, and that beauty is more than merely an classicism, affair of form, but rather something that evokes a strong emotional response. With this philosophical foundation, the Romanticists elevated several key themes to which they were deeply committed: a Reverence (emotion), reverence for nature and the supernatural, nostalgia, an idealization of the past as ...
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Femme Fatale
A ( , ; ), sometimes called a maneater, Mata Hari, or vamp, is a stock character of a mysterious, beautiful, and Seduction, seductive woman whose charms ensnare her lovers, often leading them into compromising, deadly traps. She is an archetype of literature and art. Her ability to enchant, entice and hypnotize her victim with a spell was in the earliest stories seen as verging on supernatural; hence, the ''femme fatale'' today is still often described as having a power akin to an enchantress, seductress, witch, having power over men. Femmes fatales are typically villainous, or at least morally ambiguous, and always associated with a sense of wiktionary:mystification, mystification, and unease.Mary Ann Doane, ''Femme Fatales'' (1991) pp. 1–2 The term originates from the French phrase '':fr:Femme fatale, femme fatale'', which means 'deadly woman' or 'lethal woman'. A ''femme fatale'' tries to achieve her hidden purpose by using feminine wiles such as beauty, charm, or sexual al ...
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Protestor Marcha Das Vadias
A protest (also called a demonstration, remonstration, or remonstrance) is a public act of objection, disapproval or dissent against political advantage. Protests can be thought of as acts of cooperation in which numerous people cooperate by attending, and share the potential costs and risks of doing so. Protests can take many different forms, from individual statements to mass political demonstrations. Protesters may organize a protest as a way of publicly making their opinions heard in an attempt to influence public opinion or government policy, or they may undertake direct action in an attempt to enact desired changes themselves. When protests are part of a systematic and peaceful nonviolent campaign to achieve a particular objective, and involve the use of pressure as well as persuasion, they go beyond mere protest and may be better described as civil resistance or nonviolent resistance. Various forms of self-expression and protest are sometimes restricted by government ...
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Élémir Bourges
Élémir Bourges (; 26 March 1852, Manosque, Alpes-de-Haute-Provence – 13 November 1925) was a French novelist. A winner of the Goncourt Prize, he was also a member of the Académie Goncourt. Bourges, who accused the Naturalists of having "belittled and deformed man",Lalou, René. ''Contemporary French Literature''. Page 303. A. Knopf, 1924. was closely linked with the Decadent and Symbolist modes in literature. His works, which include the 1884 novel ''Le Crépuscule des dieux'' ("the Twilight of the Gods"), were informed by both Richard Wagner Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, essayist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most o ... and the Elizabethan dramatists. Bibliography *''Sous la hache'' (1883) *''Le Crépuscule des dieux'' (1884) *''Les oiseaux s’envolent et les fleurs tombent'' (1893) *''L'Enfant qui ...
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Bahnwärter Thiel (novella)
''Bahnwärter Thiel'', translated as ''Lineman Thiel'' and ''Trackwalker Thiel'', is a German Naturalist novella by writer Gerhart Hauptmann first published in 1888. Plot Thiel, a man of "Herculean" stature and diligent churchgoer, is working as a lineman near Erkner, Brandenburg, Germany. He marries a slender and sickly-looking woman, Minna, who dies after giving birth to their son Tobias. One year later, Thiel marries again, this time former maid Lene, a big and strong, but also domineering and quarrelsome woman, and has a second child with her. Thiel notices signs of abuse on Tobias, who is overtly disliked by his stepmother, but he pretends not to see them despite his love to his son. He has repeated visions of his dead first wife; in one of these, she stumbles along the rail tracks, carrying something wrapped in bloodied cloths with her. One day, Lene accompanies Thiel with Tobias and their second child to his workplace, as Thiel has been given a small piece of land near by w ...
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Gerhart Hauptmann
Gerhart Johann Robert Hauptmann (; 15 November 1862 – 6 June 1946) was a German dramatist and novelist. He is counted among the most important promoters of Naturalism (literature), literary naturalism, though he integrated other styles into his work as well. He received the 1912 Nobel Prize in Literature, Nobel Prize in Literature in 1912. Life Childhood and youth Gerhart Hauptmann was born in 1862 in Szczawno-Zdrój, Obersalzbrunn, now known as Szczawno-Zdrój, in Lower Silesia (then a part of the Kingdom of Prussia, now a part of Poland). His parents were Robert and Marie Hauptmann, who ran a hotel in the area. As a youth, Hauptmann had a reputation of being loose with the truth. His elder brother was Carl Hauptmann. Beginning in 1868, he attended the village school and then, in 1874, the Realschule in Breslau for which he had only barely passed the qualifying exam. Hauptmann had difficulties adjusting himself to his new surroundings in the city. He lived, along with his ...
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Fräulein Else (novella)
' is a 1924 novella by the Austrian writer Arthur Schnitzler. It has been adapted into films on a number of occasions including the German silent '' Fräulein Else'' (1929), the Argentine '' The Naked Angel'' (1946) and '' Fräulein Else'' (2014). Adaptations Operatic adaptation ''Else'', a 2021 Italian-language operatic adaptation by Federico Gardella, premiered at Cantiere Internazionale d'Arte The (International Art Workshop) is an annual international summer school and musical festival for young singers, actors, musicians, conductors and composers. It was set up in Montepulciano, Italy, in 1976 by Hans Werner Henze. Several works rece ... di Montepulciano, Italy.https://www.fondazionecantiere.it/it/46-cantiere-internazionale-d-arte-2021?view=article&id=815:else&catid=99:eventi-46-cantiere References Bibliography * Kohl, Katrin Maria and Robertson, Ritchie. ''A History of Austrian Literature 1918–2000''. Camden House, 2006. External links Austrian novellas ...
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Professor Bernhardi
''Professor Bernhardi'' (1912) is one of the best known plays written by the Viennese dramatist, short story writer and novelist Arthur Schnitzler. It was first performed in Berlin at the Kleines Theater in 1912, but banned in Austria until the collapse of the Austro-Hungarian Empire as a result of World War I. Although billed as a "comedy in five acts", the play explores antisemitism and Austrian-Jewish identity. Plot The setting is Vienna, 1900. Professor Bernhardi is a Jewish physician, director of the Elisabethinum, a clinic named in honor of Empress Elisabeth of Austria. A young woman in his care is dying of sepsis following an abortion. Unaware that she is on the brink of death, she is happy and believes herself to be recovering. Father Reder, a priest summoned by a nurse arrives to give the patient the last rites but Bernhardi refuses him admission. He wants to spare her the anguish she would suffer were she to realize that she is about to die. The priest argues that she m ...
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Arthur Schnitzler
Arthur Schnitzler (15 May 1862 – 21 October 1931) was an Austrian author and dramatist. He is considered one of the most significant representatives of Viennese Modernism. Schnitzler’s works, which include psychological dramas and narratives, dissected turn-of-the-century Viennese bourgeois life, making him a sharp and stylistically conscious chronicler of Viennese society around 1900. Schnitzler's Jewish upbringing and the sexual content of his works made them controversial or banned in his time and beyond. Life Arthur Schnitzler was born at Praterstrasse 16, Leopoldstadt, Vienna, capital of the Austrian Empire (as of 1867, part of the dual monarchy of Austria-Hungary). He was the son of a prominent Hungarian laryngologist, Johann Schnitzler (1835–1893), and Luise Markbreiter (1838–1911), a daughter of the Viennese doctor Philipp Markbreiter. His parents were both from Jewish families. In 1879 Schnitzler began studying medicine at the University of Vienna and in 18 ...
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Fin De Siècle
"''Fin de siècle''" () is a French term meaning , a phrase which typically encompasses both the meaning of the similar English idiom '' turn of the century'' and also makes reference to the closing of one era and onset of another. Without context, the term is typically used to refer to the end of the 19th century. This period was widely thought to be a period of social degeneracy, but at the same time a period of hope for a new beginning. The "spirit" of ''fin de siècle'' often refers to the cultural hallmarks that were recognized as prominent in the 1880s and 1890s, including ennui, cynicism, pessimism, and "a widespread belief that civilization leads to decadence." The term is commonly applied to French art and artists, as the traits of the culture first appeared there, but the movement affected many European countries. The term becomes applicable to the sentiments and traits associated with the culture, as opposed to focusing solely on the movement's initial recogni ...
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